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By: Amy Brooks | |
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By: Amy Carmichael (1867-1951) | |
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By: Amy D. V. Chalmers | |
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By: Amy Ella Blanchard (1856-1926) | |
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![]() Dimple, the nine-year-old little girl is accustomed to being always the first. She has Bubbles, a little coloured girl as playmate and servant. One day Dimple’s cousin, Florence comes to visit her and they have a wonderful time together. But then come the rainy days and the two children easily get bored in the house… and that’s how the adventures and troubles begin. | |
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![]() Is Santa Claus real? Six year old Elinor thinks so as she sends her letter, and persuades her friend Bill to do likewise. On the other side of town, a stray kitten adopts a lonely bachelor. As the two worlds come together, the magic of Christmas is kept alive for all ages in this heart-warming tale. |
By: Amy Fay (1844-1928) | |
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By: Amy Lane Waterman (1873-1955) | |
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![]() Join Betsey Bobbitt, a girl with an undeniable sweet tooth, as she discovers new recipes for candy and sweets to make with the reader. An entertaining cookbook with a narrative! |
By: Amy le Feuvre (d.1929) | |
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![]() Little Milly is left an orphan after the death of her mother and sent to live with her bachelor uncle, who has no use for children, especially of the female variety. As the days go by, his heart warms to his endearing niece who wants all probable sons to come home, including her very own probable uncle. |
By: Amy Le Feuvre (-1929) | |
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By: Amy LeFeuvre (1861-1929) | |
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![]() Teddy loves to tell the story of how his father heroically died on the battlefield and guards his button jealously. But this brings contention and strife when a new girl comes to town. Teddy begins to learn what it means to be a soldier under Christ, his Captain. |
By: Amy Levy (1861-1889) | |
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![]() Reuben Sachs is a London lawyer whose political aspirations do not include marriage to Judith Quixano, the daughter of a respectable but unexceptional family. But without Reuben, a woman like Judith might have a bleak future in mid-19th century England: a loveless marriage or lifelong dependency are apparently her only options… A feminist, a Jew, and a lesbian, Amy Levy wrote about Anglo-Jewish cultural mores and the lives of would-be independent women in Victorian society. Levy was as repelled by contemporary literature’s occasional paragon (e... | |
![]() Amy Levy was a British poet and novelist who is celebrated for her feminist positions and her engagement with homosexual romance during the Victorian era. Levy wrote stories, essays, and poems for periodicals, some popular and others literary. Her writing career began early; her poem "Ida Grey" appearing in the journal, The Pelican, when she was only fourteen. Her final book of poems, A London Plane-Tree And Other Verse (1889), contains lyrics that are among the first to show the influence of French symbolism. (Introduction excerpted from Wikipedia) | |
![]() Praised by Oscar Wilde amongst other contemporaries, Amy Levy's first novel tells the story of the four Lorimer sisters, who decide to open their own photography business after the death of their father which has left them in poverty. The novel examines the opportunities and difficulties of urban life for the "New Woman" in the late nineteenth century. Not only was Levy unusual as a female novelist in this period, but she was also from an Anglo Jewish family. - Summary by Jane Gough | |
![]() Miss Meredith is not the most talented of her sisters. In fact, she considers herself the typical of them. She has the adventure of a life time when she is offered the post of governess to an ancient noble Italian family. Things become even more complicated when the favorite son of the family falls in love with her. This book reflects the ancient traditions, and shows how things can change and how people from different walks of life react to changes. - Summary by Stav Nisser |
By: Amy Lowell (1874-1925) | |
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![]() This is a collection of lyrical poems, sonnets and verses for children by Amy Lowell."For quaint pictorial exactitude and bizarrerie of color these poems remind one of Flemish masters and Dutch tulip gardens; again, they are fine and fantastic, like Venetian glass; and they are all curiously flooded with the moonlight of dreams. . . . Miss Lowell has a remarkable gift of what one might call the dramatic-decorative. Her decorative imagery is intensely dramatic, and her dramatic pictures are in themselves vivid and fantastic decorations." (Richard Le Gallienne, 'New York Times Book Review', 1916) | |
![]() This is a collection of long poems and short stories by Amy Lowell. | |
![]() Amy Lawrence Lowell was an American poet of the imagist school from Brookline, Massachusetts, who posthumously won the Pulitzer Prize for Poetry in 1926. Though she sometimes wrote sonnets, Lowell was an early adherent to the "free verse" method of poetry and one of the major champions of this method. She defined it in her preface to "Sword Blades and Poppy Seed"; in the North American Review for January, 1917; in the closing chapter of "Tendencies in Modern American Poetry"; and also in the Dial (January 17, 1918), as: "The definition of Vers libre is: a verse-formal based upon cadence... | |
![]() LibriVox volunteers bring you 17 recordings of The Taxi by Amy Lowell. This was the Weekly Poetry project for October 13, 2013. | |
![]() This is a volume of poems by Amy Lowell, published in 1914. "Against the multitudinous array of daily verse our times produce this volume utters itself with a range and brilliancy wholly remarkable. I cannot see that Miss Lowell's use of unrhymed 'vers libre' has been surpassed in English. Read 'The Captured Goddess', 'Music', and 'The Precinct. Rochester', a piece of mastercraft in this kind. A wealth of subtleties and sympathies, gorgeously wrought, full of macabre effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." (Josephine Preston Peabody, 'The Boston Herald', 1916) |
By: Amy Prentice | |
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