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Contemporary American Composers Being a Study of the Music of This Country   By: (1872-1956)

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Contemporary American Composers Being a Study of the Music of This Country by Rupert Hughes is an indispensable guide for anyone interested in exploring the rich and diverse landscape of American music. Through meticulous research and insightful commentary, Hughes leads readers on an enlightening journey through the lives and works of some of the most influential composers from the 19th and 20th centuries.

One of the book's greatest strengths lies in its comprehensive scope, providing a comprehensive overview of American music that encompasses a wide range of genres and styles. From classical giants like Aaron Copland, Charles Ives, and Samuel Barber to experimental pioneers like John Cage and Philip Glass, Hughes offers a balanced and thorough exploration of the American musical panorama.

Hughes' writing style is engaging and accessible, making the book appealing to both seasoned musicians and casual readers. He skillfully weaves together historical context, musical analysis, and anecdotes about the composers' lives, offering a well-rounded understanding of the influences and motivations behind their works. By delving into the personal histories and artistic philosophies of these composers, Hughes provides a deeper appreciation for their contributions to the American musical canon.

Moreover, Hughes addresses the societal and cultural factors that have shaped American music, shedding light on important issues such as race, gender, and politics. By acknowledging the struggles and triumphs of underrepresented composers, he presents a more holistic portrayal of American music history. This aspect of the book makes it not only an invaluable resource for music enthusiasts but also a significant contribution to the broader dialogue on diversity and inclusion within the artistic realm.

While the book is certainly comprehensive, some readers may find its extensive coverage overwhelming. The sheer number of composers discussed might make it challenging to fully absorb the information. However, Hughes' clear organization and engaging writing style mitigate this potential issue to a large extent.

In conclusion, Contemporary American Composers Being a Study of the Music of This Country by Rupert Hughes is an essential resource for anyone seeking a comprehensive and insightful exploration of American music. Hughes' passion for the subject matter, coupled with his meticulous research and engaging prose, make this book an enjoyable and enlightening read. Whether one is a dedicated music scholar or simply an admirer of American culture, this book offers a valuable insight into the rich tapestry of American music and its vibrant history.

First Page:

[Transcriber's Notes: Printer errors have been corrected. Full page illustrations have been moved so as not to interrupt the flow of the text.]

CONTEMPORARY AMERICAN COMPOSERS

BEING A STUDY OF THE MUSIC OF THIS COUNTRY, ITS PRESENT CONDITIONS AND ITS FUTURE, WITH CRITICAL ESTIMATES AND BIOGRAPHIES OF THE PRINCIPAL LIVING COMPOSERS; AND AN ABUNDANCE OF PORTRAITS, FAC SIMILE MUSICAL AUTOGRAPHS, AND COMPOSITIONS

By

Rupert Hughes, M.A.

ILLUSTRATED

Boston L.C. Page and Company (Incorporated) 1900

Copyright, 1900 BY L.C. PAGE & COMPANY (INCORPORATED)

All rights reserved

Colonial Press Electrotyped and Printed by C.H. Simonds & Co. Boston, U.S.A.

TO

James Huneker

MUSICIAN TO THE TIP OF HIS PEN

FOREWORD.

One day there came into Robert Schumann's ken the work of a young fellow named Brahms, and the master cried aloud in the wilderness, "Behold, the new Messiah of music!" Many have refused to accept Brahms at this rating, and I confess to being one of the unregenerate, but the spirit that kept Schumann's heart open to the appeal of any stranger, that led him into instant enthusiasms of which he was neither afraid nor ashamed, enthusiasms in which the whole world has generally followed his leading that spirit it is that proves his true musicianship, and makes him a place forever among the great critics of music, a small, small crowd they are, too... Continue reading book >>




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