The Yoga Sutras of Patanjali are in themselves exceedingly brief, less than ten pages of large type in the original. Yet they contain the essence of practical wisdom, set forth in admirable order and detail. The theme, if the present interpreter be right, is the great regeneration, the birth of the spiritual from the psychical man: the same theme which Paul so wisely and eloquently set forth in writing to his disciples in Corinth, the theme of all mystics in all lands.

This is Charles Johnston's translation of and commentary on the Yoga Sutras of Patanjali. Johnston's interpretation of this seminal yogic text focuses on "the birth of the spiritual from the psychical man."

Airlords of Han is the 2nd Buck Rogers story, the sequel to Armageddon 2419 A.D.. Anthony Rogers takes the fight to free 25th Century America to the Han overlords. From the March, 1929 issue of Amazing Stories.

Elsewhere I have set down, for whatever interest they have in this, the 25th Century, my personal recollections of the 20th Century. Now it occurs to me that my memoirs of the 25th Century may have an equal interest 500 years from now—particularly in view of that unique perspective from which I have seen the 25th Century, entering it as I did, in one leap across a gap of 492 years. This statement requires elucidation. There are still many in the world who are not familiar with my unique experience...

This is the original ‘Buck Rogers’ SF classic. Thrill to the adventures of Anthony "Buck" Rogers, one of the most celebrated characters in the history of science fiction. Famed in comic strips, television, in movies, and even radio, this is the first novel to introduce Buck Rogers to the reading public. In Armageddon – 2419 A.D., Buck, a victim of accidental suspended animation, awakens five hundred years later to discover America groaning under the tyranny of the villainous Han, ruling from the safety of their armored machine-cities...

Armageddon—2419 A.D. is the first appearance of the character that would become Buck Rogers. First published in the August 1928 issue of Amazing Stories, followed by a sequel in March 1929. These two novellas would spawn a comic strip that would run for over 40 years, a radio series, a movie serial, and a bevy of imitators.

The second book in the Fantômas series by the prolific authors Marcel Allain and Pierre Souvestre (they published 32 Fantômas novels between 1911 and 1913.) Fantômas broke the mold of the Gentlemen burglars like Raffles and Arsene Lupin. He killed without compunction. His anarchic ruthlessness, especially as portrayed by silent film pioneer Louis Feuillade, made Fantômas the darling of the French avante garde, such as the artist René Magritte and novelist Robert Desnos.

What Is Property?: or, An Inquiry into the Principle of Right and of Government (French: Qu'est-ce que la propriété ? ou Recherche sur le principe du Droit et du Gouvernment) is an influential work of nonfiction on the concept of property and its relation to anarchist philosophy by the French anarchist and mutualist Pierre-Joseph Proudhon, first published in 1840. In the book, Proudhon most famously declared that “property is theft”. Proudhon believed that the common conception of property conflated two distinct components which, once identified, demonstrated the difference between property used to further tyranny and property used to protect liberty...

The Republic is a Socratic dialogue written by Plato around 380 BC concerning the definition of justice and the order and character of the just city-state and the just man. It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city (Kallipolis) ruled by philosopher-kings; and by examining the nature of existing regimes...

This dialogue brings Socrates face to face with the famous sophist Gorgias and his followers. It is a work likely completed around the time of "Republic" and illuminates many of the spiritual ideas of Plato. The spirituality, as Jowett points out in his wonderful introduction, has many ideas akin to Christianity, but is more generous as it reserves damnation only for the tyrants of the world. Some of the truths of Socrates, as presented by Plato, shine forth in this wonderful work on sophistry and other forms of persuasion or cookery.

Jowett, in his always informative introduction, sees this dialogue as transitional between the early and middle dialogues. Socrates meets with Protagoras and other sophists and pursues his inquiry into virtue. The dialectic brings the thinkers to a surprising ending. Socrates narrates this dialogue.

This is an incomplete dialogue from the late period of Plato's life. Plato most likely created it after Republic and it contains the famous story of Atlantis, that Plato tells with such skill that many have believed the story to be true. Critias, a friend of Socrates, and uncle of Plato was infamous as one of the bloody thirty tyrants.

As Jowett relates in his brilliant introduction, 95% of Plato's writing is certain and his reputation rests soundly on this foundation. The Alcibiades 1 appears to be a short work by Plato with only two characters: Socrates and Alcibiades. This dialogue has little dramatic verisimilitude but centres on the question of what knowledge one needs for political life. Like the early dialogues, the question is on whether the virtues needed by a statesman can be taught, on the importance of self-knowledge as a starting point for any leader...

This work may not be by Plato, or his entirely, but Jowett has offered his sublime translation, and seems to lean towards including it in the canon. Socrates tempted by irony to deflate the pretentious know-it-all Hippias, an arrogant polymath, appears to follow humour more than honour in this short dialogue.

The Apology is Plato's version of the speech given by Socrates as he defended himself in 399 BC[2] against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel" . "Apology" here has its earlier meaning of speaking in defense of a cause or of one's beliefs or actions. The general term apology, in context to literature, defends a world from attack (opposite of satire-which attacks the world).the text is written in the first person from Socrates' point of view, as though it were Socrates' actual speech at the trial...

In one of Plato's more accessible works, Apollodorus tells a friend about a drinking party (or symposium) attended by many of intellectuals of late 5th century Athens. The men are one their second night of celebration for Agathon's victory at the city Dionysia, and decide that instead of drinking, they should give speeches in praise of love. Apollodorus: KHandGlaucon: Elizabeth KlettCompanion to Apollodorus, and Pausanias: Beth ThomasAristodemus: ToddHWSocrates: alanmapstoneAgathon: Peter TuckerServant: staticstasyAristophanes: Libby GohnEryximachus: balaPhaedrus: Eden Rea-HedrickDiotima: Anna SimonAlcibiades: Chuck Williamson Edited by Libby Gohn

The largest surviving body of Pliny's work is his Epistulae (Letters), a series of personal missives directed to his friends, associates and the Emperor Trajan. These letters are a unique testimony of Roman administrative history and everyday life in the 1st century CE. Especially noteworthy among the letters are two in which he describes the eruption of Mount Vesuvius in August 79, during which his uncle Pliny the Elder died (65 and 66 in this edition), and one in which he asks the Emperor for instructions regarding official policy concerning Christians (Trajan Letter 97)...

Aristotle's Masterpiece, also known as The Works of Aristotle, the Famous Philosopher, is a sex manual and a midwifery book that was popular in England from the early modern period through to the 19th century. It was first published in 1684 and written by an unknown author who falsely claimed to be Aristotle. As a consequence the author is now described as a Pseudo-Aristotle, the collective name for unidentified authors who masqueraded as Aristotle. It is claimed that the book was banned in Britain until the 1960s, although there was no provision in the UK for "banning" books as such...

Commissioned by the US War Department and written in 1859 by a decorated US Army captain, The Prairie Traveler is a complete how-to travel guide for the westward-bound pioneer. Covering topics from first aid for rattlesnake bites to how to travel 70 miles across the desert without water for one's livestock, the guide includes 28 travel itineraries with mileage and firewood availability.

Prescient look at the church, its message and role in society, both perceived and true, focused through the lens of the biblical doctrine of love, and demonstrated in relationships between parent and child, parishioners and public, and pastor and people.

This first volume of a two volume set traces the trials and triumphs of the Catholic Church during the period before the reformation up to the 19th century. The origins, causes and developments of the various protestant sects that were the fruit of the reformation are studied in depth, as well as the men, schools of thought and movements within and without the Church that influenced this important time period in Church history.

Esther Cripps, the younger sister of the Carrier, Zacchary Cripps, witnesses the disposal of what appears to be the body of the only daughter, Grace, of Squire Oglander of Oxford. Grace's suitor, Russell Overshute, is not convinced with the Coroner's inquiry, and enlists the Carrier to help him investigate the situation. - Summary by Keith Salis

Kit Orchardson, an apprentice produce grower in Sunbury, England describes for us a time in his youth in which he fell in love with Kitty, a young lady of higher status, endeavored to secure her love and ventured to solve her mysterious disappearance shortly after they were joined in marriage. Through Kit's perspective, we get a wonderful view of life in 1860 England where people's attitudes were maneuvering between their societal status and their character.

Col. Ingersoll begins his popular lecture series on famous persons as follows: "It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance." One...

Col. Ingersoll begins his lectures on famous people as follows: [i]"It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance."[/i] One of the...

Col. Ingersoll begins his lectures on famous people as follows: "It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance." One of the most famous...

Col. Ingersoll begins his lectures on famous people as follows: "It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance." One of the most famous...

Col. Ingersoll begins his lectures on famous people as follows: "It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance." One of the most famous...

Col. Ingersoll begins his lectures on famous people as follows: "It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance." One of the most famous...

Col. Ingersoll begins his lectures on famous people as follows: "It is hard to overstate the debt we owe to the men and women of genius. Take from our world what they have given, and all the niches would be empty, all the walls naked—meaning and connection would fall from words of poetry and fiction, music would go back to common air, and all the forms of subtle and enchanting Art would lose proportion and become the unmeaning waste and shattered spoil of thoughtless Chance." One of the most famous...

Ingersoll is known as "the greatest infidel" of the 19th century. Steeped in religion as a child by his Baptist preacher father, he eventually came to rail against the hypocricy, judgment, hatred and fear he observed in his fellow Christians, and their attempt to restrict free thought and human liberty. He begins this lecture: SOMEBODY ought to tell the truth about the Bible. The preachers dare not, because they would be driven from their pulpits. Professors in colleges dare not, because they would lose their salaries...

Col. Ingersoll explains the conflict he sees between the natural vs. the supernatural on a variety of philosophical topics; secular vs. theologically rooted government; a loving vs. a vengeful God; scientific vs. theological approach to curing diseases; the source of religion as divinely inspired or naturally produced; two theories of morals; reason vs. dogma; living for man vs. living for God; living for this life vs. the hereafter; and other dichotomies. Other lectures in Volume 3 of the 12 volume Dresden Edition), are presented on as separate audiobooks in the series called Ingersoll Lectures, Famous People. This one is included because it was presented in the same Volume.