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File No. 113 By: Emile Gaboriau (1832-1873) |
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By Emile Gaboriau
I In the Paris evening papers of Tuesday, February 28, 1866, under the
head of Local Items , the following announcement appeared:
"A daring robbery, committed against one of our most eminent bankers,
M. Andre Fauvel, caused great excitement this morning throughout the
neighborhood of Rue de Provence. "The thieves, who were as skilful as they were bold, succeeded in
making an entrance to the bank, in forcing the lock of a safe that has
heretofore been considered impregnable, and in possessing themselves
of the enormous sum of three hundred and fifty thousand francs in
bank notes. "The police, immediately informed of the robbery, displayed their
accustomed zeal, and their efforts have been crowned with success.
Already, it is said, P. B., a clerk in the bank, has been arrested,
and there is every reason to hope that his accomplices will be speedily
overtaken by the hand of justice."
For four days this robbery was the town talk of Paris. Then public attention was absorbed by later and equally interesting
events: an acrobat broke his leg at the circus; an actress made her
debut at a small theatre: and the item of the 28th was soon forgotten. But for once the newspapers were perhaps intentionally wrong, or at
least inaccurate in their information. The sum of three hundred and fifty thousand francs certainly had been
stolen from M. Andre Fauvel's bank, but not in the manner described. A clerk had also been arrested on suspicion, but no decisive proof had
been found against him. This robbery of unusual importance remained, if
not inexplicable, at least unexplained. The following are the facts as they were related with scrupulous
exactness at the preliminary examination.
II The banking house of Andre Fauvel, No. 87 Rue de Provence, is an
important establishment, and, owing to its large force of clerks,
presents very much the appearance of a government department. On the ground floor are the offices, with windows opening on the street,
fortified by strong iron bars sufficiently large and close together to
discourage all burglarious attempts. A large glass door opens into a spacious vestibule where three or four
office boys are always in waiting. On the right are the rooms to which the public is admitted, and from
which a narrow passage leads to the principal cash room. The offices of the corresponding clerk, book keeper, and general
accounts are on the left. At the farther end is a small court on which open seven or eight little
wicket doors. These are kept closed, except on certain days when notes
are due; and then they are indispensable. M. Fauvel's private office is on the first floor over the offices, and
leads into his elegant private apartments. This private office communicates directly with the bank by means of
a narrow staircase, which opens into the room occupied by the head
cashier. This room, which in the bank goes by the name of the "cash office," is
proof against all attacks, no matter how skilfully planned; indeed, it
could almost withstand a regular siege, sheeted as it is like a monitor. The doors, and the partition where the wicket door is cut, are covered
with thick sheets of iron; and a heavy grating protects the fireplace. Fastened in the wall by enormous iron clamps is a safe, a formidable
and fantastic piece of furniture, calculated to fill with envy the poor
devil who easily carries his fortune in a pocket book. This safe, which is considered the masterpiece of the firm of Becquet,
is six feet in height and four and a half in width, made entirely of
wrought iron, with triple sides, and divided into isolated compartments
in case of fire. The safe is opened by an odd little key, which is, however, the least
important part of the mechanism. Five movable steel buttons, upon which
are engraved all the letters of the alphabet, constitute the real power
of this ingenious safe. Before inserting the key into the lock, the letters on the buttons must
be in the exact position in which they were placed when the safe was
locked... Continue reading book >>
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Genres for this book |
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Literature |
Mystery |
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