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Aratra Pentelici, Seven Lectures on the Elements of Sculpture Given before the University of Oxford in Michaelmas Term, 1870   By: (1819-1900)

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Aratra Pentelici, written by John Ruskin, is a deeply insightful and thought-provoking collection of lectures on the elements of sculpture. Originally delivered before the University of Oxford in 1870, this book encompasses Ruskin's extensive knowledge and passion for the subject, making it a seminal work in the field of art criticism.

Throughout the seven lectures, Ruskin adeptly explores various aspects of sculpture, delving into its history, techniques, and philosophical underpinnings. His writing style is eloquent and engaging, effortlessly guiding readers through complex concepts with clarity and precision. One can easily sense Ruskin's enthusiasm for the subject, as he expertly analyzes the works of classical sculptors and contemporary artists alike, providing insightful commentary and reflection.

One of the book's most impressive aspects is Ruskin's ability to connect the practice of sculpture to broader philosophical ideas. He explores the interplay between the physicality of sculpture and its ability to convey emotion, spirituality, and beauty. Ruskin argues that sculpture serves as a medium for expressing the fundamental essence of humanity, which adds a profound depth to our understanding of the art form.

Another captivating aspect of Aratra Pentelici is Ruskin's detailed examination of the technical aspects of sculpture. He pays meticulous attention to the materials and techniques employed by sculptors, elucidating how these choices contribute to the overall impact of the artwork. Ruskin's keen observation and analysis offer valuable insights for both aspiring artists and art enthusiasts, enriching their understanding of the intricate craft.

Although Aratra Pentelici was initially delivered as lectures, Ruskin's writing effectively captures the essence of his spoken words. His eloquence and ability to connect with his audience are palpable, even in written form. The book serves as a testament to Ruskin's exceptional ability to communicate complex ideas in an accessible and engaging manner.

That being said, this work may not be suitable for those seeking a quick and light read. Aratra Pentelici demands the reader's full attention and concentration to fully grasp the depth and significance of Ruskin's arguments. However, for those willing to invest time and effort, the rewards are plentiful. This book is a treasure trove of knowledge and inspiration, offering a profound understanding of sculpture and its place in the world of art.

In conclusion, Aratra Pentelici by John Ruskin is a masterpiece of art criticism, exploring the elements of sculpture with exceptional insight and eloquence. Whether you are a seasoned art lover or a curious novice, this book is guaranteed to enrich your understanding and appreciation of this timeless art form. Ruskin's passion for sculpture shines through every page, making it a must-read for anyone interested in the intersection of art and philosophy.

First Page:

Library Edition

THE COMPLETE WORKS

OF

JOHN RUSKIN

CROWN OF WILD OLIVE TIME AND TIDE QUEEN OF THE AIR LECTURES ON ART AND LANDSCAPE ARATRA PENTELICI

NATIONAL LIBRARY ASSOCIATION NEW YORK CHICAGO

ARATRA PENTELICI.

SEVEN LECTURES

ON THE

ELEMENTS OF SCULPTURE,

GIVEN BEFORE THE UNIVERSITY OF OXFORD IN MICHAELMAS TERM, 1870.

CONTENTS.

PAGE

PREFACE v

LECTURE I. OF THE DIVISION OF ARTS 1

LECTURE II. IDOLATRY 20

LECTURE III. IMAGINATION 39

LECTURE IV. LIKENESS 67

LECTURE V. STRUCTURE 90

LECTURE VI. THE SCHOOL OF ATHENS 114

LECTURE VII. THE RELATION BETWEEN MICHAEL ANGELO AND TINTORET 132

LIST OF PLATES

Facing Page

I. Porch of San Zenone, Verona 14

II. The Arethusa of Syracuse 15

III. The Warning to the Kings, San Zenone, Verona 15

IV... Continue reading book >>




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