“Tiger, tiger, burning bright/In the forests of the night/ What immortal hand or eye/ Could frame thy fearful symmetry?” These often quoted lines are part of The Tiger in William Blake's Songs of Innocence and Experience. In 1789, William Blake released a limited edition of the book. Being a gifted artist, poet and printmaker, he undertook to personally publish all his work himself through a very painstaking but highly artistic process of etching, thereby transferring his drawings and poems individually onto copper plates by hand...

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul are two books of poetry by the English poet and painter, William Blake. Although Songs of Innocence was first published by itself in 1789, it is believed that Songs of Experience has always been published in conjunction with Innocence since its completion in 1794. Songs of Innocence mainly consists of poems describing the innocence and joy of the natural world, advocating free love and a closer relationship with God, and most famously including Blake’s poem The Lamb...

The Book of Urizen is one of the major prophetic books of the English poet William Blake, illustrated by Blake’s own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the word “first”. The book takes its name from the character Urizen in Blake’s mythology, who represents alienated reason as the source of oppression. The book describes Urizen as the “primeaval priest”, and describes how he became separated from the other Eternals to create his own alienated and enslaving realm of religious dogma...

Milton: a Poem is an epic poem by William Blake, written and illustrated between 1804 and 1810. Its hero is John Milton, who returns from heaven and unites with Blake to explore the relationship between living writers and their predecessors. While on earth, Milton also unites with his feminine aspect, Ololon. The poem describes progress toward the apocalyptic union of living and dead, internal and external reality, and male and female. .

The epic poem Jerusalem was in Blake's own opinion his masterpiece. It is the last of the great prophetic books. Originally produced as an engraved book of 100 pages (only one copy of which was every fully finished in the colouring), the poem develops and unifies many of the themes Blake had been exploring in earlier works. It is a complex and powerful work, full of dramatic imagery and sublime poetry. You might think of it like a poetic version of a Wagner opera. This is poetry as if your life depended on it...

The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good...

William Blake was an English poet, painter and printmaker. Largely unrecognized during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. He was considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work

"The road of excess leads to the palace of wisdom."The Marriage of Heaven & Hell is William Blake’s masterpiece – a piously blasphemous reimagining of the duality of good and evil as an eternal dance of equally essential polarities.Good, in Blake’s complex cosmology, is defined by a blind deference to the external, rational order embodied by the tyrant and the priest. Evil is the chaotic and revolutionary impulse that defies all reason and authority.While Blake’s sympathies are clearly with the Romantic revolutionary, he argues for the necessity of both sides, which create balance through their eternal opposition.

"Innocence" and "Experience" are definitions of consciousness that rethink Milton's existential-mythic states of "Paradise" and "Fall". Blake categorizes our modes of perception that became standard in Romanticism: childhood is a state of innocence rather than original sin, but not immune to the fallen world . The first part of this volume mainly shows happy, innocent perception in pastoral harmony, whereas the second part also deals with darker themes.

The short, simple lines of these delicate poems resemble song lyrics, emphasizing the concrete but hinting at transcendent realities, although a few deal with abstractions directly. Many voices are heard: of children , animals, parents, and narrators. The two companion volumes deal with the inevitable passage from the child’s wonder and delight in the creation to the adult’s understanding of it. This transition is fraught with dangers and can result in unhealthy attitudes. Blake has little good to say about human institutions dedicated to education, but sometimes lucky children do hit upon wholesome means of passing from innocence into experience...