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By: Amelia Alderson Opie (1769-1853) | |
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By: Amelia Ann Blanford Edwards (1831-1892) | |
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By: Amelia E. Barr (1831-1919) | |
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![]() The Maid of Maiden lane is a wonderful love story in which Mrs. Barr intertwines the hot political and social issues that were occurring in America during the last decade of the 18th century with an excellent love story plot. Some of those issues include: the moral dilemma and debate over the French Revolution, and how that event touched the lives of the immigrants in America; the prejudices between the immigrants from England, and those from France or Holland, and how those animosities affected the ordinary lives of the people; and the political debate over titles, foreign policy, and such things(for example)as where the capital of the nation was to reside, New York or Philadelphia... |
By: Amelia Ruth Gere Mason | |
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By: Amelia Simmons (c. 1700s-1800s) | |
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![]() American Cookery, by Amelia Simmons, was the first known cookbook written by an American, published in 1796. Until this time, the cookbooks printed and used in what became the United States were British cookbooks, so the importance of this book is obvious to American culinary history, and more generally, to the history of America. The full title of this book was: American Cookery, or the art of dressing viands, fish, poultry, and vegetables, and the best modes of making pastes, puffs, pies, tarts, puddings, custards, and preserves, and all kinds of cakes, from the imperial plum to plain cake: Adapted to this country, and all grades of life. (Description from Wikipedia) |
By: Amelia Stratton Comfield | |
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By: Amélie Rives (1863-1945) | |
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By: Amerel | |
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By: American Bible Union | |
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![]() This Revised Testament has been prepared under the auspices of the American Bible Union, by the most competent scholars of the day. No expense has been spared to obtain the oldest translations of the Bible, copies of the ancient manuscripts, and other facilities to make the revision as perfect as possible. The paragraph form has been adopted in preference to the division by verse, which is a modern mode of division, never used in the ancient scriptures. But, for convenience of reference, the numbers of the verses are retained... |
By: American lady | |
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By: American Sunday School Union | |
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By: American Sunday School Union [Editor] | |
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By: American Tract Society | |
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By: Amerigo Vespucci | |
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By: Ammianus Marcellinus | |
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By: Amory H. Bradford | |
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By: Amos Bronson Alcott | |
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By: Amy Carmichael (1867-1951) | |
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By: Amy D. V. Chalmers | |
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By: Amy Ella Blanchard (1856-1926) | |
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![]() Dimple, the nine-year-old little girl is accustomed to being always the first. She has Bubbles, a little coloured girl as playmate and servant. One day Dimple’s cousin, Florence comes to visit her and they have a wonderful time together. But then come the rainy days and the two children easily get bored in the house… and that’s how the adventures and troubles begin. | |
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By: Amy Fay (1844-1928) | |
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By: Amy le Feuvre (d.1929) | |
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![]() Little Milly is left an orphan after the death of her mother and sent to live with her bachelor uncle, who has no use for children, especially of the female variety. As the days go by, his heart warms to his endearing niece who wants all probable sons to come home, including her very own probable uncle. |
By: Amy Le Feuvre (-1929) | |
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By: Amy LeFeuvre (1861-1929) | |
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![]() Teddy loves to tell the story of how his father heroically died on the battlefield and guards his button jealously. But this brings contention and strife when a new girl comes to town. Teddy begins to learn what it means to be a soldier under Christ, his Captain. |
By: Amy Lowell (1874-1925) | |
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![]() This is a collection of lyrical poems, sonnets and verses for children by Amy Lowell."For quaint pictorial exactitude and bizarrerie of color these poems remind one of Flemish masters and Dutch tulip gardens; again, they are fine and fantastic, like Venetian glass; and they are all curiously flooded with the moonlight of dreams. . . . Miss Lowell has a remarkable gift of what one might call the dramatic-decorative. Her decorative imagery is intensely dramatic, and her dramatic pictures are in themselves vivid and fantastic decorations." (Richard Le Gallienne, 'New York Times Book Review', 1916) | |
![]() This is a collection of long poems and short stories by Amy Lowell. | |
![]() This is a volume of poems by Amy Lowell, published in 1914. "Against the multitudinous array of daily verse our times produce this volume utters itself with a range and brilliancy wholly remarkable. I cannot see that Miss Lowell's use of unrhymed 'vers libre' has been surpassed in English. Read 'The Captured Goddess', 'Music', and 'The Precinct. Rochester', a piece of mastercraft in this kind. A wealth of subtleties and sympathies, gorgeously wrought, full of macabre effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." (Josephine Preston Peabody, 'The Boston Herald', 1916) | |
![]() Amy Lawrence Lowell was an American poet of the imagist school from Brookline, Massachusetts, who posthumously won the Pulitzer Prize for Poetry in 1926. Though she sometimes wrote sonnets, Lowell was an early adherent to the "free verse" method of poetry and one of the major champions of this method. She defined it in her preface to "Sword Blades and Poppy Seed"; in the North American Review for January, 1917; in the closing chapter of "Tendencies in Modern American Poetry"; and also in the Dial (January 17, 1918), as: "The definition of Vers libre is: a verse-formal based upon cadence... | |
![]() LibriVox volunteers bring you 17 recordings of The Taxi by Amy Lowell. This was the Weekly Poetry project for October 13, 2013. |
By: Amy Prentice | |
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By: Amy Steedman | |
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![]() “In this book you will not find the stories of all God’s saints. I have gathered a few together, just as one gathers a little posy from a garden full of roses. But the stories I have chosen to tell are those that I hope children will love best to hear.” (excerpt from In God’s Garden by Amy Steedman) | |
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![]() A children's version of the Lives of Artists by Vassari with many Illustrations. Of course we won't be able to show the paintings but the descriptions and the anecdotes are interesting and may lead a child to further interest. | |
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By: Amy Walton (1848-1899) | |
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