The Happy Prince and Other Tales (also sometimes called The Happy Prince and Other Stories) is an 1888 collection of stories for children by Oscar Wilde. It is most famous for The Happy Prince, the short tale of a metal statue who befriends a migratory bird. Together, they bring happiness to others, in life as well as in death. The stories included in this collection are:The Happy PrinceThe Nightingale and the RoseThe Selfish GiantThe Devoted FriendThe Remarkable RocketThe stories convey an appreciation for the exotic, the sensual and for masculine beauty.

In 1894, Oscar Wilde (1854-1900) published two short collections of aphorisms: “A Few Maxims For The Instruction Of The Over-Educated”, in the Saturday Review newspaper, and “Phrases and Philosophies for the Use of the Young”, in the Oxford student magazine The Chameleon. By turns witty, intellectual, counter-intuitive and obtuse, the collections came to be seen by many as emblematic of Wilde’s style, and countless collections of Wildean aphorisms have since been published.

This is a letter written from prison in 1897 by Oscar Wilde to Lord Alfred Douglas, in which he recounts how he came to be in prison and charts his spiritual development.

Lady Windermere’s Fan: A Play About a Good Woman is a four act comedy by Oscar Wilde, published in 1893. As in some of his other comedies, Wilde satirizes the morals of Victorian society, and attitudes between the sexes. The action centres around a fan given to Lady Windermere as a present by her husband, and the ball held that evening to celebrate her 21st birthday.

”The Fisherman and his Soul” is a fairy tale first published in November of 1891 in Wilde’s “A House of Pomegranates”. It tells of a fisherman who nets and falls in love with a mermaid. But to be with her he must shed his soul, which goes off to have adventures of its own. Will forbidden love endure?

In 1895, Oscar Wilde was sentenced to 2 years of hard labor for acts of ‘gross indecency’. During his time at Reading Gaol, he witnessed a rare hanging, and in the three years between his release and his untimely death in 1900, was inspired to write the following poem, a meditation on the death penalty and the importance of forgiveness, even for (and especially for) something as heinous as murdering one’s spouse; for even the murderer, Wilde argues, is human and suffers more so for being the cause of his own pain, for ‘having killed the thing he loved’; for everyone is the cause of someone else’s suffering and suffers at the hands of another...

The original 1891 version of the play was in French. Three years later an English translation was published. The play tells in one act the Biblical story of Salome, stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but to the delight of her mother Herodias, requests the head of Iokanaan (John the Baptist) on a silver platter as a reward for dancing the Dance of the Seven Veils.

“(T)he past is what man should not have been. The present is what man ought not to be. The future is what artists are.”Published originally as “The Soul of Man Under Socialism,” this is not so much a work of sober political analysis; rather it can be summed up as a rhapsodic manifesto on behalf of the Individual. Socialism having deployed technology to liberate the whole of humanity from soul-destroying labour, the State obligingly withers away to allow the free development of a joyful, anarchic hedonism...

Two short fragments: an unfinished and a lost play. A Florentine Tragedy, left in a taxi (not a handbag), is Wilde’s most successful attempt at tragedy – intense and domestic, with surprising depth of characterisation. It was adapted into an opera by the Austrian composer Alexander Zemlinsky in 1917. La Sainte Courtisane, or The Woman Covered in Jewels explores one of Wilde’s great idées fixes: the paradox of religious hedonism, pagan piety. Both plays, Wildean to their core, revel in the profound sadness that is the fruit of the conflict between fidelity and forbidden love...

A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It looks in particular at English upper class society and has been reproduced on stages in Europe and North America since his death in 1900.

Guido Ferranti, a young man, travels to Padua with his friend Ascanio after receiving a mysterious letter from a stranger, claiming to know the true secret of Guido's birth. His plan of revenge goes awry, however, when he falls in love with his enemy's beautiful wife, the Duchess of Padua.

Lord Arthur Savile's Crime and Other Stories is a collection of short semi-comic mystery stories. This collection exemplifies Wilde's sharp wit and dark humour. Stories in this collection include Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret, The Model Millionaire, and The Portrait Of Mr W H.

Vera; or, The Nihilists is a play by Oscar Wilde. It is a melodramatic tragedy set in Russia and is loosely based on the story of Vera Zasulich. It was the first play that Wilde wrote. It was produced in the United Kingdom in 1880, and in New York in 1882, but it was not a success and folded in both cities. It is nowadays rarely revived.

“Call me Ishmael” is one of the most famous opening lines in American literature. With these words, opens one of the strangest and most gripping stories ever written about the sea and sea-faring. Moby Dick by Herman Melville is today considered one of the greatest novels written in America but paradoxically, it was a miserable failure when it first made its debut in 1851. Entitled Moby Dick or The Whale the book finally got its due after the author's death and is now regarded as a classic portrayal of mania and fatal obsession...

A whaling ship stops at a remote Polynesian island. The crew aboard is exhausted after a grueling six-month voyage in which they suffered ill-treatment and drudgery. Two men decide to abandon ship and hide on the island, living off the fruit of the land, until they can get on board a more conducive ship. However, to their consternation they discover that part of the island paradise is peopled by a savage and cannibalistic tribe called the Typees. As destiny would have it, they fall into the hands of the very people they dread...

Bartleby, the Scrivener: A Story of Wall Street is a novella by the American novelist Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856.

On an island off the coast of Chile, Captain Amaso Delano, sailing an American sealer, sees the San Dominick, a Spanish slave ship, in obvious distress. Capt. Delano boards the San Dominick, providing needed supplies, and tries to learn from her aloof and disturbed captain, Benito Cereno, the story of how this ship came to be where she is. Dealing with racism, the slave trade, madness, the tension between representation and reality, and featuring at least one unreliable narrator, Melville's novella has both captivated and frustrated critics for decades.

Omoo: A Narrative of Adventures in the South Seas is Herman Melville's sequel to Typee, and, as such, was also autobiographical. After leaving Nuku Hiva, the main character ships aboard a whaling vessel which makes its way to Tahiti, after which there is a mutiny and the majority of the crew are imprisoned on Tahiti. The book follows the actions of the narrator as he explores Tahiti and remarks on their customs and way of life.Many sources incorrectly assert that Omoo is based on Melville's stay in the Marquesas. The novel is, in fact, exclusively based on his experiences in the Society Islands.

The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism...

This is a tale based on Melville's experiences aboard the USS United States from 1843 to 1844. It comments on the harsh and brutal realities of service in the US Navy at that time, but beyond this the narrator has created for the reader graphic symbols for class distinction, segregation and slavery aboard this microcosm of the world, the USS Neversink. (Introduction by James K. White)

The Encantadas or Enchanted Isles is a novella by American author Herman Melville. First published in Putnam's Magazine in 1854, it consists of ten philosophical "Sketches" on the Encantadas, or Galápagos Islands. It was collected in The Piazza Tales in 1856. The Encantadas was to become the most critically successful of that collection. All of the stories are replete with symbolism reinforcing the cruelty of life on the Encantadas. (Introduction excerpted from Wikipedia)

Melville wrote of some of his earliest experiences at sea in the story of Wellingborough Redburn, a wet-behind-the-ears youngster whose head was filled with dreams of foreign travel and adventure. In Redburn, the protagonist enlists for a stint as a seaman aboard Highlander, a merchant ship running between New York and London. As with many of Melville's works, this one is as much about class and race as it is about the sea.