Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher By: Charles Mills Gayley (1858-1932)
In "Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher," Charles Mills Gayley offers a comprehensive exploration of the life and works of the lesser-known but immensely talented playwright, Francis Beaumont. Gayley's meticulous research and insightful analysis shed light on the intriguing world of Elizabethan and Jacobean drama, specifically highlighting Beaumont's contributions to this literary era. One of the most remarkable aspects of Gayley's book is his ability to place Beaumont within the context of his social circle and theatrical milieu. Drawing upon a wealth of historical sources, Gayley presents an intimate portrait of Beaumont's interactions with his contemporaries, including the legendary John Fletcher. Through this lens, readers gain a deeper understanding of the collaborative nature of the Elizabethan and Jacobean theater, and the profound impact Beaumont had on shaping it. Gayley's writing style is both engaging and scholarly, seamlessly blending storytelling with academic analysis. He transports readers back to the vibrant theater scene of the late 16th and early 17th centuries, making them feel like actual participants in the world he describes. Moreover, his meticulous attention to detail brings the plays and creative endeavors of Beaumont vividly to life, allowing readers to appreciate the beauty and complexity of his works. The author's deep affection for the subject matter is evident throughout the book, and his enthusiasm is contagious. As Gayley delves into Beaumont's plays, he skillfully peels back the layers to reveal their thematic richness and explores their social, political, and moral implications. This not only enhances our understanding of Beaumont's creative vision but also highlights their relevance in the broader historical and cultural context. While Gayley's book succeeds admirably in bringing Beaumont's work to the forefront, it occasionally falls short in its organization and structure. The chronological flow sometimes gets interrupted, making it harder for readers to follow the narrative thread. However, this minor flaw does not significantly detract from the overall quality and depth of the research presented. In conclusion, "Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher" by Charles Mills Gayley is an indispensable resource for scholars, students, and enthusiasts of Elizabethan and Jacobean drama. Gayley's thorough examination of Beaumont's life and work unveils a playwright whose contributions may have been overshadowed by his more famous contemporaries. This book ensures that Beaumont's rightful place in the pantheon of English theater is celebrated and appreciated. First Page: PORTRAIT OF FRANCIS BEAUMONT From the original painting at Knole Park] FRANCIS BEAUMONT: DRAMATIST A Portrait With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher by CHARLES MILLS GAYLEY, LITT.D., LL.D. Professor of the English Language and Literature in the University of California [Illustration: DESORMAIS] London Duckworth & Co. 3 Henrietta Street, Covent Garden 1914 Copyright, 1914, by The Century Co. Published, February, 1914 TO MY WIFE PREFACE In this period of resurgent dramatic creativity when once more the literature of the stage enthralls the public and commands the publisher, it is but natural that playwright, play lover, and scholar alike should turn with renewed and enlightened interest to the models afforded by our Elizabethan masters of the age of gold, to the circumstances of their production and the lives of their imperishable authors. Very close to Shakespeare stood Beaumont and Fletcher; but, though during the past three centuries books about Shakespeare have been as legion and studies of the "twin literary heroes" have run into the hundreds, to Fletcher as an individual but one book has been devoted, and to Beaumont but one. A portrait of either Beaumont or Fletcher demands indeed as its counterpart, painted by the same brush and with alternating strokes, a portrait of his literary partner and friend... Continue reading book >>

Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher By: Charles Mills Gayley (1858-1932)

In "Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher," Charles Mills Gayley offers a comprehensive exploration of the life and works of the lesser-known but immensely talented playwright, Francis Beaumont. Gayley's meticulous research and insightful analysis shed light on the intriguing world of Elizabethan and Jacobean drama, specifically highlighting Beaumont's contributions to this literary era.

One of the most remarkable aspects of Gayley's book is his ability to place Beaumont within the context of his social circle and theatrical milieu. Drawing upon a wealth of historical sources, Gayley presents an intimate portrait of Beaumont's interactions with his contemporaries, including the legendary John Fletcher. Through this lens, readers gain a deeper understanding of the collaborative nature of the Elizabethan and Jacobean theater, and the profound impact Beaumont had on shaping it.

Gayley's writing style is both engaging and scholarly, seamlessly blending storytelling with academic analysis. He transports readers back to the vibrant theater scene of the late 16th and early 17th centuries, making them feel like actual participants in the world he describes. Moreover, his meticulous attention to detail brings the plays and creative endeavors of Beaumont vividly to life, allowing readers to appreciate the beauty and complexity of his works.

The author's deep affection for the subject matter is evident throughout the book, and his enthusiasm is contagious. As Gayley delves into Beaumont's plays, he skillfully peels back the layers to reveal their thematic richness and explores their social, political, and moral implications. This not only enhances our understanding of Beaumont's creative vision but also highlights their relevance in the broader historical and cultural context.

While Gayley's book succeeds admirably in bringing Beaumont's work to the forefront, it occasionally falls short in its organization and structure. The chronological flow sometimes gets interrupted, making it harder for readers to follow the narrative thread. However, this minor flaw does not significantly detract from the overall quality and depth of the research presented.

In conclusion, "Francis Beaumont: Dramatist With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher" by Charles Mills Gayley is an indispensable resource for scholars, students, and enthusiasts of Elizabethan and Jacobean drama. Gayley's thorough examination of Beaumont's life and work unveils a playwright whose contributions may have been overshadowed by his more famous contemporaries. This book ensures that Beaumont's rightful place in the pantheon of English theater is celebrated and appreciated.

First Page:

PORTRAIT OF FRANCIS BEAUMONT From the original painting at Knole Park]

FRANCIS BEAUMONT: DRAMATIST

A Portrait

With Some Account of His Circle, Elizabethan and Jacobean, and of His Association with John Fletcher

CHARLES MILLS GAYLEY, LITT.D., LL.D. Professor of the English Language and Literature in the University of California

[Illustration: DESORMAIS]

London Duckworth & Co. 3 Henrietta Street, Covent Garden 1914

Published, February, 1914

TO MY WIFE

PREFACE

In this period of resurgent dramatic creativity when once more the literature of the stage enthralls the public and commands the publisher, it is but natural that playwright, play lover, and scholar alike should turn with renewed and enlightened interest to the models afforded by our Elizabethan masters of the age of gold, to the circumstances of their production and the lives of their imperishable authors. Very close to Shakespeare stood Beaumont and Fletcher; but, though during the past three centuries books about Shakespeare have been as legion and studies of the "twin literary heroes" have run into the hundreds, to Fletcher as an individual but one book has been devoted, and to Beaumont but one.

A portrait of either Beaumont or Fletcher demands indeed as its counterpart, painted by the same brush and with alternating strokes, a portrait of his literary partner and friend... Continue reading book >>

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