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Capitals A Primer of Information about Capitalization with some Practical Typographic Hints as to the Use of Capitals   By: (1860-1940)

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In "Capitals," Frederick W. Hamilton skillfully explores the intricacies and nuances of capitalization, presenting readers with a comprehensive guide that serves as a valuable resource for writers, editors, and typography enthusiasts alike. Published in 1901, this primer offers timeless wisdom and practical tips on the art of utilizing capitals effectively.

Hamilton's expertise shines through as he unravels the rules and principles governing capitalization, providing both beginner and experienced writers with a wealth of essential information. From the basic rules of capitalizing proper nouns and the first word of a sentence to more complex guidelines involving titles, headlines, and abbreviations, this book covers it all.

What sets "Capitals" apart from other similar guides is its emphasis on practical typographic hints. Hamilton recognizes that capitalization extends beyond language mechanics. He delves into the aesthetics of typography, explaining how the use of capitals can influence a text’s visual impact. This focus on the visual aspects of capitalization distinguishes the book and makes it an invaluable resource for designers and typographers seeking to enhance the visual appeal of their work.

Hamilton's writing style is clear, succinct, and accessible, making the often-daunting subject of capitalization feel approachable and manageable. He expertly balances technical explanations with relatable examples, ensuring that readers understand the concepts and can apply them effectively in their own writing.

One of the book's greatest strengths is its attention to historical contexts. Hamilton delves into the evolutionary development of capitalization rules, tracing their origins back to ancient times and highlighting the influence of various languages. This historical perspective not only adds depth and richness to the work but also allows readers to appreciate the importance of capitalization conventions in different cultural and linguistic traditions.

While "Capitals" was written over a century ago, the content remains largely relevant and timeless. Language has evolved, and some conventions may have slightly shifted, but the fundamental principles presented by Hamilton still hold true. In fact, the book's historical context and timeless concepts reinforce the enduring importance of capitalization in effective communication.

One minor drawback of "Capitals" is its lack of visual aids. Given its focus on typography and the visual impact of capitalization, a few examples or typographic illustrations would have enhanced the reader's understanding. Nevertheless, Hamilton's concise explanations and vivid imagery compensate for this limitation to a large extent.

In conclusion, Frederick W. Hamilton's "Capitals" stands as a remarkable and enduring resource for anyone seeking to master the art of capitalization. With its comprehensive coverage of rules, practical tips, and historical insights, this book remains invaluable more than a century after its initial publication. Writers, editors, typographers, and all language enthusiasts will find "Capitals" to be an indispensable guide to effectively utilizing capitals and enhancing the visual appeal of their written work.

First Page:

TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES PART VI, NO. 34

CAPITALS

A PRIMER of INFORMATION ABOUT CAPITALIZATION WITH SOME PRACTICAL TYPOGRAPHIC HINTS AS TO THE USE OF CAPITALS

BY

FREDERICK W. HAMILTON, LL.D.

EDUCATIONAL DIRECTOR UNITED TYPOTHETÆ OF AMERICA

PUBLISHED BY THE COMMITTEE ON EDUCATION UNITED TYPOTHETAE OF AMERICA 1918

COPYRIGHT, 1918 UNITED TYPOTHETAE OF AMERICA CHICAGO, ILL.

CONTENTS

PAGE INTRODUCTION 1

USE OF FULL CAPITALS 4

SMALL CAPITALS 17

SUGGESTIONS AS TO TYPOGRAPHIC USE OF CAPITALS 22

CAPITALS

INTRODUCTION

A capital letter is a letter of formal shape. Capitals were originally derived from the stiff and angular letters used in formal inscriptions. Originally all writing was done in capitals. Later the scribes devised less formal shapes for the letters, making use of lines more easily made by brush or pen on papyrus, parchment, or paper. The capitals were retained for certain uses but the less formal shapes were employed to do the greater part of the work. These less formal letters have been known by several names. They will be referred to here by that under which they are known to modern printers, "lower case... Continue reading book >>




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