Certain Noble Plays of Japan From the manuscripts of Ernest Fenollosa   By: Ezra Pound (1885-1972)

Certain Noble Plays of Japan From the manuscripts of Ernest Fenollosa is an exquisite collection of plays that offers a unique insight into the world of Japanese theater. Compiled and translated by Ezra Pound, this book preserves the beauty and cultural significance of these forgotten gems.

The first striking aspect of this collection is the meticulous attention to detail in the translations. Pound's mastery of the English language allows him to capture the essence of the original Japanese texts, conveying their depth and subtlety to an English-speaking audience. His ability to strike a delicate balance between staying faithful to the source material while making it accessible to a new readership is truly commendable.

The plays themselves offer a fascinating glimpse into the traditional Japanese performing arts, showcasing their rich history and artistry. From Noh to Kyōgen, the various dramatic forms presented within this book represent a wide range of stylistic and thematic variations. Each play is accompanied by a brief introduction, providing important contextual information that enhances the understanding and appreciation of the performance.

One of the book's great strengths lies in its ability to transport the reader to ancient Japan. Through the vivid descriptions and colorful imagery, one can almost hear the haunting melodies of traditional instruments and the soft rustle of kimonos. Additionally, Pound's keen observations enable readers to appreciate the carefully crafted movements and gestures that are an integral part of these plays, adding to their allure.

Furthermore, Ernest Fenollosa's manuscripts, upon which Pound's translations are based, provide invaluable insights into the cultural significance and historical context of these works. Fenollosa, a pioneer in the study of Japanese art and drama, dedicated his life to preserving and understanding these treasures. Pound's decision to bring Fenollosa's work to light showcases his commitment to honoring the legacy of lesser-known scholars like Fenollosa, ensuring that their contributions are not forgotten.

However, it is worth mentioning that some readers unaccustomed to traditional Japanese theater may find parts of the book challenging. The plays' metaphoric language and symbolic nature require patience and open-mindedness to fully grasp. Yet, even if certain nuances may be lost on the uninitiated, the overall effect of these plays is undeniably captivating.

Certain Noble Plays of Japan From the manuscripts of Ernest Fenollosa is an essential read for anyone interested in the history and cultural heritage of Japanese theater. With Pound's masterful translations and Fenollosa's invaluable manuscripts, this collection brings centuries-old plays to life, allowing readers to experience the magic and beauty of Japan's theatrical traditions.

First Page:

In the series of books I edit for my sister I confine myself to those that have I believe some special value to Ireland, now or in the future. I have asked Mr. Pound for these beautiful plays because I think they will help me to explain a certain possibility of the Irish dramatic movement. I am writing these words with my imagination stirred by a visit to the studio of Mr. Dulac, the distinguished illustrator of the Arabian Nights. I saw there the mask and head dress to be worn in a play of mine by the player who will speak the part of Cuchulain, and who wearing this noble half Greek half Asiatic face will appear perhaps like an image seen in revery by some Orphic worshipper. I hope to have attained the distance from life which can make credible strange events, elaborate words. I have written a little play that can be played in a room for so little money that forty or fifty readers of poetry can pay the price. There will be no scenery, for three musicians, whose seeming sun burned faces will I hope suggest that they have wandered from village to village in some country of our dreams, can describe place and weather, and at moments action, and accompany it all by drum and gong or flute and dulcimer... Continue reading book >>