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By: John Bunyan (1628-1688) | |
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![]() John Bunyan (November 28, 1628 – August 31, 1688), a Christian writer and preacher, was born at Harrowden (one mile south-east of Bedford), in the Parish of Elstow, England. He wrote The Pilgrim’s Progress, arguably the most famous published Christian allegory. In the Church of England he is remembered with a Lesser Festival on 30 August. Bunyan became a popular preacher as well as a prolific author, though most of his works consist of expanded sermons. In theology he was a Puritan, but there was nothing gloomy about him. The portrait his friend Robert White drew, which has often been reproduced, shows the attractiveness of his true character. | |
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By: John Bunyan (1628-1688) | |
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![]() The Pilgrim's Progress from This World to That Which Is to Come is a Christian allegory written by John Bunyan and published in February, 1678. It is regarded as one of the most significant works of religious English literature, has been translated into more than 200 languages, and has never been out of print. The author says in the preface " I have endeavored as far as possible to avoid hard and technical expressions, and I cannot but think that the mere fact of the brevity of the words must be a great attraction to beginners of all ages. | |
By: Edmund Spenser (c.1552-1599) | |
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![]() “The First Book of the Faerie Queene Contayning The Legende of the Knight of Red Crosse or Holinesse”. The Faerie Queene was never completed, but it continues to be one of the most beautiful and important works of literature ever written. Spenser wrote it as a paean to the Virgin Queen Elizabeth, and to the golden age which she had brought to England. Sponsored by Sir Walter Raleigh and commended by the foremost literary minds of his day, Spenser’s book remains one of the crowning poetic achievements of the Elizabethan period. | |
![]() The Amoretti (meaning little love poems) is a sequence of 89 sonnets written in the tradition of the Petrarchan sonnets, a popular form for poets of the Renaissance period. Spenser’s sequence has been largely neglected in modern times, while those of his contemporaries William Shakespeare and Sir Philip Sidney have been acclaimed. However, because of the artistic skill, along with the emotion and the humor exhibited, these poems deserve a broader hearing, even though they may be somewhat difficult for the present-day reader, partly through Spenser’s love for words and expressions that were already archaic in his time... | |
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By: Rafael Sabatini (1875-1950) | |
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![]() An adventure novel with an unexpected hero, Captain Blood follows the unintended journey of chivalrous and well-educated gentleman Peter Blood, who without much choice was plunged into the world of piracy forcing him to leave his tranquil lifestyle behind. Sabatini first introduced his protagonist in a series of eight short stories published in magazine installments, until later weaving them together in 1922 as a novel. Set in the late 17th century, the novel begins with the image of Peter Blood, a physician, casually attending his geraniums and smoking a pipe... | |
![]() “He was born with a gift of laughter and a sense that the world was mad!” The wonderful opening lines of this 1921 novel set the tone for the rest of this delightful story of an adventurer and romantic who dons several roles in his colorful life. Scaramouche by Rafael Sabatini is an historical novel set in the turbulent times of the French Revolution. The plot describes Andre-Louis Moreau, a young lawyer adopted by his godfather who cannot reveal his parentage. Moreau inadvertently stumbles into political events and becomes a wanted man based on the evil machinations of a sinister Marquis... | |
![]() First published in 1915, The Sea Hawk follows the adventures of its protagonist Sir Oliver Tressilian, as he is unjustly betrayed and left to the mercy of others by his selfish brother, who seeks only to save his own skin no matter the cost. Exploring various themes including betrayal, vengeance, sacrifice, injustice, and tormented love, the novel successfully demonstrate Sabatini’s exceptional flair for adventure. Set in the late 16th century, the tale begins with the introduction of Sir Oliver Tressilian, a wealthy gentleman who lives together with his brother Lionel, haunted by his family’s bad-tempered reputation... | |
![]() Follow the exploits of Sir Crispin Galliard, also known as The Tavern Knight, in his defence of the King of England against Cromwell and his Puritan Entourage. | |
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By: John Milton (1608-1674) | |
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![]() Magnificent in its scale and scope, this monumental poem by the blind poet John Milton was the first epic conceived in the English language. It describes an omniscient, all powerful God, the Fall of Man, the Temptation in the Garden of Eden, the disgraced angel who later becomes known as Satan, the Angelic Wars fought by Archangels Michael and Raphael and the Son of God who is the real hero of this saga. The poet John Milton was more than sixty years old when he embarked on this immense work of literary creation... | |
![]() Paradise Regained is a poem by the 17th century English poet John Milton, published in 1671. It is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes. Based on the Gospel of Luke’s version of the Temptation of Christ, Paradise Regained is more thoughtful in writing style, and thrives upon the imagery of Jesus’ perfection in contrast to the shame of Satan. | |
![]() A prose tract or polemic by John Milton, published November 23, 1644, at the height of the English Civil War… Milton, though a supporter of the Parliament, argued forcefully against the Licensing Order of 1643, noting that such censorship had never been a part of classical Greek and Roman society. The tract is full of biblical and classical references which Milton uses to strengthen his argument. The issue was personal for Milton as he had suffered censorship himself in his efforts to publish... | |
![]() “The Sun to me is darkAnd silent as the Moon,When she deserts the nightHid in her vacant interlunar cave.”Milton composes his last extended work as a tragedy according to the classical Unities of Time, Place and Action. Nevertheless it “never was intended for the stage” and is here declaimed by a single reader.Samson the blinded captive, in company with the Chorus of friends and countrymen, receives his visitors on their varying missions and through them his violent story is vividly recalled... | |
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