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Frei Luiz de Sousa   By: (1799-1854)

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"Frei Luiz de Sousa" is a captivating and poignant tale of love, duty, and sacrifice. João Batista da Silva Leitão de Almeida Garrett expertly weaves a story that delves into the complexities of human emotion and moral dilemmas. The characters are richly drawn and the dialogue is both authentic and powerful.

Set against the backdrop of 16th century Portugal, the novel follows the tragic story of Frei Luiz de Sousa, a nobleman who becomes a monk after the death of his beloved wife, Dona Madalena. The narrative explores Frei Luiz's internal struggles as he grapples with his desire to remain loyal to his vows and the enduring love he still feels for Madalena.

The pacing is steady, allowing the reader to fully immerse themselves in the world Garrett has created. The prose is elegant and evocative, painting vivid pictures of the Portuguese countryside and the inner turmoil of the characters.

Overall, "Frei Luiz de Sousa" is a timeless classic that delves deep into the complexities of human nature and the enduring power of love. It is a must-read for fans of historical fiction and literary dramas.

First Page:

[Figura: EDUARDO BRAZÃO, interprete principal de «Frei Luiz de Souza»]

ALMEIDA GARRETT

FREI LUIZ DE SOUSA

DRAMA

Representado, a primeira vez, em Lisboa, por uma sociedade particular, no theatro de quinta do Pinheiro em quatro de Julho de MDCCCXLIII

ESCRIPTORIO DE PUBLICAÇÕES DE FERREIRA DOS SANTOS

Rua de Santa Catharina, 231

PORTO

Imprensa Commercial Rua da Conceição, 29 a 37

PESSOAS

MANUEL (FREI LUIZ) DE SOUSA DONA MAGDALENA DE VILHENA DONA MARIA DE NORONHA FREI JORGE COUTINHO O ROMEIRO TELMO PAES O PRIOR DE BEMFICA O IRMÃO CONVERSO MIRANDA O ARCEBISPO DE LISBOA DOROTHEA

CÔRO DE FRADES DE SAN'DOMINGOS

Clerigos do arcebispo, frades, criados, etc.

Logar da scena Almada.

ACTO PRIMEIRO

Camera antiga, ornada com todo o luxo e caprichosa elegancia portugueza dos principios do seculo dezasette: porcelanas, xarões, sedas, flores, etc. No fundo duas grandes janellas rasgadas, dando para um eirado que olha sôbre o Tejo e de donde se ve toda Lisboa: entre as janellas o retratto, em corpo inteiro, de um cavalleiro môço vestido de preto com a cruz branca de noviço de S. João de Jerusalem. Defronte e para a bôcca da scena um bufete pequeno coberto de ricco panno de velludo verde franjado de prata; sôbre o bufete alguns livros, obras de tapeçaria meias feitas, e um vaso da China de collo alto, com flores... Continue reading book >>




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