Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter   By: Ernest Govett

In "Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter," Ernest Govett successfully delves into the intricacies of art theory and its practical application in painting. This book serves as a vital resource for artists, both novice and experienced, seeking to deepen their understanding and skills in their craft.

One of the standout aspects of Govett's work is his ability to capture complex concepts and simplify them for the reader. He presents a comprehensive overview of art principles, touching upon topics such as form, color, light, and composition. Each concept is explained with remarkable clarity, accompanied by numerous examples and illustrations that facilitate comprehension.

Another noteworthy feature of the book is Govett's meticulous attention to detail. He not only delves into the theoretical aspects of art, but also provides invaluable practical advice on how to apply these principles effectively. From brush techniques to the proper use of color, Govett leaves no stone unturned, ensuring that readers have a comprehensive understanding of the subject matter.

Moreover, Govett introduces a unique perspective by discussing the illusions that painters can create through their work. He delves into how artists can manipulate elements such as space, depth, and texture to create captivating visual illusions. This section of the book adds an intriguing dimension to the reader's understanding of painting, inspiring them to experiment and explore new artistic territories.

However, there are a few areas where the book could have further improved. While Govett's explanations are generally clear, some readers may find his writing style to be rather dry and academic. Additionally, the book predominantly focuses on painting, which may limit its appeal to artists working in other mediums such as sculpting or photography. It would have been beneficial to see Govett explore these mediums as well, expanding the book's relevancy to a broader audience.

In conclusion, "Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter" is a valuable addition to any artist's library. Ernest Govett's encyclopedic knowledge of art theory, combined with practical guidance and intriguing insights, make this book a powerful tool for artists seeking to enhance their skills and understanding. Despite a few minor shortcomings, Govett's meticulousness and clarity ensure that the book serves as an essential resource for any artist passionate about their craft.

First Page:

This book is put forward with much diffidence, for I am well aware of its insufficiencies. My original idea was to produce a work covering all the principles of painting, but after many years spent in considering the various recorded theories relating to æsthetic problems, and in gathering materials to indicate how the accepted principles have been applied, I came to the conclusion that a single life is scarcely long enough for the preparation of an exhaustive treatise on the subject. Nevertheless, I planned a work of much wider scope than the one now presented, but various circumstances, and principally the hindrance to research caused by the war, impelled me to curtail my ambition. Time was fading, and my purpose seemed to be growing very old. I felt that if one has something to say, it is better to say it incompletely than to run the risk of compulsory silence. The book will be found little more than a skeleton, and some of its sections, notably those dealing with illusions in the art, contain only a few suggestions and instances, but perhaps enough is said to induce a measure of further inquiry into the subject... Continue reading book >>