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Apu Ollantay A Drama of the Time of the Incas   By: (1830-1916)

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Apu Ollantay is a mesmerizing and thought-provoking drama that takes readers on a captivating journey through the time of the Incas. Authored by Clements R. Markham, this play shines a light on the rich history and cultural complexities of this ancient civilization.

The story revolves around Apu Ollantay, a high-ranking general who falls deeply in love with the beautiful and noble daughter of the Inca ruler. However, their clandestine relationship faces numerous obstacles, including the vast power imbalance and societal expectations of the time. Threads of forbidden love, political intrigue, and rebellion are woven seamlessly throughout the narrative, making for an engrossing read.

One of the most striking aspects of Apu Ollantay is Markham's skillful portrayal of characters. Each individual comes to life with their distinct traits, values, and motivations. Apu Ollantay's internal conflict between his love for his beloved and his loyalty to his people is particularly well-crafted, adding depth to his portrayal. The author's ability to evoke empathy for these historical characters is a testament to his talent and research.

Markham's attention to detail is impeccable, transporting readers to the heart of the Inca Empire. The vivid descriptions of the ancient city of Cuzco, the regal costumes, and the elaborate rituals immerse us in this rich cultural tapestry. The play's authenticity is accentuated by the inclusion of Inca vocabulary, which adds an extra layer of authenticity and enhances the reader's engagement with the story.

Furthermore, the play grapples with timeless themes that extend beyond the realm of history. The exploration of power dynamics, love, and loyalty resonates with readers, as these struggles remain relevant in contemporary society. Markham's ability to intertwine these universal themes with the unique historical context is nothing short of remarkable.

However, the only drawback of the work is its heavy reliance on dialogue. While the conversations between characters are engaging, the lack of descriptive narration or stage directions may make it challenging for some readers to fully visualize the scenes. It would have been beneficial to have a more balanced blend of dialogue and descriptive prose to enhance the overall reading experience.

In conclusion, Apu Ollantay by Clements R. Markham is a captivating drama that opens a window into the world of the Incas. The author's meticulous research, well-developed characters, and exploration of timeless themes make this play a must-read for history enthusiasts and lovers of engaging storytelling alike. Despite its minimal drawbacks, the depth and beauty of this work make it a valuable addition to any bookshelf.

First Page:

APU OLLANTAY

A DRAMA OF THE TIME OF THE INCAS

SOVEREIGNS OF PERU

ABOUT A.D. 1470

FIRST REDUCED TO WRITING BY DR. VALDEZ, CUBA OF SICUANI A.D. 1770

THE ORIGINAL MANUSCRIPT COPIED BY DR. JUSTO PASTOR JUSTINIANI

THIS JUSTINIANI TEXT COPIED AT LARIS, IN APRIL 1863, BY CLEMENTS R. MARKHAM

A FREE TRANSLATION INTO ENGLISH BY SIR CLEMENTS MARKHAM, K.C.B. [1910]

INTRODUCTION

The drama was cultivated by the Incas, and dramatic performances were enacted before them. Garcilasso de la Vega, Molina, and Salcamayhua are the authorities who received and have recorded the information given by the Amautas respecting the Inca drama. Some of these dramas, and portions of others, were preserved in the memories of members of Inca and Amauta families. The Spanish priests, especially the Jesuits of Juli, soon discovered the dramatic aptitude of the people. Plays were composed and acted, under priestly auspices, which contained songs and other fragments of the ancient Inca drama. These plays were called 'Autos Sacramentales.'

But complete Inca dramas were also preserved in the memories of members of the Amauta caste and, until the rebellion of 1781, they were acted. The drama of Ollantay was first reduced to writing and arranged for acting by Dr. Don Antonio Valdez, the Cura of Tinto... Continue reading book >>




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