Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan) By: Pantaleón S. Lopez (1872-1912)
Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan) is a captivating and thought-provoking piece of literature that delves into the complexities of Filipino history and culture. Through his intricate storytelling, Pantaleón S. Lopez weaves together two distinct narratives - one set in the world of zarzuela, a form of traditional Filipino theater, and the other delving into the lives of historical figures known as "apô-apô." Lopez's rich and vivid descriptions transport the reader to a bygone era, where the vibrancy of Filipino culture is on full display. The characters are well-developed and each one plays a crucial role in unraveling the mysteries surrounding the apô-apô. As the story unfolds, themes of power, identity, and tradition come to the forefront, challenging the reader to reflect on their own beliefs and values. One of the standout elements of the book is Lopez's ability to seamlessly blend historical facts with fictional storytelling. The transitions between the zarzuela world and the historical narrative are seamless, creating a narrative that is both engaging and educational. This fusion of genres adds depth and complexity to the story, keeping the reader enthralled until the very end. Overall, Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan) is a must-read for anyone interested in Filipino history and culture. Lopez's masterful storytelling and intricate plot make for a compelling read that will stay with readers long after they have finished the book. First Page: [Transcriber's note: Tilde g in old Tagalog which is no longer used is marked as ~g.] [Paalala ng nagsalin: May kilay ang mga salitang "ng, mga," at iba pa upang ipakita ang dating estilo sa pag sulat ng Tagalog na sa ngayon ay hindi na ginagamit.] "APÔ APÔ" (ZARZUELA) "Kung sinong Apô Apô" (KASAYSAYAN.) Pantaleón S. Lopez MAYNILA Limbagan nina Fajardo at Kasama Daang Carriedo Blg. 101, Sta. Cruz =1908.= Zarzuelang tagalog na may isang bahagi, ikatha ni P. S. Lopez, at tugtugin ni Mateo Varios na pinamagatang: "APÔ APÔ" M~GA TAO SA OBRA. M~GA ARTISTA. Soledad......G. Máxima Gonzales. María........Bb. Petrona Polintan. Ludovico.....G. P. S. Lopez. Tio Agong....» F. P. Ballecer. Bakokoy......» Juan Bernabe. Tio Pedro....» E. Peña. Totong.......» F. Peña. KAPISANAN N~G PANDAY. Tanging bahagi Pagbubukas n~g tabing mamamasid ang isang taller n~g pandayan si Ludovico at m~ga panday. ESCENA I. MUSICA No. 1. Coros. Itong ating kabuhayan ang mag panday gabi't araw siyang tan~ging kabuhayan n~g kapatid at magulang. Ludovico. Kapalara'y sinakbibi kabuhayay kinandili at guinhawa'y humalili, palad n~ganing tantong apí... Continue reading book >>

Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan) By: Pantaleón S. Lopez (1872-1912)

Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan) is a captivating and thought-provoking piece of literature that delves into the complexities of Filipino history and culture. Through his intricate storytelling, Pantaleón S. Lopez weaves together two distinct narratives - one set in the world of zarzuela, a form of traditional Filipino theater, and the other delving into the lives of historical figures known as "apô-apô."

Lopez's rich and vivid descriptions transport the reader to a bygone era, where the vibrancy of Filipino culture is on full display. The characters are well-developed and each one plays a crucial role in unraveling the mysteries surrounding the apô-apô. As the story unfolds, themes of power, identity, and tradition come to the forefront, challenging the reader to reflect on their own beliefs and values.

One of the standout elements of the book is Lopez's ability to seamlessly blend historical facts with fictional storytelling. The transitions between the zarzuela world and the historical narrative are seamless, creating a narrative that is both engaging and educational. This fusion of genres adds depth and complexity to the story, keeping the reader enthralled until the very end.

Overall, Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan) is a must-read for anyone interested in Filipino history and culture. Lopez's masterful storytelling and intricate plot make for a compelling read that will stay with readers long after they have finished the book.

First Page:

[Transcriber's note: Tilde g in old Tagalog which is no longer used is marked as ~g.]

[Paalala ng nagsalin: May kilay ang mga salitang "ng, mga," at iba pa upang ipakita ang dating estilo sa pag sulat ng Tagalog na sa ngayon ay hindi na ginagamit.]

"APÔ APÔ"

(ZARZUELA)

"Kung sinong Apô Apô"

(KASAYSAYAN.)

Pantaleón S. Lopez

MAYNILA

Limbagan nina Fajardo at Kasama Daang Carriedo Blg. 101, Sta. Cruz

=1908.=

Zarzuelang tagalog na may isang bahagi, ikatha ni P. S. Lopez, at tugtugin ni Mateo Varios na pinamagatang:

"APÔ APÔ"

M~GA TAO SA OBRA. M~GA ARTISTA.

Soledad......G. Máxima Gonzales. María........Bb. Petrona Polintan. Ludovico.....G. P. S. Lopez. Tio Agong....» F. P. Ballecer. Bakokoy......» Juan Bernabe. Tio Pedro....» E. Peña. Totong.......» F. Peña.

KAPISANAN N~G PANDAY.

Tanging bahagi

Pagbubukas n~g tabing mamamasid ang isang taller n~g pandayan si Ludovico at m~ga panday.

ESCENA I.

MUSICA No. 1.

Coros. Itong ating kabuhayan ang mag panday gabi't araw siyang tan~ging kabuhayan n~g kapatid at magulang.

Ludovico. Kapalara'y sinakbibi kabuhayay kinandili at guinhawa'y humalili, palad n~ganing tantong apí... Continue reading book >>

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Wikipedia – Pantaleón S. Lopez
Wikipedia – Apô-Apô (Zarzuela) at Kung Sinong Apô-Apô (Kasaysayan)

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