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The English Stage Being an Account of the Victorian Drama By: Augustin Filon |
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WORKS BY THE AUTHOR. PROFILS ANGLAIS.
MÉRIMÉE ET SES AMIS.
VIOLETTE MÉRIAN.
AMOURS ANGLAIS.
LES CONTES DU CENTENAIRE.
ETC. ETC.
THE ENGLISH STAGE Being an Account of the Victorian Drama by Augustin Filon Translated from the French by Frederic Whyte with
an Introduction by Henry Arthur Jones
JOHN MILNE
12 NORFOLK STREET, STRAND, LONDON NEW YORK
DODD, MEAD, & COMPANY
MDCCCXCVII
All Rights Reserved
CONTENTS
PAGE Introduction by Mr. Henry Arthur Jones 9 Author's Preface 31
CHAPTER I A Glance back From 1820 to 1830 Kean and Macready The
Strolling Player The Critics Sheridan Knowles and
Virginius Douglas Jerrold His Comedies The Rent
Day The Prisoner of War Black Eyed Susan Collapse of
the Privileged Theatres Men of Letters come to the Rescue of
the Drama Bulwer Lytton The Lady of Lyons Richelieu
Money 39
CHAPTER II Macready's Withdrawal from the Stage The Enemies of the
Drama in 1850: Puritanism; the Opera; the Pantomime; the
"Hippodrama" French Plays and French Players in England
Actors of the Period The Censorship The Critics The
Historical Plays of Tom Taylor and the Irish Plays of Dion
Boucicault 73
CHAPTER III The Vogue of Burlesque Burnand's Ixion H. J. Byron The
Influence of Burlesque upon the Moral Tone of the Stage Marie
Wilton's Début A Letter from Dickens Founding of the Prince
of Wales's Tom Robertson, his Life as Actor and Author His
Journalistic Career London Bohemia in 1865 Sothern 93
CHAPTER IV First Performance of Society Success of Ours , Caste ,
and School How Robertson turned to account the Talent of
his Actors, John Hare, Bancroft, and Mrs. Bancroft Progress
in the Matter of Scenery Dialogue and Character drawing
Robertson as a Humorist: a Scene from School As a Realist:
a Scene from Caste The Comedian of the Upper Middle
Classes Robertson's Marriage, Illness, and Death The "Cup
and Saucer" Comedy The Improvement in Actors' Salaries The
Bancrofts at the Haymarket Farewell Performance My
Pilgrimage to Tottenham Street 114
CHAPTER V Gilbert: compared with Robertson His First Literary Efforts
The Bab Ballads Sweethearts A Series of Experiments
Gilbert's Psychology and Methods of Work Dan'l Druce ,
Engaged , The Palace of Truth , The Wicked World ,
Pygmalion and Galatea The Gilbert and Sullivan Operas 138
CHAPTER VI Shakespeare again From Macready to Irving; Phelps, Fechter,
Ryder, Adelaide Neilson Irving's Début His Career in the
Provinces, and Visit to Paris The rôle of Digby Grand The
rôle of Matthias The Production of Hamlet Successive
Triumphs Irving as Stage Manager as an Editor of
Shakespeare His Defects as an Actor Too great for some of
his Parts As a Writer and Lecturer; his Theory of Art Sir
Henry Irving, Head of his Profession 156
CHAPTER VII Is it well to imitate Shakespeare? The Death of the Classical
Drama Herman Merivale and the White Pilgrim Wills and his
Plays: Charles the First , Claudian Tennyson as a
Dramatist; he comes too soon and too late Tennyson and the
Critics The Falcon , The Promise of May , The Cup ,
Becket , Queen Mary , Harold 174
CHAPTER VIII The Three Publics The Disappearance of Burlesque and Decadence
of Pantomime Increasing Vogue of Farce and Melodrama
Improvement in Acting The Influence of our French Actors The
"Old" Critics and the "New" James Mortimer and his Two
"Almavivas" Mr... Continue reading book >>
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