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Bussy D'Ambois and The Revenge of Bussy D'Ambois   By: (1559?-1634)

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In George Chapman's play "Bussy D'Ambois and The Revenge of Bussy D'Ambois," readers are taken on a tumultuous journey through the streets of 16th-century France. Set against a backdrop of political intrigue, feuds, and unyielding ambition, this Jacobean tragedy explores the destructive consequences of unchecked revenge and the cost of pursuing power at all costs.

Chapman's skillful narrative and richly crafted characters bring the world of Bussy D'Ambois to life. The eponymous protagonist is a compelling figure, equal parts charismatic and flawed. As a nobleman with a quick wit and a fearless demeanor, Bussy's arrogance and desire for vengeance draw both admiration and disdain from those around him. His unwavering pursuit of retribution drives the play forward, highlighting the damaging consequences of a single-minded fixation on one's own desires.

The supporting cast is equally memorable, each adding their own unique dynamics to the story. Whether it's the manipulative and cunning Tamyra, the tormented Montsurry, or the loyal yet conflicted Captain Aymes, every character contributes to the escalating tensions and fatalistic atmosphere that permeates the play. Their complex motivations and intricate relationships intertwine, creating a web of betrayals and shifting alliances that heighten the sense of danger and impending tragedy.

Chapman's explorations of honor, loyalty, and the corrupting influence of power elevate "Bussy D'Ambois" beyond a simple tale of revenge. Through the characters' internal struggles and moral dilemmas, he offers a profound examination of the human condition and the consequences of our actions. The play delves into the concept of honor, questioning its true value and the lengths to which one should go to defend it.

Furthermore, Chapman's vivid language and poetic prowess shine throughout the play. His use of imagery and metaphor transports readers to the medieval streets of France, painting a vivid and atmospheric backdrop for the unfolding drama. The dialogue is lyrical and filled with double entendres, revealing the characters' hidden motivations and adding layers of complexity to the narrative.

The play's pacing and dramatic tension are expertly managed, effectively building anticipation and maintaining a sense of foreboding throughout. The climactic moments are suitably shocking and tragic, as the consequences of the characters' actions come crashing down upon them.

While "Bussy D'Ambois and The Revenge of Bussy D'Ambois" may not be as well-known as some of Chapman's contemporaries, it deserves recognition for its literary merit and its thought-provoking exploration of revenge, honor, and power. With its memorable characters, lyrical language, and atmospheric setting, this Jacobean tragedy is a captivating read for anyone interested in the complex tapestry of human emotions and the price we pay for our desires.

First Page:

Transcriber's Note: Words italicized in the original are surrounded by underscores . Words in bold in the original are surrounded by =equal signs=. Words in Greek in the original are transliterated and placed between plus signs. A complete list of corrections follows the text.

BUSSY D'AMBOIS

AND

THE REVENGE OF BUSSY D'AMBOIS

BY GEORGE CHAPMAN

EDITED BY

FREDERICK S. BOAS, M.A.

PROFESSOR OF ENGLISH LITERATURE IN QUEEN'S COLLEGE, BELFAST

BOSTON, U.S.A., AND LONDON D. C. HEATH & CO., PUBLISHERS 1905

COPYRIGHT, 1905, BY D. C. HEATH & CO.

Prefatory Note

In this volume an attempt is made for the first time to edit Bussy D'Ambois and The Revenge of Bussy D'Ambois in a manner suitable to the requirements of modern scholarship. Of the relations of this edition to its predecessors some details are given in the Notes on the Text of the two plays. But in these few prefatory words I should like to call attention to one or two points, and make some acknowledgments.

The immediate source of Bussy D'Ambois still remains undiscovered. But the episodes in the career of Chapman's hero, vouched for by contemporaries like Brantôme and Marguerite of Valois, and related in some detail in my Introduction , are typical of the material which the dramatist worked upon... Continue reading book >>




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