Debussy's Pelléas et Mélisande A Guide to the Opera with Musical Examples from the Score By: Lawrence Gilman (1878-1939)
In "Debussy's Pelléas et Mélisande: A Guide to the Opera with Musical Examples from the Score," Lawrence Gilman presents a comprehensive exploration of one of Claude Debussy's most enigmatic and groundbreaking works. Through detailed analysis and musical examples, Gilman offers an invaluable resource for both seasoned opera enthusiasts and newcomers to the genre. The book begins with an insightful introduction that sets the stage, providing historical context and shedding light on the opera's unconventional nature. Gilman skillfully navigates the complexities of Debussy's musical language, guiding readers through the intricacies of the score with clarity and precision. What sets this guide apart is its inclusion of musical examples directly from the score. By incorporating sheet music excerpts in tandem with the analysis, Gilman opens up a whole new dimension of understanding for the reader. This approach enables even those without a formal musical background to grasp the intricacies of Debussy's composition and appreciate its unique beauty. Gilman's analysis delves into the various themes, motifs, and expressive devices utilized in the opera, painting a vivid picture of the characters and their psychological states. His attention to detail and meticulous interpretation of the score offer readers a deeper appreciation for the nuances within Debussy's music. Another strength of this book is Gilman's ability to unpack the symbolism and philosophical themes at play in Pelléas et Mélisande. He explores the metaphysical elements inherent in the libretto, unraveling the layers of meaning intertwined with the music. By doing so, he provides readers with a profound understanding of the opera's underlying philosophy, enhancing their overall experience. The writing style adopted by Gilman is engaging and accessible, making the book approachable for a wide audience. He strikes a balance between scholarly depth and readability, ensuring that both passionate opera connoisseurs and curious newcomers can appreciate and benefit from his work. One minor criticism of the book is its lack of visual aids, such as diagrams or illustrations, which could have enhanced the understanding of certain musical concepts. However, the inclusion of musical examples from the score compensates for this drawback to a large extent. In conclusion, "Debussy's Pelléas et Mélisande: A Guide to the Opera with Musical Examples from the Score" by Lawrence Gilman is an indispensable companion for anyone seeking a deeper understanding of this seminal work. Gilman's rich analysis, combined with the inclusion of musical examples, enlightens readers and invites them to explore the intricacies of Debussy's revolutionary opera. Whether one is a seasoned opera lover or an intrigued newcomer, this guide provides a captivating journey through one of the most enigmatic operas in the repertoire. First Page: DEBUSSY'S PELLÉAS ET MÉLISANDE [Illustration: Claude Debussy (From the painting by Jacques Blanche) ] A GUIDE TO THE OPERA WITH MUSICAL EXAMPLES FROM THE SCORE BY LAWRENCE GILMAN AUTHOR OF "PHASES OF MODERN MUSIC," "THE MUSIC OF TO MORROW," "STORIES OF SYMPHONIC MUSIC," "EDWARD MACDOWELL" (IN "LIVING MASTERS OF MUSIC" SERIES) "STRAUSS' 'SALOME,'" ETC. NEW YORK G. SCHIRMER 1907 TO THE MEMORY OF GUSTAVE SCHIRMER A MUSIC LOVER OF LIBERAL TASTE AND SENSITIVE APPRECIATION AND AN INFLUENTIAL FORCE IN THE PROMOTION OF THE FINER THINGS OF THE ART TO WHICH HIS LIFE WAS DEVOTED CONTENTS I. DEBUSSY AND HIS ART II. THE PLAY ITS QUALITIES ITS ACTION III. THE MUSIC A REVOLUTIONARY SCORE THE THEMES AND THEIR TREATMENT DEBUSSY'S PELLÉAS ET MÉLISANDE "It is not an ill thing to cross at times the marches of silence and see the phantoms of life and death in a new way. It is not an ill thing, even if one meet only the fantasies of beauty." FIONA MACLEOD. I DEBUSSY AND HIS ART With the production at Paris in the spring of 1902 of Claude Debussy's Pelléas et Mélisande , based on the play of Maeterlinck, the history of music turned a new and surprising page. "It is necessary," declared an acute French critic, M... Continue reading book >>

Debussy's Pelléas et Mélisande A Guide to the Opera with Musical Examples from the Score By: Lawrence Gilman (1878-1939)

In "Debussy's Pelléas et Mélisande: A Guide to the Opera with Musical Examples from the Score," Lawrence Gilman presents a comprehensive exploration of one of Claude Debussy's most enigmatic and groundbreaking works. Through detailed analysis and musical examples, Gilman offers an invaluable resource for both seasoned opera enthusiasts and newcomers to the genre.

The book begins with an insightful introduction that sets the stage, providing historical context and shedding light on the opera's unconventional nature. Gilman skillfully navigates the complexities of Debussy's musical language, guiding readers through the intricacies of the score with clarity and precision.

What sets this guide apart is its inclusion of musical examples directly from the score. By incorporating sheet music excerpts in tandem with the analysis, Gilman opens up a whole new dimension of understanding for the reader. This approach enables even those without a formal musical background to grasp the intricacies of Debussy's composition and appreciate its unique beauty.

Gilman's analysis delves into the various themes, motifs, and expressive devices utilized in the opera, painting a vivid picture of the characters and their psychological states. His attention to detail and meticulous interpretation of the score offer readers a deeper appreciation for the nuances within Debussy's music.

Another strength of this book is Gilman's ability to unpack the symbolism and philosophical themes at play in Pelléas et Mélisande. He explores the metaphysical elements inherent in the libretto, unraveling the layers of meaning intertwined with the music. By doing so, he provides readers with a profound understanding of the opera's underlying philosophy, enhancing their overall experience.

The writing style adopted by Gilman is engaging and accessible, making the book approachable for a wide audience. He strikes a balance between scholarly depth and readability, ensuring that both passionate opera connoisseurs and curious newcomers can appreciate and benefit from his work.

One minor criticism of the book is its lack of visual aids, such as diagrams or illustrations, which could have enhanced the understanding of certain musical concepts. However, the inclusion of musical examples from the score compensates for this drawback to a large extent.

In conclusion, "Debussy's Pelléas et Mélisande: A Guide to the Opera with Musical Examples from the Score" by Lawrence Gilman is an indispensable companion for anyone seeking a deeper understanding of this seminal work. Gilman's rich analysis, combined with the inclusion of musical examples, enlightens readers and invites them to explore the intricacies of Debussy's revolutionary opera. Whether one is a seasoned opera lover or an intrigued newcomer, this guide provides a captivating journey through one of the most enigmatic operas in the repertoire.

First Page:

DEBUSSY'S PELLÉAS ET MÉLISANDE

[Illustration: Claude Debussy (From the painting by Jacques Blanche) ]

A GUIDE TO THE OPERA

WITH MUSICAL EXAMPLES FROM THE SCORE

LAWRENCE GILMAN

AUTHOR OF "PHASES OF MODERN MUSIC," "THE MUSIC OF TO MORROW," "STORIES OF SYMPHONIC MUSIC," "EDWARD MACDOWELL" (IN "LIVING MASTERS OF MUSIC" SERIES) "STRAUSS' 'SALOME,'" ETC.

NEW YORK G. SCHIRMER 1907

TO THE MEMORY OF

GUSTAVE SCHIRMER

A MUSIC LOVER OF LIBERAL TASTE AND SENSITIVE APPRECIATION AND AN INFLUENTIAL FORCE IN THE PROMOTION OF THE FINER THINGS OF THE ART TO WHICH HIS LIFE WAS DEVOTED

CONTENTS

I. DEBUSSY AND HIS ART

II. THE PLAY ITS QUALITIES ITS ACTION

III. THE MUSIC A REVOLUTIONARY SCORE THE THEMES AND THEIR TREATMENT

DEBUSSY'S PELLÉAS ET MÉLISANDE

"It is not an ill thing to cross at times the marches of silence and see the phantoms of life and death in a new way. It is not an ill thing, even if one meet only the fantasies of beauty." FIONA MACLEOD.

DEBUSSY AND HIS ART

With the production at Paris in the spring of 1902 of Claude Debussy's Pelléas et Mélisande , based on the play of Maeterlinck, the history of music turned a new and surprising page. "It is necessary," declared an acute French critic, M... Continue reading book >>

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