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African Camp Fires By: Stewart Edward White (1873-1946) |
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BY STEWART EDWARD WHITE THOMAS NELSON AND SONS LONDON, EDINBURGH, DUBLIN AND NEW YORK CONTENTS. PART I. TO THE ISLAND OF WAR. I. THE OPEN DOOR II. THE FAREWELL III. PORT SAID IV. SUEZ V. THE RED SEA VI. ADEN VII. THE INDIAN OCEAN VIII. MOMBASA PART II. THE SHIMBA HILLS. IX. A TROPICAL JUNGLE X. THE SABLE XI. A MARCH ALONG THE COAST XII. THE FIRE PART III. NAIROBI. XIII. UP FROM THE COAST XIV. A TOWN OF CONTRASTS XV. PEOPLE XVI. RECRUITING PART IV. A LION HUNT ON KAPITI. XVII. AN OSTRICH FARM AT MACHAKOS XVIII. THE FIRST LIONESS XIX. THE DOGS XX. BONDONI XXI. RIDING THE PLAINS XXII. THE SECOND LIONESS XXIII. THE BIG LION XXIV. THE FIFTEEN LIONS PART V. THE TSAVO RIVER. XXV. VOI XXVI. THE FRINGE EARED ORYX XXVII. ACROSS THE SERENGETTI XXVIII. DOWN THE RIVER XXIX. THE LESSER KUDU XXX. ADVENTURES BY THE WAY XXXI. THE LOST SAFARI XXXII. THE BABU PART VI. IN MASAILAND. XXXIII. OVER THE LIKIPIA ESCARPMENT XXXIV. TO THE KEDONG XXXV. THE TEANSPORT RIDER XXXVI. ACROSS THE THIRST XXXVII. THE SOUTHERN GUASO NYERO XXXVIII. THE LOWER BENCHES XXXIX. NOTES ON THE MASAI XL. THROUGH THE ENCHANTED FOREST XLI. NAIOKOTUKU XLII. SCOUTING IN THE ELEPHANT FOREST XLIII. THE TOPI CAMP XLIV. THE UNKNOWN LAND XLV. THE ROAN XLVI. THE GREATER KUDU XLVII. THE MAGIC PORTALS CLOSE XLVIII. THE LAST TREK PART I. TO THE ISLAND OF WAR. I. THE OPEN DOOR. There are many interesting hotels scattered about the world, with a few of which I am acquainted and with a great many of which I am not. Of course all hotels are interesting, from one point of view or another. In fact, the surest way to fix an audience's attention is to introduce your hero, or to display your opening chorus in the lobby or along the façade of a hotel. The life, the movement and colour, the drifting individualities, the pretence, the bluff, the self consciousness, the independence, the ennui , the darting or lounging servants, the very fact that of those before your eyes seven out of ten are drawn from distant and scattered places, are sufficient in themselves to invest the smallest hostelry with glamour. It is not of this general interest that I would now speak. Nor is it my intention at present to glance at the hotels wherein "quaintness" is specialized, whether intentionally or no. There are thousands of them; and all of them well worth the discriminating traveller's attention. Concerning some of them as the old inns at Dives sur Mer and at Mont St. Michel whole books have been written. These depend for their charm on a mingled gift of the unusual and the picturesque. There are, as I have said, thousands of them; and of their cataloguing, should one embark on so wide a sea, there could be no end. And, again, I must for convenience exclude the altogether charming places, like the Tour d'Argent of Paris, Simpson's of the Strand,[1] and a dozen others that will spring to every traveller's memory, where the personality of the host, or of a chef, or even a waiter, is at once a magnet for the attraction of visitors and a reward for their coming. These, too, are many. In the interest to which I would draw attention, the hotel as a building or as an institution has little part. It is indeed a façade, a mise en scène before which play the actors that attract our attention and applause. The set may be as modernly elaborate as Peacock Alley of the Waldorf or the templed lobby of the St. Francis; or it may present the severe and Elizabethan simplicity of the stone paved veranda of the Norfolk at Nairobi the matter is quite inessential to the spectator... Continue reading book >>
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