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The Fall of Troy   By: (4th century)

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The Fall of Troy


Quintus Smyrnaeus

("Quintus of Smyrna")

Fl. 4th Century A.D.

Originally written in Greek, sometime about the middle of the 4th Century A.D. Translation by A.S. Way, 1913.



Way, A.S. (Ed. & Trans.): "Quintus Smyrnaeus: The Fall of Troy" (Loeb Classics 19; Harvard University Press, Cambridge MA, 1913). Greek text with side by side English translation.


Combellack, Frederick M. (Trans.): "The War at Troy: What Homer Didn't Tell" (University of Oklahoma Press, Norman OK, 1968).


Fitzgerald, Robert (Trans.): "Homer: The Iliad" (Viking Press, New York, 1968).


Homer's "Iliad" begins towards the close of the last of the ten years of the Trojan War: its incidents extend over some fifty days only, and it ends with the burial of Hector. The things which came before and after were told by other bards, who between them narrated the whole "cycle" of the events of the war, and so were called the Cyclic Poets. Of their works none have survived; but the story of what befell between Hector's funeral and the taking of Troy is told in detail, and well told, in a poem about half as long as the "Iliad". Some four hundred years after Christ there lived at Smyrna a poet of whom we know scarce anything, save that his first name was Quintus. He had saturated himself with the spirit of Homer, he had caught the ring of his music, and he perhaps had before him the works of those Cyclic Poets whose stars had paled before the sun.

We have practically no external evidence as to the date or place of birth of Quintus of Smyrna, or for the sources whence he drew his materials. His date is approximately settled by two passages in the poem, viz. vi. 531 sqq., in which occurs an illustration drawn from the man and beast fights of the amphitheatre, which were suppressed by Theodosius I. (379 395 A.D.); and xiii. 335 sqq., which contains a prophecy, the special particularity of which, it is maintained by Koechly, limits its applicability to the middle of the fourth century A.D.

His place of birth, and the precise locality, is given by himself in xii. 308 313, and confirmatory evidence is afforded by his familiarity, of which he gives numerous instances, with many natural features of the western part of Asia Minor.

With respect to his authorities, and the use he made of their writings, there has been more difference of opinion. Since his narrative covers the same ground as the "Aethiopis" ("Coming of Memnon") and the "Iliupersis" ("Destruction of Troy") of Arctinus (circ. 776 B.C.), and the "Little Iliad" of Lesches (circ. 700 B.C.), it has been assumed that the work of Quintus "is little more than an amplification or remodelling of the works of these two Cyclic Poets." This, however, must needs be pure conjecture, as the only remains of these poets consist of fragments amounting to no more than a very few lines from each, and of the "summaries of contents" made by the grammarian Proclus (circ. 140 A.D.), which, again, we but get at second hand through the "Bibliotheca" of Photius (ninth century). Now, not merely do the only descriptions of incident that are found in the fragments differ essentially from the corresponding incidents as described by Quintus, but even in the summaries, meagre as they are, we find, as German critics have shown by exhaustive investigation, serious discrepancies enough to justify us in the conclusion that, even if Quintus had the works of the Cyclic poets before him, which is far from certain, his poem was no mere remodelling of theirs, but an independent and practically original work. Not that this conclusion disposes by any means of all difficulties. If Quintus did not follow the Cyclic poets, from what source did he draw his materials? The German critic unhesitatingly answers, "from Homer... Continue reading book >>

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