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Critical Miscellanies, Vol. I Essay 3: Byron   By: (1838-1923)

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In "Critical Miscellanies, Vol. I Essay 3: Byron" by John Morley, the author provides a comprehensive and insightful analysis of the life and works of the renowned poet Lord Byron. Morley delves deep into Byron's character, examining his personal struggles, relationships, and the themes present in his poetry.

The author skillfully explores the complexities of Byron's personality, shedding light on the factors that shaped his identity as a poet and a man. Morley's writing is engaging and thought-provoking, offering readers a deeper understanding of the enigmatic figure that was Lord Byron.

Furthermore, Morley's analysis of Byron's poetry is thorough and well-researched, providing valuable insights into the themes and motifs that pervade his work. The author's keen observations and critical acumen make this essay a must-read for anyone interested in Romantic literature and the life of Lord Byron.

Overall, "Critical Miscellanies, Vol. I Essay 3: Byron" is a compelling and informative read that offers a fresh perspective on one of the most influential poets of the 19th century. Morley's writing is engaging and thought-provoking, making this essay an essential addition to any literary enthusiast's collection.

First Page:

CRITICAL MISCELLANIES

BY

JOHN MORLEY

VOL. I.

ESSAY 3: BYRON

London MACMILLAN AND CO., LIMITED NEW YORK: THE MACMILLAN COMPANY 1904

BYRON

Byron's influence in Europe 203

In England 204

Criticism not concerned with Byron's private life 208

Function of synthetic criticism 210

Byron has the political quality of Milton and Shakespeare 212

Contrasted with Shelley in this respect 213

Peculiarity of the revolutionary view of nature 218

Revolutionary sentimentalism 220

And revolutionary commonplace in Byron 222

Byron's reasonableness 223

Size and difficulties of his subject 224

His mastery of it 224

The reflection of Danton in Byron 230

The reactionary influence upon him 232

Origin of his apparent cynicism 234

His want of positive knowledge 235

Æsthetic and emotional relations to intellectual positivity 236

Significance of his dramatic predilections 240

His idea of nature less hurtful in art than in politics 241

Its influence upon his views of duty and domestic sentiment 242

His public career better than one side of his creed 245

Absence of true subjective melancholy from his nature 246

His ethical poverty 249

Conclusion 250

BYRON... Continue reading book >>


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