The Blunderer   By: Unknown (1622-1673)

The Blunderer is a gripping psychological thriller that plunges its readers into a maze of insecurity, obsession, and dark secrets. Written by an unknown author, this book takes us on a relentless journey that explores the tangled webs we weave and the dangerous consequences that can arise from a single mistake.

The story revolves around a seemingly perfect marriage, tainted by suspicion and discontent. Walter, the hapless husband, finds himself drawn into a web of suspicion when his wife suddenly turns up dead. As the authorities begin to investigate, a disturbing pattern emerges - Walter is not the first husband to lose his wife in tragic circumstances. In fact, a shadowy figure known as Kimmel seems to be haunting Walter's footsteps, leaving a trail of destruction in his wake. Determined to clear his name, Walter embarks on a dangerous path to uncover the truth about his wife's death and the enigmatic figure lurking in the background.

The author deftly delves into the complexities of the human mind, presenting flawed characters that elicit both sympathy and frustration. Walter, consumed by guilt and paranoia, is a captivating protagonist, full of contradictions and inner turmoil. As the story progresses, we witness his gradual descent into madness, unable to discern whether he is being haunted by a malevolent force or if he is merely an architect of his own downfall.

The pacing of the novel is commendable, with each chapter leaving the reader craving for more. The narrative seamlessly alternates between Walter's perspective and that of the police officer determined to bring him to justice. This dual narrative adds depth and dimension to the story, allowing us to piece together the puzzle from different angles. It also serves as a reminder of the fine line between victim and perpetrator, blurring the boundaries between good and evil.

What sets The Blunderer apart is its exploration of the darker aspects of human nature. As Walter's obsession with Kimmel intensifies, we are forced to confront uncomfortable questions about the lengths one is willing to go to protect their secrets. The author skillfully weaves tension and suspense throughout the narrative, leading to a shocking climax that leaves the reader reeling.

However, despite its many strengths, The Blunderer does have its drawbacks. The pacing occasionally falters, with certain sections feeling dragged out or overly descriptive. Additionally, the ending, while unexpected, may leave some readers wanting more closure, as loose ends are left untied.

Despite these minor flaws, The Blunderer is an enthralling read that will keep you on the edge of your seat until the very last page. The unknown author showcases a keen understanding of human psychology, dexterously manipulating the reader's emotions and challenging their perceptions of reality. Fans of psychological thrillers will undoubtedly find this book a compelling addition to their collection, proving that sometimes the greatest mysteries lie within the depths of our own minds.

First Page:

The Blunderer is generally believed to have been first acted at Lyons in 1653, whilst Molière and his troupe were in the provinces. In the month of November 1658 it was played for the first time in Paris, where it obtained a great and well deserved success. It is chiefly based on an Italian comedy, written by Nicolo Barbieri, known as Beltrame, and called L'Inavvertito , from which the character of Mascarille, the servant, is taken, but differs in the ending, which is superior in the Italian play. An imitation of the classical boasting soldier, Captain Bellorofonte, Martelione, and a great number of concetti , have also not been copied by Molière. The fourth scene of the fourth act of l'Ètourdi contains some passages taken from the Angelica , a comedy by Fabritio de Fornaris, a Neapolitan, who calls himself on the title page of his play "il Capitano Coccodrillo, comico confidente." A few remarks are borrowed from la Emilia , a comedy by Luigi Grotto, whilst here and there we find a reminiscence from Plautus, and one scene, possibly suggested by the sixteenth of the Contes et Discours d'Eutrapel , written by Nöel du Fail, Lord of la Hérissaye... Continue reading book >>