The Faery Tales of Weir   By: Anna McClure Sholl

By Anna McClure Sholl

1908

CONTENTS

THE FAERY TALES OF WEIR

THE TALE OF THE BLUE GLOVE

THE INVISIBLE WALL

THE TREE IN THE DARK WOOD

THE CAT THAT WINKED

THE MAGIC TEARS

THE GOLDEN ARCHER

[Illustration: THE TOWN OF WEIR]

THE FAERY TALES OF WEIR

Only in far away towns are the real faery tales told in shadowy nurseries whose windows in summer open upon shimmering gardens and on whose walls in winter the fire goblins dance. Weir is one of these towns a sweet, hushed place, lying where the hills spread broadly to the south sun, and the trees are thick as in a painting.

There are shops, too, with bulging windows through which you can scarcely see the toys or the flowers or the sweetmeats, because Time has finger marked the glass with violet and crimson stains that shift and merge so that the contents of the windows are seen as through wavering sea water. Beyond the shops are the houses asleep beneath great trees, their warm red bricks showing where the ivy has thinned. Their stacked chimneys send out faint blue spirals of smoke, to let you know that the fires are on the hearths and about the hearths the children are gathered.

The little old churches placed where Weir drowses out into the country, have hoarse, sweet bells like the voices of old women who whisper of the Christ Child at Christmas time; and in the churches are windows as full of color as the gardens of Weir.

The sleepy, forgotten town was famous for nothing but its faery tales told long ago to children whose bright eyes have looked by now on wider scenes, and whose voices have died away on that wind upon which all voices sink from hearing at last. I sometimes wonder whether in imagination they all troop back at the twilight hour: Hubert to cuddle up in the wing chair; James to stretch out on the hearth rug; Veronica and little Eve to nurse their dolls and gaze through the nursery window half fearfully at the striding dusk, or to listen to the tap upon the panes of flying leaves when the great winds rise. Where is Richard who always wanted "a tale never told before," and small Spencer with his dreaming eyes and baby mouth? Where is quaint Matilda with her plaid dress and her straight black hair; where is Ruth?

Wherever they are, I like to think that to them Weir is always their true home; and their hearts really live in that broad shadowy house where the steps of the staircase were so wide and shallow that each was a little landing in itself; and where the candles flamed at night in high sconces; and in the halls was a rustling of silk; and in the air the smell of flowers and burning wood. The nursery was high up under the eaves, so that the rest of the house seemed far away a wonderful region where music might sound, or where, by stealing down, one might see fair ladies like the princesses of the tales smiling at gallant gentlemen. One's own mother might turn, indeed, into a princess just before it was time to go to bed, with white arms and jewels upon her neck.

Then one fell asleep knowing that no day in Weir could be without its enchantment, whether the clouds seemed caught in the tree tops, or the snow flew and made the red roofs white; or whether the sun danced on the green lawns, for each day ended with a faery tale, and these are the tales of Weir.

THE TALE OF THE BLUE GLOVE

The King of the South country was not as happy as a king ought to be whose subjects are both peaceful and industrious. Every night when the moths were flying and the tall candles were lit in the hall, when the soft air was musical with the strumming of harps, and the sweet complaint of violins, he would walk out on the great parapet with one hand under his chin and his head drooping; then the courtiers would say, "The King is sad."