John Donne (1572 – March 31, 1631) was a Jacobean poet and preacher, representative of the metaphysical poets of the period. His works, notable for their realistic and sensual style, include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and immediacy of metaphor, compared with that of his contemporaries. Towards the end of his life Donne wrote works that challenged death, and the fear that it inspired in many men, on the grounds of his belief that those who die are sent to Heaven to live eternally...

Devotions upon Emergent Occasions is a 1624 prose work by the English writer John Donne. It is a series of reflections that were written as Donne recovered from a serious illness, believed to be either typhus or relapsing fever. (Donne does not clearly identify the disease in his text.) The work consists of twenty-three parts describing each stage of the sickness. Each part is further divided into a Meditation, an Expostulation, and a Prayer. The seventeenth meditation is perhaps the best-known part of the work...

John Donne was an English Jacobean preacher, sometime lawyer, later in life a Member of Parliament and Royal Chaplain. Marrying for love against the wishes of his influential father-in-law; Donne's career was cast into shadow: forcing him to support his wife, Anne, as best he might under a specter of unforgiving penury. Despite such hardships - perhaps because of them - Donne's writings demonstrate a mastery of poetry layered with metaphysical meaning and mystery: which continues to delight and challenge modern-day readers...

The legend of Don Juan is one that's been told and retold over the centuries by poets and novelists. His life has been the subject of operas, musicals and film. The earliest reference was in a fourteenth century Spanish play and compiled in book form in the seventeenth century. His life continued to fascinate writers like Moliere, Byron, Bernard Shaw, Pushkin, Shakespeare, Jose Saramago and musicians like Mozart, whose Don Giovanni is a brilliant work that still charms audiences and music lovers all over the world...

Published by Honoré de Balzac in the tempestuous year of 1830, the tale follows the undulating pathways of Sarrasine the sculptor’s shocking journey to his coming of age. As one of the “fathers of realism” Balzac painted with his words a vivid portrait of life in the swirling salons of Europe at the end of the Bourbon monarchy, and we follow Sarrasine from France to Italy in search of both his métier and his muse.However it is also the story of La Zambinella, an Italian singer with whom Sarrasine falls madly and passionately in love. But that passion holds a secret which Sarrasine spies too late.

"Give me a feast such as men give when they love," she said, "and whilst I sleep, slay me..."Listeners who like to plunge straight into a story would do well to skip the lengthy preamble. Here, Balzac the virtuoso satirist depicts the levels of Parisian society as a version of the Inferno of Dante - but perhaps keeps the reader waiting too long for the first act of his operatic extravaganza.Our beautiful, androgynous hero, Henri de Marsay, is one of the bastard offspring of a depraved Regency milord and himself practises the cynical arts of the libertine...

In his startling and tragic novella Farewell (‘Adieu’), Balzac adds to the 19th century’s literature of the hysterical woman: sequestered, confined in her madness; mute, or eerily chanting in her moated grange. The first Mrs Rochester lurks in the wings; the Lady of Shalott waits for the shadowy reflection of the world outside to shatter her illusion. Freud’s earliest patients will soon enter the waiting-room in their turn. Whilst out hunting two friends come across a strange waif-like woman shut up in a decaying chateau which one of them dubs “the Palace of the Sleeping Beauty”...

Modeste Mignon, a young provincial woman of romantic temperament, imagines herself to be in love with the famous Parisian poet Melchior de Canalis. However, he is not moved by her attentions. He invites his secretary Ernest de la Brière to "deal with the matter". Ernest answers Modeste's letters in his name and acts as her lover, disguised as Canalis. The scene changes dramatically when Ernest discoveres that Modest is, in fact, a rich heiress. Would he be able to win her heart despite his lie?

Louis Lambert is an 1832 novel by French novelist and playwright Honoré de Balzac (1799–1850), included in the Études philosophiques section of his novel sequence La Comédie humaine. Set mostly in a school at Vendôme, it examines the life and theories of a boy genius fascinated by the Swedish philosopher Emanuel Swedenborg (1688–1772). Balzac wrote Louis Lambert during the summer of 1832 while he was staying with friends at the Château de Saché, and published three editions with three different titles...

One of Balzac's most popular works, set around 1815 during the re-ascendancy of the Bourbon kings following the defeat of Napoleon. Said to have been an inspiration to Charles Dickens and Henry James as well as others, the novel seeks to portray the realism of scenes and people. It is also a commentary upon the changing social strata and mores of the day.

Eugénie Grandet, first published in 1833, is one of Honoré de Balzac's finest novels, and one of the first works in what would become his large novel series titled La Comédie Humaine. Set in a provincial town in post-Revolutionary France, the story deals with money, avarice, love, and obsession. A wealthy old miser must manage the passion of his innocent daughter, who later has to navigate on her own the treacherous ways of a world in which money is "the only god." Balzac's meticulous use of psychological and physical detail influenced the development of 19th-century literary realism, in the hands of writers such as Dickens, Dostoyevsky, Flaubert, and Henry James.

Something along the lines of Dorian Gray as part of the Comedies Humane Philosophique, this is Balzac's first successful novel. He even wrote "criticisms" of the writing himself in promotion of the book, in addition to hyping the work before it even came out. It is a criticism of materialism and French bourgeoisie as so many of his compiled works seek to be. Some same characters reappear.

Cousin Betty (La Cousine Bette), published in serial format in 1846, was one of the last and greatest of Balzac's works. It was part of his long novel collection titled La Comédie Humaine. Set in mid-19th-century France, it tells the story of a woman who resents her position as a "poor relation." As we follow her schemes to bring ruin upon the more privileged members of her family, we see a society in transition. The stability and idealism of the old order give way to a new bourgeois world in which virtue is strangled in the struggle for power and money...

Cousin Pons is one of the final works in Balzac's long novel series titled The Human Comedy. It was published in 1847, along with Cousin Betty, as one of a complementary pair of novels, collectively titled Poor Relations. While Cousin Betty tells the story of a bitter woman who seeks revenge on her wealthier relations, in Cousin Pons, Balzac turns to the story of an timid, innocent man who is exploited and victimized by the wealthier members of his extended family.Balzac offers probing character portraits and an indictment of greed and materialism in this detailed portrait of mid-19th-century French life...

Part of the La Comedie Humane and something of a sequence to Balzac's Father Goriot, the short book's title is the name of the pawn broker/money lender the father Goriot utilized to maintain his spoiled daughters in the luxury he had accustomed them to. This is a continuation of the tale of one of those daughters, Mme Restaud.

Part of the Comedie Humane and a "supplementary" tale to go with Father Goriot and Gobseck. Nucingen is the married family name of one of Father Goriot's daughters. "James Waring" is a pseudonym of Ellen Marriage (Balzac was considered sometimes too racy by the Victorian Age).