Although best known for his Winnie the Pooh stories, A.A. Milne spent years as an editor at the English humor magazine Punch. These sprightly essays were chosen from the hundreds he wrote during that period. As usual, they are funny, wry, and poke fun at almost all of our human foibles. There are 6 short one act plays that he wrote to demonstrate the 6 allowable plots for amateur playwrights and they are absolutely hilarious. The other topics run the gamut from dogs to dates.

A. A. Milne is best known for his creation of the perennially popular Winnie the Pooh, though he was and is highly acclaimed for hundreds of gently humorous essays and poems published in, among other famous venues, Punch Magazine, most of which have been collected and published as books. The Sunny Side is his last collection of articles and verses because, as he wrote in the American Introduction to the volume, “this sort of writing depends largely upon the irresponsibility and high spirits...

A. A. MILNE: …was best known for the perennially popular Pooh , arguably one of his lesser contributions to the literature of his day. He was highly acclaimed for dozens of popular plays. Moreover, he was both a contributor to and editor of Britain’s famous Punch Magazine; and for Punch, The Atlantic Monthly and dozens of other internationally acclaimed journals he wrote hundreds of essay, sketches and poems. THE WORLD WARS: Milne argued aggressively against the many enemy atrocities characterizing both World Wars, and also fought in both...

Author A. A. Milne is best known to the world as the creator of Winnie-the-Pooh. Yet Milne was versatile, having written dozens of plays, humorous articles, books and – The Red House Mystery. In which… Mark Ablett is the massively narcissistic owner of The Red House, a beautiful English country mansion. The estate is managed mostly by Mark’s side-kick and younger cousin, Cayley. As a wealthy artiste, Mark has chosen his handful of guests both to pander to his self-image and to allow him near-total control of virtually all aspects of his luxurious country house “show,” as it were...

A. A. Milne, best known as the creator of Winnie the Pooh, was a prolific author of books, plays, essays and articles. He also spent a number of years editing for Punch Magazine. He even wrote a good detective story -- The Red House Mystery ! In this collection he addresses a vast range of issues, including: the essence of melodrama; the lingering effects of World War I; knowing geography versus owning an atlas; a new kind of haunted house; the inexplicable nature of high finance; the trouble with "experts;" how the life of bees suggests the social importance of artists; the bad influence of theatre critics on good theatre...

Once A Week is a collection of short stories and slightly longer vignettes which were written for Milne's solid British Audience, including regular readers of Punch -- between1903, when he graduated from Cambridge and 1906, when he began also to edit Punch, on and through to 1909. They are humorous verses, essays and stories with what he deemed a peculiarly British flavor, focusing on the antics and adventures of a small recurring group of friends and acquaintances. The breadth of Milne's oeuvre is illustrated by his publication, in the mean time, of 18 plays, 3 novels, collections of children's poems, screen plays for popular British films, and a detective story. -- among other things.

Winnie the Pooh, the loveable little bear with a great big heart , has fun and adventures in this book. All of the other residents of the 100 acre wood join in to help this happen. Rabbit, Piglet, Owl, Kanga and Roo and of course the every depressed Eeyore who manages to lose his tail somehow. But what more needs to be said except that it Christopher Robin and Pooh are here? Listen and enjoy. - Summary by phil chenevert

Written in 1903, just sixty years after the word ‘hypnotism’ was coined, this book explores the contemporary understanding of the nature, uses and dangers of the technique. Hypnotism has been practiced for many centuries, but it was in the mid-to-late nineteenth century that it became a particularly fashionable way to explore the human mind. Although understanding of the subject has evolved considerably over subsequent years, this book remains a fascinating insight into a technique once thought to be at the forefront of medical science.