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Discourses on Satire and on Epic Poetry   By: (1631-1700)

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John Dryden’s Discourses on Satire and on Epic Poetry is a remarkable exploration of two major forms of literature: satire and epic poetry. As one of the leading figures in English literature during the late 17th century, Dryden’s insights into these genres offer valuable perspectives for both scholars and enthusiasts.

In the first part of the book, Dryden delves into the realm of satire, providing a comprehensive analysis of its purpose, techniques, and historical significance. Through a range of examples, he showcases the power of satire in social and political commentary, shedding light on its ability to hold a mirror to society and expose its follies. Dryden’s understanding of the nuances of satire is evident throughout, as he discusses the role of wit, humor, and irony in crafting effective satirical works.

Moving on to the second part of the book, Dryden turns his focus to epic poetry. Here, he delves into the nature and characteristics of this esteemed genre, putting forward his own theories and thoughts. By examining classic works such as Homer’s Iliad and Virgil’s Aeneid, Dryden provides readers with a deeper understanding of the qualities that define an epic poem. His discussions on heroism, narrative structure, and the use of elevated language in epic poetry are enlightening and thought-provoking.

What sets this book apart is not only Dryden’s deep knowledge of these forms of literature but also his ability to present complex ideas in a clear and accessible manner. His writing style is engaging and conversational, making the book an enjoyable read for both scholars and casual readers alike. Additionally, Dryden’s inclusion of various examples and anecdotes from well-known satirical and epic works adds depth and context to his arguments.

While the book is undoubtedly a remarkable resource for those studying or interested in the field of literature, it is worth noting that it may require a certain level of familiarity with the works and authors being discussed. For readers less familiar with the classics, some prior knowledge or additional research may be necessary to fully appreciate Dryden's insights.

Discourses on Satire and on Epic Poetry by John Dryden is a valuable addition to the field of literary criticism. It offers a comprehensive exploration of satire and epic poetry, providing readers with a deeper understanding of these genres and their significance. Dryden’s expertise and engaging writing style make this book a must-read for anyone interested in the art of satire and epic poetry.

First Page:

DISCOURSES ON SATIRE AND ON EPIC POETRY

by John Dryden

INTRODUCTION.

Dryden's discourses upon Satire and Epic Poetry belong to the latter years of his life, and represent maturer thought than is to be found in his "Essay of Dramatic Poesie." That essay, published in 1667, draws its chief interest from the time when it was written. A Dutch fleet was at the mouth of the Thames. Dryden represents himself taking a boat down the river with three friends, one of them his brother in law Sir Robert Howard, another Sir Charles Sedley, and another Charles Sackville Lord Buckhurst to whom, as Earl of Dorset, the "Discourse of Satire" is inscribed. They go down the river to hear the guns at sea, and judge by the sound whether the Dutch fleet be advancing or retreating. On the way they talk of the plague of Odes that will follow an English victory; their talk of verse proceeds to plays, with particular attention to a question that had been specially argued before the public between Dryden and his brother in law Sir Robert Howard. The question touched the use of blank verse in the drama. Dryden had decided against it as a worthless measure, and the chief feature of the Essay, which was written in dialogue, was its support of Dryden's argument. But in that year (1667) "Paradise Lost" was published, and Milton's blank verse was the death of Dryden's theories... Continue reading book >>




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