While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: “Forward, my beauty, my Arab,” he said, patting the omnibus encouragingly, “fleetest of all thy bounding tribe”), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man’s actions and the virtue of respect for one’s enemies.

“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton)

“On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass.” “The real mistake of the Muslims is something much more modern in its application than any particular passing persecution of Christians as such. It lay in the very fact that they did think they had a simpler and saner sort of Christianity, as do many modern Christians. They thought it could be made universal merely by being made uninteresting...

“Second, when telling such lies as may seem necessary to your international standing, do not tell the lies to the people who know the truth. Do not tell the Eskimos that snow is bright green; nor tell the negroes in Africa that the sun never shines in that Dark Continent. Rather tell the Eskimos that the sun never shines in Africa; and then, turning to the tropical Africans, see if they will believe that snow is green. Similarly, the course indicated for you is to slander the Russians to the English and the English to the Russians; and there are hundreds of good old reliable slanders which can still be used against both of them...

The Ball and the Cross is G. K. Chesterton's third novel. In the introduction Martin Gardner notes that it is a "mixture of fantasy, farce and theology." Gardner continues: "Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic.... James Turnbull is a short, red-haired, gray-eyed Scottish Lowlander and a devout but naive atheist.... The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus...

Chesterton and Shaw were famous friends and enjoyed their arguments and discussions. Although rarely in agreement, they both maintained good-will towards and respect for each other. However, in his writing, Chesterton expressed himself very plainly on where they differed and why. In Heretics he writes of Shaw: “After belabouring a great many people for a great many years for being unprogressive, Mr. Shaw has discovered, with characteristic sense, that it is very doubtful whether any existing human being with two legs can be progressive at all...

The flying blast struck London just where it scales the northern heights, terrace above terrace, as precipitous as Edinburgh. It was round about this place that some poet, probably drunk, looked up astonished at all those streets gone skywards, and (thinking vaguely of glaciers and roped mountaineers) gave it the name of Swiss Cottage, which it has never been able to shake off. At some stage of those heights a terrace of tall gray houses, mostly empty and almost as desolate as the Grampians, curved...

A collection of reprinted articles on a wide-range of subject, all in the unique style of G. K. Chesterton. Using wit, paradox, and good humor he “defends” a series of seeming harmless things that need no defense, and in so doing he exposes many of the broken assumptions and dogmatic notions of secular humanism and other trends of his age and of ours.

“Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people’s weaknesses as well as my own. It may be that the master of the house was burned because he was drunk; it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of the fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The mere facts of the story about the present European conflagration are quite as easy to tell.”

“None of us think enough of these things on which the eye rests. But don’t let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try. ” (Gilbert Keith Chesterton)

Another delightful and sharply pointed excursion into the topics of the day, and of our day as well, with Gilbert Keith Chesterton. Here he uses his wit and mastery of paradox to bring into focus a number of historical persons who in many ways typify the people who presently shape our world and who in their own right have already shaped Western civilization. These reprinted magazine articles are filled with his good natured wit and devastating ability to use reductio ad absurdum to destroy the popular myths that drive our society at full-speed into, and expose the utter nonsense that underlies, secular humanism. You will come away with yet another new collection of wonderful quotes.

“Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability...

“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit. Nevertheless the essays were not in intention so aimless as they appear in fact...

Gilbert Keith Chesterton was among the world’s most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using “personal types” as illustration. It would...

Three trees, known as the Peacock trees, are blamed by the peasants for the fever that has killed many. Squire Vane scoffs at this legend as superstition. To prove them wrong, once and for all, he takes a bet to spend the night in the trees. In the morning he has vanished. Is he dead, and if so who has killed him? The poet? The lawyer? The woodsman? The trees?

There is an old anecdote, probably apocryphal, which describes how a feminine admirer wrote to Browning asking him for the meaning of one of his darker poems, and received the following reply: “When that poem was written, two people knew what it meant–God and Robert Browning. And now God only knows what it means.

“The paradox of all this part of his life lies in this–that, destined as he was to be the greatest enemy of Mahomedanism, he was quite exceptionally a friend of Mahomedans.”

Originally published in 1916, this book of poetry by G.K. Chesterton includes 59 poems on a variety of subjects. Included in this are war poems, love poems, religious poems, ballades and more.

Set in nineteenth century New England, Little Women follows the lives of the four March sisters-Jo, Beth, Amy and Meg. The novel is a classic rites of passage story, that has often split literature critics but has been adored by many over the years. Intended as a book for young girls, the book is too sentimental for some but plenty of adults and young men have Little Women firmly featured in their best books of all time. The pace of the novel can be slow at times and the language almost too perfect but the overall sympathetic tone of Alcott wins over the reader...

Louisa May Alcott, more famously known for her Little Women series, takes a familiar nursery rhyme and creates a whole novel out of it in one of her last books Jack and Jill: A Village Story. Though she continued to publish under the penname AM Barnard, this book probably marked the end of a particular writing phase in 1880. Jack and Jill is set in the fictional Harmony Village. On a December afternoon, the youngsters of the village are out enjoying the bracing cold and snow. The bright winter shines down as they have fun skating and sledding...

If you've read and loved Little Women, you'd probably enjoy finding out more about the doings of the sisters in the third book in the series, Little Men. Published in 1871, the book's full title was Little Men or Life at Plumfield with Jo's Boys. It followed the success of Little Women in 1868 and Good Wives in 1869, which portrayed the fortunes of the March family. Filled with remarkable, endearing and memorable characters, the books remain as fresh and enjoyable as they were when they first came out more than a century ago...

Louisa May Alcott enthusiasts would be delighted to read this short novel published in 1867, just a year before the grand debut of her most famous Little Women trilogy. This is one of three books she wrote under the pseudonym AM Barnard. She used this name to pen tales that were meant more for adult readers, though younger people will find them quite interesting too. The Abbot's Ghost or Maurice Treherne's Temptation is a romance, mystery, ghost-story and novel of manners all rolled into one...

Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws’ and their urbanized, fashionable lifestyles, fancy clothes and some other habits she considers weird and, mostly, unlikable. However, Polly’s warmth, support and kindness eventually win her the hearts of all the family members. Six years later, Polly comes back to the city to become a music teacher.

Jo’s Boys is the third book in the Little Women trilogy by Louisa May Alcott, published in 1886. In it, Jo’s “children”, now grown, are caught up in real world troubles. All three books – although fiction – are highly autobiographical and describe characters that were really in Alcott’s life. This book contains romance as the childhood playmates become flirtatious young men and women. The characters are growing up, going out into the world and deciding their futures.

Alcott in 1862 served as a nurse in Georgetown, D.C during the Civil War. She wrote home what she observed there. Those harrowing and sometimes humorous letters compiled make up Hospital Sketches.

“These stories were written for my own amusement during a period of enforced seclusion. The flowers which were my solace and pleasure suggested titles for the tales and gave an interest to the work. If my girls find a little beauty or sunshine in these common blossoms, their old friend will not have made her Garland in vain.” – L.M. Alcott, September, 1887

Opening several years after the close of "Eight Cousins", we find Rose coming home fresh from a voyage overseas, to find much changed about her. Now of a marriageable age and heiress to a fortune, Rose finds joy,sorrow, and finally love await her -- as the Rose is finally ready to bloom into a good, strong, sweet and true woman.This sequel to Eight Cousins was written by Louisa May Alcott, the author of many well beloved children's books including Little Women, An Old Fashioned Girl, Under the Lilacs and more.

"When two young girls decide to have a tea party with their dolls and a mysterious dog comes and eats their prized cake, they end up finding a circus run-away, Ben Brown. Ben is a horse master, and loves horses, so when the Moss' take the young boy in, they decide to give him work at the neighbors house driving cows (on a horse, of course). After that a series of events happens, and Ben finds out his beloved father is dead. Miss Celia, a neighbor, feels sorry and comforts him, and finally offers to let Ben stay with her and her fourteen-year-old brother, Thornton who is called Thorny...

A collection of short stories by Louisa May Alcott that were written with the intent to entertain the whole family and to fill children's heads with wonder and delight.

It is one of “several nineteenth-century novels [which] uncovers the changes in women’s work in the new industrial era, as well as the dilemmas, tensions, and the meaning of that work” The story depicts the struggles of a young woman trying to support herself. The main character, Christie Devon, works outside the home in a variety of different jobs, but the end of her story marks “the beginning of a new career as a voice and activist for other working women”.

Flower Fables is Louisa May Alcott’s first book, penned at 16 for Ralph Waldo Emerson’s daughter, Ellen.

In this delightful short story, we discover the secrets of the Trevlyn family. 'The Mysterious Key and What it Opened' is a mystery entwined with romance (Introduction by ashleighjane)

Fans of Louisa May Alcott's Little Women will remember the elaborate plays which the March sisters loved to perform. This volume, published after Alcott's death, is a compilation of the real plays written by her and her sisters, which were fictionalized in Little Women.

Fans of Louisa May Alcott's Little Women will remember that her heroine Jo wrote racy novels before turning her hand to more "serious" literature. Alcott, writing under the pseudonym A. M. Barnard, often did the same, and Behind a Mask (1866) is one of her sensation novels. It focuses on Jean Muir, who enters the home of the wealthy Coventry family as governess to their sixteen-year-old daughter. But is the beguiling Miss Muir all that she seems to be? (Introduction by Elizabeth Klett)

MANUAL OF SURGERY, OXFORD MEDICAL PUBLICATIONSBY ALEXIS THOMSON, F.R.C.S.Ed.PREFACE TO SIXTH EDITION Much has happened since this Manual was last revised, and many surgical lessons have been learned in the hard school of war. Some may yet have to be unlearned, and others have but little bearing on the problems presented to the civilian surgeon. Save in its broadest principles, the surgery of warfare is a thing apart from the general surgery of civil life, and the exhaustive literature now available on every aspect of it makes it unnecessary that it should receive detailed consideration in a manual for students...

A group of stories-within-a-story, told in the classic Louisa May Alcott style. "I've a little cold," said the old lady, "and am too hoarse for talking, my dears; but Aunt Elinor has looked up a parcel of old tales that I've told her at different times and which she has written down. You will like to hear her reading better than my dull way of telling them, and I can help Minnie and Lotty with their work, for I see they are bent on learning to spin." The young folk were well pleased with grandma's proposal; for Aunt Nell was a favorite with all, being lively and kind and fond of children, and the only maiden aunt in the family...

Before she wrote Little Women and Little Men, Louisa, writing under the pseudonym A.M. Barnard, had this `blood and thunder' thriller (as she called them) published in 1863 by a weekly pulp magazine. This was during the period when Louisa worked a nurse during the American Civil war. The rigid and unfair roles of men and women of this period, their expectations and desires, plays a large in this story of betrayed love, anger, petulance, and ultimately, vengeance. The story is well written and plotted of course, being an Alcott story, so listeners can expect to enjoy a captivating and satisfying story read to them by one of the best and most highly polished readers around.

A thrilling intergalactic adventure, Star Surgeon follows the journey of Dal Timgar as he strives to achieve his lifelong goal of becoming a physician. Published in 1959, the novel explores themes of discrimination, prejudice, and racial oppression, while also presenting key elements of science fiction including interplanetary travel, intergalactic medicine, aliens, and advanced technology. The thrilling tale begins with the introduction of Dal Timgar, a young alien from Garv, who has aspired to become a doctor for as long as he can remember...

These Five Stories were written by Alan Edward Nourse, an American science fiction (SF) author and physician. He wrote both juvenile and adult science fiction, as well as nonfiction works about medicine and science. His SF works generally focused on medicine and/or psionics. Psionics refers to the practice, study, or psychic ability of using the mind to induce paranormal phenomena. Examples of this include telepathy, telekinesis, and other workings of the outside world through the psyche.