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Sentimental Education, Volume II The History of a Young Man By: Gustave Flaubert (1821-1880) |
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Embracing Romances, Travels, Comedies, Sketches and Correspondence With a Critical Introduction by Ferdinand Brunetiere of the French Academy and a Biographical Preface by Robert Arnot, M.A. Printed Only for Subscribers by M. Walter Dunne, New York and London [Illustration] [Illustration: Ah! thanks! You are going to save me!] SENTIMENTAL EDUCATION Or, The History of a Young Man by GUSTAVE FLAUBERT VOLUME II. M. Walter Dunne New York and London Copyright, 1904, by M. Walter Dunne Entered at Stationers' Hall, London CONTENTS SENTIMENTAL EDUCATION ( Continued. ) PAGE CHAPTER XI. A DINNER AND A DUEL 1 CHAPTER XII. LITTLE LOUISE GROWS UP 47 CHAPTER XIII. ROSANETTE AS A LOVELY TURK 62 CHAPTER XIV. THE BARRICADE 110 CHAPTER XV. "HOW HAPPY COULD I BE WITH EITHER" 193 CHAPTER XVI. UNPLEASANT NEWS FROM ROSANETTE 214 CHAPTER XVII. A STRANGE BETROTHAL 242 CHAPTER XVIII. AN AUCTION 292 CHAPTER XIX. A BITTER SWEET REUNION 315 CHAPTER XX. "WAIT TILL YOU COME TO FORTY YEAR" 323 ILLUSTRATIONS FACING PAGE "AH! THANKS! YOU ARE GOING TO SAVE ME!" (See page 107) Frontispiece "CAN I LIVE WITHOUT YOU?" 58 WHEN A WOMAN SUDDENLY CAME IN 315 SENTIMENTAL EDUCATION [ CONTINUED ] CHAPTER XI. A DINNER AND A DUEL. Frederick passed the whole of the next day in brooding over his anger and humiliation. He reproached himself for not having given a slap in the face to Cisy. As for the Maréchale, he swore not to see her again. Others as good looking could be easily found; and, as money would be required in order to possess these women, he would speculate on the Bourse with the purchase money of his farm. He would get rich; he would crush the Maréchale and everyone else with his luxury. When the evening had come, he was surprised at not having thought of Madame Arnoux. "So much the better. What's the good of it?" Two days after, at eight o'clock, Pellerin came to pay him a visit. He began by expressing his admiration of the furniture and talking in a wheedling tone. Then, abruptly: "You were at the races on Sunday?" "Yes, alas!" Thereupon the painter decried the anatomy of English horses, and praised the horses of Gericourt and the horses of the Parthenon. "Rosanette was with you?" And he artfully proceeded to speak in flattering terms about her. Frederick's freezing manner put him a little out of countenance. He did not know how to bring about the question of her portrait. His first idea had been to do a portrait in the style of Titian. But gradually the varied colouring of his model had bewitched him; he had gone on boldly with the work, heaping up paste on paste and light on light. Rosanette, in the beginning, was enchanted. Her appointments with Delmar had interrupted the sittings, and left Pellerin all the time to get bedazzled. Then, as his admiration began to subside, he asked himself whether the picture might not be on a larger scale. He had gone to have another look at the Titians, realised how the great artist had filled in his portraits with such finish, and saw wherein his own shortcomings lay; and then he began to go over the outlines again in the most simple fashion. After that, he sought, by scraping them off, to lose there, to mingle there, all the tones of the head and those of the background; and the face had assumed consistency and the shades vigour the whole work had a look of greater firmness... Continue reading book >>
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Romance |
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