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Elementary Guide to Literary Criticism By: F. V. N. (Franklin Verzelius Newton) Painter (1852-1931) |
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ELEMENTARY GUIDE TO
LITERARY CRITICISM
BY F. V. N. PAINTER, A.M., D.D. PROFESSOR OF MODERN LANGUAGES IN ROANOKE COLLEGE
AUTHOR OF "A HISTORY OF EDUCATION," "HISTORY
OF ENGLISH LITERATURE," "INTRODUCTION
TO AMERICAN LITERATURE," ETC.
BOSTON, U.S.A.
GINN & COMPANY, PUBLISHERS
The Athenæum Press
1903
COPYRIGHT, 1903
BY F. V. N. PAINTER
ALL RIGHTS RESERVED
PREFACE
The aim of the present work, as is indicated by its name, is to help the
young student in literary criticism. It is a sort of laboratory manual,
in which he will find specific direction for a comprehensive analysis of
the principal kinds of literature. It is intended to show him the
various points in relation to form, content, and spirit, to which in
succession he is to devote his attention. It is hoped that the book will
give definiteness and delight to literary study, which, for lack of such
a guide, has so often been vague, unsatisfactory, and discouraging. A glance at the table of contents will clearly reveal the plan. The work
is divided into three parts, the first of which treats of fundamental
principles. In three chapters the nature of criticism, the relation of
the author to his work, and the æsthetic principles underlying literary
art are briefly discussed. The facts and principles here presented are
designed to give a clearer and deeper insight into the nature and
processes of criticism. Part Second is chiefly concerned with the external elements of
literature. In three chapters it briefly discusses the diction, the
various kinds of sentences, the use of figures of speech, and the
different species of style as determined partly by the nature of the
discourse and partly by the mental endowments of the writer. It is
intended to embrace the rhetorical elements of form. In Part Third the leading kinds of literature are discussed, and the
general principles governing each are presented. Special effort has been
made to throw light upon the nature and structure of poetry, fiction,
and the drama; and it is hoped that the chapters in which these subjects
are treated will be found particularly interesting and helpful. Each chapter is followed by a list of review questions and by
illustrative and practical exercises. The aim has been to prepare not
merely a theoretical but especially a practical text book, for which, it
is believed, there exists a felt and acknowledged need. It is hoped that
this little work will contribute in some measure to make literature one
of the most delightful, as it is surely one of the most important, of
all branches of study.
F. V. N. PAINTER. SALEM, VIRGINIA,
August 15, 1903.
CONTENTS
PART FIRST FUNDAMENTAL PRINCIPLES CHAPTER PAGE
I. NATURE AND OFFICE OF CRITICISM 1
II. THE AUTHOR AND HIS WORK 19
III. SOME ÆSTHETIC PRINCIPLES 34
PART SECOND RHETORICAL ELEMENTS IV. WORDS, SENTENCES, PARAGRAPHS 55
V. FIGURES OF SPEECH 68
VI. STYLE 84
PART THIRD KINDS OF LITERATURE VII. NATURE AND STRUCTURE OF POETRY 103
VIII. KINDS OF POETRY 130
IX. EPIC AND DRAMATIC POETRY 145
X. NATURE AND FORMS OF PROSE 156
XI. ESSAYS AND ORATORY 167
XII. NATURE AND CLASSIFICATION OF FICTION 178
LITERARY CRITICISM
PART FIRST FUNDAMENTAL PRINCIPLES
CHAPTER I NATURE AND OFFICE OF CRITICISM
1. Purpose of Literary Study... Continue reading book >>
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