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Aladdin of London or, Lodestar   By: (1863-1950)

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Aladdin of London, or Lodestar by Max Pemberton, is a tale that whisks readers away to a mesmerizing world set in Victorian England. From the very first page, the author effortlessly transports us back in time, blending historical accuracy with an enchanting narrative that captivates the imagination.

Set against the backdrop of the bustling streets of London, the story follows the journey of Aladdin, a young orphan who finds himself immersed in the ominous world of the city's criminal underbelly. Blessed with a quick wit and a resourcefulness beyond his years, Aladdin is presented as a relatable and endearing protagonist that readers will undoubtedly root for.

Pemberton's meticulous attention to detail shines through in his vivid descriptions of the city, instantly painting a picture of the rich Victorian era. The sights, sounds, and even the smells are brilliantly brought to life, immersing readers in a world that feels authentic and tangible.

The plot is tightly woven, effortlessly blending mystery, action, and a touch of romance. Pemberton expertly balances these elements, ensuring that the story never loses momentum. The pacing is spot-on, leaving just enough room for character development and introspection, while still maintaining a gripping sense of urgency.

One of the novel's greatest strengths lies in its meticulous character development. Aladdin, with his charm and kindness, steals the heart of readers from the very beginning. However, it is the nuanced supporting cast that truly shines. From the cunning thieves to the weary detectives, each character is multi-dimensional and adds depth to the overall narrative.

Moreover, Pemberton weaves thought-provoking social commentary throughout the story, shedding light on the stark divide between the privileged and the destitute during that era. Themes of poverty, inequality, and corruption are explored, allowing readers to reflect on the parallels that exist in contemporary society.

While Aladdin of London, or Lodestar is undeniably a work of fiction, it is clear that Pemberton has conducted extensive research to ensure historical accuracy. From the slang used by the characters to the depictions of the city, the attention to detail is commendable and adds an extra layer of authenticity to the story.

In conclusion, Aladdin of London, or Lodestar is a captivating historical fiction novel that effortlessly transports readers to the mysterious and vibrant streets of Victorian London. Pemberton's eloquent writing, compelling characters, and intricate plot make for an enthralling read. Whether you're a fan of historical fiction, mystery, or simply seeking an immersive and engaging story, this book is sure to leave a lasting impression.

First Page:

ALADDIN OF LONDON

Or

Lodestar

by

MAX PEMBERTON

Author of "The Hundred Days," "A Gentleman's Gentleman," "Doctor Xavier," "The Lady Evelyn," etc., etc.

Illustrated by Frank Parker

New York Empire Book Company Publishers

[Illustration: A very orgy of blood and slaughter; a carnival of whips. Page 198]

Copyright, 1907, by Max Pemberton. Entered at Stationers' Hall. All rights reserved.

CONTENTS

CHAPTER PAGE

I. THE HALL BY UNION STREET 5

II. ALBAN KENNEDY MAKES A PROMISE 14

III. WITHOUT THE GATE 23

IV. THE CAVES 33

V. DISMISSAL 45

VI. THE STRANGER 56

VII. THE HOUSE OF THE FIVE GABLES 62

VIII. ALBAN KENNEDY DINES 71

IX. ANNA GESSNER 79

X. RICHARD GESSNER DEBATES AN ISSUE 90

XI. WHIRLWIND 109

XII. ALBAN SEES LIFE 121

XIII. ALBAN REVISITS UNION STREET 132

XIV. THERE ARE STRANGERS IN THE CAVES 145

XV. A STUDY IN INDIFFERENCE 152

XVI... Continue reading book >>




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