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The Book of Ornamental Alphabets, Ancient and Medieval, from the Eighth Century With Numerals, including Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, Monograms, Crosses, &c.   By: (1814-1862)

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The Book of Ornamental Alphabets, Ancient and Medieval, from the Eighth Century With Numerals, including Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, Monograms, Crosses, &c. by F. (Freeman) Delamotte certainly lives up to its expansive title. As an avid lover of calligraphy and typography, I was immensely thrilled to stumble upon this hidden gem.

Delamotte's book is a comprehensive collection of ornamental alphabets, meticulously curated from centuries-old sources. From the intricate scripts used in medieval monasteries to the flowing strokes of gothic lettering, the author's dedication to collating these alphabets is evident.

One standout feature of this book is its attention to detail. Delamotte provides not only the alphabetic characters but also includes numerals, crosses, monograms, and various forms of embellishments that were popular during ancient and medieval times. This wide range of elements ensures that the book serves as a valuable resource for artists, designers, and typography enthusiasts alike.

Additionally, Delamotte's efforts to reproduce these alphabets accurately are commendable. Each illustration is incredibly clear and precise, allowing readers to truly appreciate the beauty and intricacy of these ornamental scripts. The level of craftsmanship and attention to detail displayed in these alphabets is awe-inspiring, and Delamotte's accurate reproduction ensures that their essence is not lost to time.

As a lover of history, I found the inclusion of the historical context behind each alphabet to be a delightful addition. Delamotte provides brief but insightful explanations about the origins, usage, and significance of each script, allowing readers to grasp a deeper understanding of the cultural and artistic contexts in which these alphabets thrived.

However, the only criticism I have is that the book lacks a coherent structure. While alphabets are categorized loosely by style, there is no clear organization or progression throughout the book. As a result, finding a specific alphabet or comparing different styles can be a bit cumbersome and time-consuming.

Nonetheless, this small flaw does not diminish the immense value of The Book of Ornamental Alphabets. Delamotte's compilation is a treasure trove for artists seeking inspiration, historians delving into ancient and medieval scripts, or simply anyone with an appreciation for the artistry of typography.

I wholeheartedly recommend this book to aspiring calligraphers, typography enthusiasts, or anyone intrigued by the art of the written word. Delamotte's The Book of Ornamental Alphabets is an invaluable resource that shines a light on the beauty and diversity of ancient and medieval scripts, ensuring that these ornamental alphabets continue to inspire generations to come.

First Page:

THE BOOK OF ORNAMENTAL ALPHABETS, Ancient and MediƦval, FROM THE EIGHTH CENTURY. WITH NUMERALS, INCLUDING Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, MONOGRAMS, CROSSES, &c.,

FOR THE USE OF ARCHITECTURAL AND ENGINEERING DRAUGHTSMEN, MASONS, DECORATIVE PAINTERS, LITHOGRAPHERS, ENGRAVERS, CARVERS, &c. COLLECTED AND ENGRAVED BY F. DELAMOTTE.

SIXTEENTH EDITION

[Illustration: Capio Lumen]

LONDON:

CROSBY LOCKWOOD AND SON, 7, STATIONERS' HALL COURT.

1914.

PREFACE TO THE FOURTH EDITION.

As there are no works of Ancient Alphabets of any excellence published in a cheap form, I have been induced, after many years' study and research in my profession as a Draughtsman and Engraver, to offer this collection to the favourable notice of the public, trusting that its very moderate price and general usefulness will be a sufficient apology for the undertaking... Continue reading book >>




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