A beautiful story about survival, the Robinson family shows that one does not have to have the usual comforts of life in order to be comfortable and happy. It is also a story about family relations. The book showcases a family of six that has to start all over without the basic amenities that make life easier in the eyes of society. The idea of being in an island with no human neighbors is daunting to say the least. The family was shipwrecked and everyone else on the ship perished when they deserted the ship...

A novel that disturbs you 160 years after it first appeared in print, The Picture of Dorian Gray by Oscar Wilde, has so much relevance and resonance even today. Dorian Gray is a strikingly handsome young man whose beauty attracts a debauched aristocrat Sir Henry Wotton. Dorian's picture has been painted by a talented artist Basil Hallward and Sir Henry becomes desperate to meet Dorian, though Basil himself is against it. Sir Henry persuades Dorian to pose for a picture painted by Basil and during the painting sessions, Henry “educates” the young and impressionable Dorian about life...

Wilde’s literary reputation has survived so much that I think it proof against any exhumation of articles which he or his admirers would have preferred to forget. As a matter of fact, I believe this volume will prove of unusual interest; some of the reviews are curiously prophetic; some are, of course, biassed by prejudice hostile or friendly; others are conceived in the author’s wittiest and happiest vein; only a few are colourless. And if, according to Lord Beaconsfield, the verdict of a continental nation may be regarded as that of posterity, Wilde is a much greater force in our literature than even friendly contemporaries ever supposed he would become...

An American diplomat's family moves into an ancient stately mansion. They're warned by the owner that it is haunted by a most horrifying and gruesome spirit who had once cruelly murdered his own wife. The story progresses with creaking floor boards, mysterious passages, dark attics, clanking chains, and weird howling. Yet, the reader is totally unprepared for Oscar Wilde's brand of tongue in cheek humor as he takes all the ingredients of a traditional ghost story and turns it on its head, and creates a hilarious parody instead of a morbid saga! The Canterville Ghost was the first of Oscar Wilde's short stories to be published...

A wealthy philanthropist adopts an abandoned baby he finds in a railway station waiting room. The child grows into a fine, upstanding young man. When his benefactor dies, he is made the guardian of the old man's lovely young daughter. But unknown to everyone, he leads a double life that even his best friend knows nothing about... If you thought that this has all the makings of a most sinister and diabolical plot, you couldn't be more mistaken. The Importance of Being Earnest by Oscar Wilde is a light as a feather confection, full of mischief, fun and laughter! Written in 1894, this was Wilde's last play...

This story opens at a fashionable dinner party in Sir Robert Chiltern's home in the heart of London's stylish Grosvenor Square. One of Lady Chiltern's old school-friends, Mrs. Cheveley, a woman with a dubious past, accosts Sir Robert and threatens to expose a financial crime that he had once participated in, unless he agrees to finance a fraudulent construction project that she's promoting. Lady Chiltern is astounded when her husband who had been the severest critic of this project suddenly begins to speak in its favor...

The Happy Prince and Other Tales (also sometimes called The Happy Prince and Other Stories) is an 1888 collection of stories for children by Oscar Wilde. It is most famous for The Happy Prince, the short tale of a metal statue who befriends a migratory bird. Together, they bring happiness to others, in life as well as in death. The stories included in this collection are:The Happy PrinceThe Nightingale and the RoseThe Selfish GiantThe Devoted FriendThe Remarkable RocketThe stories convey an appreciation for the exotic, the sensual and for masculine beauty.

In 1894, Oscar Wilde (1854-1900) published two short collections of aphorisms: “A Few Maxims For The Instruction Of The Over-Educated”, in the Saturday Review newspaper, and “Phrases and Philosophies for the Use of the Young”, in the Oxford student magazine The Chameleon. By turns witty, intellectual, counter-intuitive and obtuse, the collections came to be seen by many as emblematic of Wilde’s style, and countless collections of Wildean aphorisms have since been published.

This is a letter written from prison in 1897 by Oscar Wilde to Lord Alfred Douglas, in which he recounts how he came to be in prison and charts his spiritual development.

Lady Windermere’s Fan: A Play About a Good Woman is a four act comedy by Oscar Wilde, published in 1893. As in some of his other comedies, Wilde satirizes the morals of Victorian society, and attitudes between the sexes. The action centres around a fan given to Lady Windermere as a present by her husband, and the ball held that evening to celebrate her 21st birthday.

”The Fisherman and his Soul” is a fairy tale first published in November of 1891 in Wilde’s “A House of Pomegranates”. It tells of a fisherman who nets and falls in love with a mermaid. But to be with her he must shed his soul, which goes off to have adventures of its own. Will forbidden love endure?

In 1895, Oscar Wilde was sentenced to 2 years of hard labor for acts of ‘gross indecency’. During his time at Reading Gaol, he witnessed a rare hanging, and in the three years between his release and his untimely death in 1900, was inspired to write the following poem, a meditation on the death penalty and the importance of forgiveness, even for (and especially for) something as heinous as murdering one’s spouse; for even the murderer, Wilde argues, is human and suffers more so for being the cause of his own pain, for ‘having killed the thing he loved’; for everyone is the cause of someone else’s suffering and suffers at the hands of another...

The original 1891 version of the play was in French. Three years later an English translation was published. The play tells in one act the Biblical story of Salome, stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but to the delight of her mother Herodias, requests the head of Iokanaan (John the Baptist) on a silver platter as a reward for dancing the Dance of the Seven Veils.

“(T)he past is what man should not have been. The present is what man ought not to be. The future is what artists are.”Published originally as “The Soul of Man Under Socialism,” this is not so much a work of sober political analysis; rather it can be summed up as a rhapsodic manifesto on behalf of the Individual. Socialism having deployed technology to liberate the whole of humanity from soul-destroying labour, the State obligingly withers away to allow the free development of a joyful, anarchic hedonism...

Two short fragments: an unfinished and a lost play. A Florentine Tragedy, left in a taxi (not a handbag), is Wilde’s most successful attempt at tragedy – intense and domestic, with surprising depth of characterisation. It was adapted into an opera by the Austrian composer Alexander Zemlinsky in 1917. La Sainte Courtisane, or The Woman Covered in Jewels explores one of Wilde’s great idées fixes: the paradox of religious hedonism, pagan piety. Both plays, Wildean to their core, revel in the profound sadness that is the fruit of the conflict between fidelity and forbidden love...

A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It looks in particular at English upper class society and has been reproduced on stages in Europe and North America since his death in 1900.

Guido Ferranti, a young man, travels to Padua with his friend Ascanio after receiving a mysterious letter from a stranger, claiming to know the true secret of Guido's birth. His plan of revenge goes awry, however, when he falls in love with his enemy's beautiful wife, the Duchess of Padua.

Lord Arthur Savile's Crime and Other Stories is a collection of short semi-comic mystery stories. This collection exemplifies Wilde's sharp wit and dark humour. Stories in this collection include Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret, The Model Millionaire, and The Portrait Of Mr W H.

Vera; or, The Nihilists is a play by Oscar Wilde. It is a melodramatic tragedy set in Russia and is loosely based on the story of Vera Zasulich. It was the first play that Wilde wrote. It was produced in the United Kingdom in 1880, and in New York in 1882, but it was not a success and folded in both cities. It is nowadays rarely revived.

“Call me Ishmael” is one of the most famous opening lines in American literature. With these words, opens one of the strangest and most gripping stories ever written about the sea and sea-faring. Moby Dick by Herman Melville is today considered one of the greatest novels written in America but paradoxically, it was a miserable failure when it first made its debut in 1851. Entitled Moby Dick or The Whale the book finally got its due after the author's death and is now regarded as a classic portrayal of mania and fatal obsession...

A whaling ship stops at a remote Polynesian island. The crew aboard is exhausted after a grueling six-month voyage in which they suffered ill-treatment and drudgery. Two men decide to abandon ship and hide on the island, living off the fruit of the land, until they can get on board a more conducive ship. However, to their consternation they discover that part of the island paradise is peopled by a savage and cannibalistic tribe called the Typees. As destiny would have it, they fall into the hands of the very people they dread...

Bartleby, the Scrivener: A Story of Wall Street is a novella by the American novelist Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856.

On an island off the coast of Chile, Captain Amaso Delano, sailing an American sealer, sees the San Dominick, a Spanish slave ship, in obvious distress. Capt. Delano boards the San Dominick, providing needed supplies, and tries to learn from her aloof and disturbed captain, Benito Cereno, the story of how this ship came to be where she is. Dealing with racism, the slave trade, madness, the tension between representation and reality, and featuring at least one unreliable narrator, Melville's novella has both captivated and frustrated critics for decades.

Omoo: A Narrative of Adventures in the South Seas is Herman Melville's sequel to Typee, and, as such, was also autobiographical. After leaving Nuku Hiva, the main character ships aboard a whaling vessel which makes its way to Tahiti, after which there is a mutiny and the majority of the crew are imprisoned on Tahiti. The book follows the actions of the narrator as he explores Tahiti and remarks on their customs and way of life.Many sources incorrectly assert that Omoo is based on Melville's stay in the Marquesas. The novel is, in fact, exclusively based on his experiences in the Society Islands.

The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism...

This is a tale based on Melville's experiences aboard the USS United States from 1843 to 1844. It comments on the harsh and brutal realities of service in the US Navy at that time, but beyond this the narrator has created for the reader graphic symbols for class distinction, segregation and slavery aboard this microcosm of the world, the USS Neversink. (Introduction by James K. White)

The Encantadas or Enchanted Isles is a novella by American author Herman Melville. First published in Putnam's Magazine in 1854, it consists of ten philosophical "Sketches" on the Encantadas, or Galápagos Islands. It was collected in The Piazza Tales in 1856. The Encantadas was to become the most critically successful of that collection. All of the stories are replete with symbolism reinforcing the cruelty of life on the Encantadas. (Introduction excerpted from Wikipedia)

Melville wrote of some of his earliest experiences at sea in the story of Wellingborough Redburn, a wet-behind-the-ears youngster whose head was filled with dreams of foreign travel and adventure. In Redburn, the protagonist enlists for a stint as a seaman aboard Highlander, a merchant ship running between New York and London. As with many of Melville's works, this one is as much about class and race as it is about the sea.

Two poets in a London park at sunset, debating on the attributes of poetry and whether it's really a metaphor for anarchy. A group that meets in secret, planning to overthrow the world order. Disguises and deceptions, ideals and ideology. A medley of themes and genres makes this a great read for anyone who's a fan of Chesterton and his iconic Father Brown. The Man Who Was Thursday includes Chesterton's favorite theme of Christianity with touches of delightful humor to enliven the twists and turns that abound throughout the book...

Robbery, murder and treason. Strange happenings in quiet English villages. A book critic who happens to find a corpse with its head crushed, an Irish freedom fighter framed for a crime, the disappearance of a valuable coin, a strange dispute over a property claim and a host of other intriguing situations make up the contents of G K Chesterton's collection of short stories The Man Who Knew Too Much. For fans of Chesterton's immortal clerical sleuth, Father Brown, these stories are equally delightful and intricately wrought...

A Chief of Police hosts a dinner party for an American millionaire wishing to will his entire fortune to the Church of France. Jewels that have been stolen and recovered so many times that they're known colloquially by thieves as The Flying Stars. A murder committed by an invisible man. These and many others are the mysteries that are presented to the lovable, bumbling, stumpy Man of God, Father Brown. The Innocence of Father Brown, by G.K. Chesterton is a collection of eleven stories which marks the debut of this most unusual detective...

The Wisdom of Father Brown explores many characters and fascinating themes such as the following. An eminent criminologist is persuaded by the mild yet persistent Father Brown to sort out a family matter. Also, a Tuscan poet fancies himself as the King of Thieves. A famous French philosopher and atheist holds the key to a new invention called “Noiseless Powder.” A corpse is discovered in a dark passage backstage at London's Adelphi Theater. Finally there is Psychometric testing of criminals in Chicago...

Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today.“But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information...

The Author Gilbert Keith Chesterton was born in London, England on the 29th of May, 1874. Though he considered himself a mere “rollicking journalist,” he was actually a prolific and gifted writer in virtually every area of literature. A man of strong opinions and enormously talented at defending them, his exuberant personality nevertheless allowed him to maintain warm friendships with people–such as George Bernard Shaw and H. G. Wells–with whom he vehemently disagreed. Chesterton had no difficulty standing up for what he believed...

Orthodoxy is a book that has become a classic of Christian apologetics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of the Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.

A collection of six wonderfully quirky detective stories, featuring the ‘mystic’ former judge Basil Grant. Each story reveals a practitioner of an entirely new profession, and member of the Club of Queer Trades.

G. K. Chesterton was a great admirer of Charles Dickens, and wrote a noted critique of Dickens’ works expressing his opinion in his own inimitable style.

Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”...

Most Eugenists are Euphemists. I mean merely that short words startle them, while long words soothe them. And they are utterly incapable of translating the one into the other, however obviously they mean the same thing. Say to them “The persuasive and even coercive powers of the citizen should enable him to make sure that the burden of longevity in the previous generation does not become disproportionate and intolerable, especially to the females”; say this to them and they will sway slightly to and fro like babies sent to sleep in cradles. Say to them “Murder your mother,” and they sit up quite suddenly. Yet the two sentences, in cold logic, are exactly the same.”

These nine files are miscellaneous short essays or stories from G. K. Chesterton. They were chosen for not only their brevity but also for being shining exemplars of Chesterton’s wit and whimsy. A fun but powerful introduction into the mind of the man that is G. K. Chesterton.

An English epic poem that follows the exploits of Alfred the Great in his defense of Christian civilization in England from the heathen nihilism of the North. Following a string of defeats at the hands of the invading Danes, a vision from heaven in the river island of Athelney fills Alfred with joy and hope. Though it gives no promise of victory in the coming struggle, it inspires him to rally his chieftains for a last stand against the invading hordes. His adventures lead throughout the country...

Gilbert Keith Chesterton was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the “prince of paradox.” He wrote in an off-hand, whimsical prose studded with startling formulations. Chesterton wrote about 4000 essays on various subjects, and “Ararms and Discursions is one of his collections.

While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: “Forward, my beauty, my Arab,” he said, patting the omnibus encouragingly, “fleetest of all thy bounding tribe”), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man’s actions and the virtue of respect for one’s enemies.

“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton)

“On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass.” “The real mistake of the Muslims is something much more modern in its application than any particular passing persecution of Christians as such. It lay in the very fact that they did think they had a simpler and saner sort of Christianity, as do many modern Christians. They thought it could be made universal merely by being made uninteresting...

“Second, when telling such lies as may seem necessary to your international standing, do not tell the lies to the people who know the truth. Do not tell the Eskimos that snow is bright green; nor tell the negroes in Africa that the sun never shines in that Dark Continent. Rather tell the Eskimos that the sun never shines in Africa; and then, turning to the tropical Africans, see if they will believe that snow is green. Similarly, the course indicated for you is to slander the Russians to the English and the English to the Russians; and there are hundreds of good old reliable slanders which can still be used against both of them...

The Ball and the Cross is G. K. Chesterton's third novel. In the introduction Martin Gardner notes that it is a "mixture of fantasy, farce and theology." Gardner continues: "Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic.... James Turnbull is a short, red-haired, gray-eyed Scottish Lowlander and a devout but naive atheist.... The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus...

Chesterton and Shaw were famous friends and enjoyed their arguments and discussions. Although rarely in agreement, they both maintained good-will towards and respect for each other. However, in his writing, Chesterton expressed himself very plainly on where they differed and why. In Heretics he writes of Shaw: “After belabouring a great many people for a great many years for being unprogressive, Mr. Shaw has discovered, with characteristic sense, that it is very doubtful whether any existing human being with two legs can be progressive at all...

The flying blast struck London just where it scales the northern heights, terrace above terrace, as precipitous as Edinburgh. It was round about this place that some poet, probably drunk, looked up astonished at all those streets gone skywards, and (thinking vaguely of glaciers and roped mountaineers) gave it the name of Swiss Cottage, which it has never been able to shake off. At some stage of those heights a terrace of tall gray houses, mostly empty and almost as desolate as the Grampians, curved...

A collection of reprinted articles on a wide-range of subject, all in the unique style of G. K. Chesterton. Using wit, paradox, and good humor he “defends” a series of seeming harmless things that need no defense, and in so doing he exposes many of the broken assumptions and dogmatic notions of secular humanism and other trends of his age and of ours.

“Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people’s weaknesses as well as my own. It may be that the master of the house was burned because he was drunk; it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of the fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The mere facts of the story about the present European conflagration are quite as easy to tell.”

“None of us think enough of these things on which the eye rests. But don’t let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try. ” (Gilbert Keith Chesterton)

Another delightful and sharply pointed excursion into the topics of the day, and of our day as well, with Gilbert Keith Chesterton. Here he uses his wit and mastery of paradox to bring into focus a number of historical persons who in many ways typify the people who presently shape our world and who in their own right have already shaped Western civilization. These reprinted magazine articles are filled with his good natured wit and devastating ability to use reductio ad absurdum to destroy the popular myths that drive our society at full-speed into, and expose the utter nonsense that underlies, secular humanism. You will come away with yet another new collection of wonderful quotes.

“Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability...

“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit. Nevertheless the essays were not in intention so aimless as they appear in fact...

Gilbert Keith Chesterton was among the world’s most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using “personal types” as illustration. It would...

The Flying Inn is a novel first published in 1914 by G.K. Chesterton. It is set in a future England where a bizarre form of "Progressive" Islam has triumphed and largely dominates the political and social life of the country. Because of this, alcohol sales are effectively prohibited. The plot centers around the adventures of Humphrey Pump and Captain Patrick Dalroy, who roam the country in their cart with a barrel of rum in an attempt to evade Prohibition, exploiting loopholes in the law to temporarily prevent the police taking action against them.

“For the Irish Question has never been discussed in England. Men have discussed Home Rule; but those who advocated it most warmly, and as I think wisely, did not even know what the Irish meant by Home. Men have talked about Unionism; but they have never even dared to propose Union. A Unionist ought to mean a man who is not even conscious of the boundary of the two countries; who can walk across the frontier of fairyland, and not even notice the walking haystack. As a fact, the Unionist always shoots at the haystack; though he never hits it...

Three trees, known as the Peacock trees, are blamed by the peasants for the fever that has killed many. Squire Vane scoffs at this legend as superstition. To prove them wrong, once and for all, he takes a bet to spend the night in the trees. In the morning he has vanished. Is he dead, and if so who has killed him? The poet? The lawyer? The woodsman? The trees?