The Bridling of Pegasus Prose Papers on Poetry By: Alfred Austin (1835-1913) |
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In "The Bridling of Pegasus: Prose Papers on Poetry" by Alfred Austin, readers are invited on a poetic journey of contemplation and appreciation. Austin, an esteemed poet himself, delves into the profound essence of poetry, exploring its various forms, themes, and techniques.
The book is divided into several divided sections, each exploring a specific aspect of poetry. One of the standout features of Austin's writing is his ability to seamlessly combine scholarly analysis with his own personal experiences and observations. Through this approach, he brings a certain relatability to the otherwise intimidating world of poetry.
Austin's discussions on the power of imagination and the sifting of emotions to create impactful poetry exemplify his deep understanding of the craft. His insights into the role of rhythm and meter in enhancing the lyrical quality of verse are particularly commendable, shedding light on the technical aspects of writing that often go unnoticed.
Another noteworthy aspect of "The Bridling of Pegasus" is Austin's exploration of nature as a muse. The threads that tie poetry and the natural world together are beautifully woven throughout the book, with Austin emphasizing the importance of understanding nature’s profound influence on the human experience.
While the book primarily focuses on traditional poetry, Austin also delves into more contemporary forms, offering a well-rounded perspective on the evolution of the art form. His ability to bridge the gap between classic and modern poetry showcases his versatility as a poet and puts into perspective the enduring relevance of poetry as an art form.
"The Bridling of Pegasus" also serves as a valuable resource for aspiring poets. Austin's thoughtful reflections on the writing process and the challenges inherent in crafting meaningful poetry provide valuable guidance and inspiration. His emphasis on diligence, practice, and paying attention to detail will undoubtedly resonate with those seeking to improve their own poetic skills.
It is worth noting that at times, Austin's prose can be dense and scholarly, making it a slightly challenging read for those unfamiliar with poetry terminology. However, his passion for the subject shines through, giving readers the encouragement to persevere through more challenging passages.
In conclusion, "The Bridling of Pegasus: Prose Papers on Poetry" is a valuable addition to any poetry lover's collection. Austin's deep understanding of the craft, insightful analysis, and engaging personal anecdotes make this book an enjoyable and thought-provoking read. Whether a seasoned poet or a curious reader, there is much to gain from the wisdom and knowledge shared within these pages. THE BRIDLING OF PEGASUS PROSE PAPERS ON POETRY BY ALFRED AUSTIN POET LAUREATE Essay Index Reprint Series BOOKS FOR LIBRARIES PRESS, INC. FREEPORT, NEW YORK ( Originally published by Macmillan and Co. ) First published 1910 Reprinted 1967 Reprinted from a copy in the collections of The New York Public Library Astor, Lenox and Tilden Foundations When Bellerophon, mounted on Pegasus, set forth to kill the Chimera, Minerva, Goddess of Wisdom, gave him a golden bridle with which to curb and guide his winged steed. Hence the title of this volume, "The Bridling of Pegasus." TO THE RIGHT HONOURABLE SIR ALFRED C. LYALL, K.C.B. MY DEAR LYALL, I should think you must have observed, in the course of your reading, that even in the most accredited organs of opinion, principles of literary criticism, either explicitly stated or tacitly assumed, are often utterly ignored, in the notice of some work or other in the self same number. The result can only be to create confusion in the public mind. In this volume, consisting of papers written at various times during the last thirty years, no such contradiction will, I think, be found. Whether they be deemed sound or otherwise, they are at least coherent; the canons of criticism underlying them being that no verse which is unmusical or obscure can be regarded as Poetry, whatever other qualities it may possess; that Imagination in Poetry, as distinguished from mere Fancy, is the transfiguring of the Real, or actual, into the Ideal, by what Prospero calls his "so potent art"; and, if these conditions are complied with, that the greatness of the poem depends on the greatness of the theme... Continue reading book >>
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