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The Dance (by An Antiquary) Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.   By:

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The Dance is an enchanting collection of historically significant illustrations that take readers on a captivating journey through the art of dance from as far back as 3300 B.C. to 1911 A.D. Curated by an anonymous antiquary, this book offers a unique exploration of dance as a form of expression and cultural reflection.

In this meticulously compiled anthology, the antiquary presents a wide range of dancing styles from different time periods and regions, shedding light on the evolution and diversity of this ancient art form. The book begins with striking depictions of ancient Egyptian dancers, their graceful movements frozen in time through beautifully detailed drawings. The images evolve through the centuries, illustrating various dance traditions from across continents, including Indian classical dances, Chinese martial arts, European court dances, and even dances of indigenous cultures.

One of the highlights of The Dance is the author’s insightful commentary accompanying each illustration, providing historical context and explaining the significance of the depicted dances. The antiquary's extensive knowledge and passion for the subject shine through these eloquent descriptions, heightening the reader’s appreciation for the delicate nuances preserved within each illustration.

Furthermore, the book’s exquisite illustrations showcase the talent and skill of many prominent artists from different eras. Each drawing evokes a sense of time and place, transporting readers to diverse locations and cultures. Accompanied by detailed descriptions, the illustrations are not only aesthetically pleasing but also serve as visual references for the unique dance forms showcased in the book.

While The Dance is mainly an illustration-focused work, it also offers glimpses into the historical and cultural context that shaped each dance form. The anecdotes and historical accounts scattered throughout the book serve to connect the artistic expressions to the societies and individuals that birthed them. This integration of storytelling and visual art adds depth and richness to the overall reading experience.

However, it is worth noting that at times, the book's lack of a structured narrative leaves the reader longing for a more cohesive exploration of the subject matter. The absence of a title for the book and the choice to remain anonymous as the author might have been intentional, but it does leave readers with a lingering curiosity about the motivations and background of the antiquary.

In conclusion, The Dance is an enlightening and visually stunning compilation that brings to life the beauty and diversity of dances throughout history. Its extensive collection of historic illustrations, accompanied by informative commentary, offers a captivating window into the evolution of dance as a cultural phenomenon. Whether you are a dance enthusiast, history lover, or simply appreciate art in its various forms, this book is a delight that will transport you to different times and cultures, reaffirming the timeless allure of dance.

First Page:

THE DANCE

Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.

BY AN ANTIQUARY

LONDON JOHN BALE, SONS & DANIELSSON, LTD. 83 91, GREAT TITCHFIELD STREET, OXFORD STREET, W

Respectfully dedicated to Dr. Eleanor Maxwell.

1911

PREFACE.

This sketch of the iconography of the dance does not pretend to be a history of the subject, except in the most elementary way. It may be taken as a summary of the history of posture; a complete dance cannot be easily rendered in illustration.

The text is of the most elementary description; to go into the subject thoroughly would involve years and volumes. The descriptions of the various historic dances or music are enormous subjects; two authors alone have given 800 dances in four volumes.[Footnote: Thompson's complete collection of 200 country dances performed at Court, Bath, Tunbridge, and all public assemblies, with proper figures and directions to each set for the violin, German flute, and hautboy, 8s. 6d. Printed for Charles and Samuel Thompson, St. Paul's Churchyard, London, where may be had the yearly dances and minuets. Four volumes, each 200 dances... Continue reading book >>




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