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Charles Frohman: Manager and Man By: Daniel Frohman (1851-1940) |
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by ISAAC F. MARCOSSON and DANIEL FROHMAN With an Appreciation by James M. Barrie Illustrated with Portraits New York and London Harper & Brothers M.C.M.X.V.I Charles Frohman: Manager and Man Copyright, 1916, by Harper & Brothers Copyright, 1915, 1916, by International Magazine Company (Cosmopolitan Magazine) Printed in the United States of America Published October, 1916 To The Theater That Charles Frohman Loved and Served Nought I did in hate but all in honor! HAMLET Contents CHARLES FROHMAN: AN APPRECIATION I. A CHILD AMID THE THEATER II. EARLY HARDSHIPS ON THE ROAD III. PICTURESQUE DAYS AS MINSTREL MANAGER IV. IN THE NEW YORK THEATRICAL WHIRLPOOL V. BOOKING AGENT AND BROADWAY PRODUCER VI. "SHENANDOAH" AND THE FIRST STOCK COMPANY VII. JOHN DREW AND THE EMPIRE THEATER VIII. MAUDE ADAMS AS STAR IX. THE BIRTH OF THE SYNDICATE X. THE RISE OF ETHEL BARRYMORE XI. THE CONQUEST OF THE LONDON STAGE XII. BARRIE AND THE ENGLISH FRIENDSHIPS XIII. A GALAXY OF STARS XIV. STAR MAKING AND AUDIENCES XV. PLAYS AND PLAYERS XVI. "C. F." AT REHEARSALS XVII. HUMOR AND ANECDOTE XVIII. THE MAN FROHMAN XIX. "WHY FEAR DEATH?" APPENDIX A THE LETTERS OF CHARLES APPENDIX B COMPLETE CHRONOLOGICAL LIST OF THE FROHMAN PRODUCTIONS Illustrations CHARLES FROHMAN Frontispiece VIOLA ALLEN WILLIAM GILLETTE JOHN DREW CLYDE FITCH HENRY ARTHUR JONES W. LESTOCQ CHARLES DILLINGHAM MAUDE ADAMS MAUDE ADAMS FRANCIS WILSON WILLIAM COLLIER MARGARET ANGLIN ANNIE RUSSELL WILLIAM FAVERSHAM HENRY MILLER WILLIAM H. CRANE AUGUSTUS THOMAS SIR ARTHUR WING PINERO ETHEL BARRYMORE JULIA MARLOWE E. H. SOTHERN ELSIE FERGUSON EDNA MAY BILLIE BURKE PAULINE CHASE JAMES M. BARRIE PAUL POTTER HADDON CHAMBERS OTIS SKINNER MARIE DORO JULIA SANDERSON ANN MURDOCK CHARLES FROHMAN AND DAVID BELASCO MARIE TEMPEST MME. NAZIMOVA CHARLES FROHMAN'S OFFICE IN THE EMPIRE THEATER CHARLES FROHMAN ON BOARD SHIP Charles Frohman: an Appreciation By James M. Barrie The man who never broke his word. There was a great deal more to him, but every one in any land who has had dealings with Charles Frohman will sign that. I would rather say a word of the qualities that to his friends were his great adornment than about his colossal enterprises or the energy with which he heaved them into being; his energy that was like a force of nature, so that if he had ever "retired" from the work he loved (a thing incredible) companies might have been formed, in the land so skilful at turning energy to practical account, for exploiting the vitality of this Niagara of a man. They could have lit a city with it. He loved his schemes. They were a succession of many colored romances to him, and were issued to the world not without the accompaniment of the drum, but you would never find him saying anything of himself. He pushed them in front of him, always taking care that they were big enough to hide him. When they were able to stand alone he stole out in the dark to have a look at them, and then if unobserved his bosom swelled. I have never known any one more modest and no one quite so shy. Many actors have played for him for years and never spoken to him, have perhaps seen him dart up a side street because they were approaching. They may not have known that it was sheer shyness, but it was. I have seen him ordered out of his own theater by subordinates who did not know him, and he went cheerfully away. "Good men, these; they know their business," was all his comment. Afterward he was shy of going back lest they should apologize. At one time he had several theaters here and was renting others, the while he had I know not how many in America; he was not always sure how many himself... Continue reading book >>
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