Georgian Poetry 1918-19 By: Various
Georgian Poetry 1918-19 is an anthology that provides readers with a captivating glimpse into the literary landscape of the early 20th century. Compiled by various poets, this collection authentically represents the essence of the Georgian era and epitomizes the stylistic and thematic trends of the time. One of the striking attributes of this anthology is the sheer diversity of the poetic styles it showcases. From traditional forms like sonnets and ballads to free verse and experimental structures, it embraces a spectrum of poetic techniques. This eclecticism not only showcases the versatility of the contributing poets but also highlights the richness of their artistic expressions. The range of themes explored within these poems is equally impressive. The poets delve into a myriad of emotions, from themes of love, nature, and patriotism to the contemplation of life's transience and the aftermath of World War I. Their lyrical verses effortlessly transport readers to different emotional landscapes, reminding us of the transformative power of poetry. Furthermore, one cannot overlook the remarkable craftsmanship present throughout this collection. The poets demonstrate an exquisite command of language, utilizing vivid imagery and evocative metaphors to paint intricate portraits with their words. Each poem is a masterful tapestry of beautifully arranged phrases that captivate the reader's imagination and transcend the mere act of reading. However, amidst all its merits, Georgian Poetry 1918-19 might not resonate equally with every reader. Modern readers accustomed to contemporary styles and conventions might find some of the poetic forms and language archaic, which could pose a challenge for full immersion into the collection. Nonetheless, it is precisely this preservation of poetic traditions that allows us to appreciate the historical significance of the anthology. Ultimately, Georgian Poetry 1918-19 stands as a testament to the power of poetry to capture the spirit of a particular era. Through its varied styles, themes, and captivating craftsmanship, it offers a compelling glimpse into a crucial period in literary history. It serves as a valuable resource for both poetry enthusiasts and scholars, inviting readers to rediscover the beauty and intricacies of early 20th-century British poetry. First Page: GEORGIAN POETRY 1918 1919 EDITED BY SIR EDWARD MARSH TO THOMAS HARDY EIGHTH THOUSAND THE POETRY BOOKSHOP 35 Devonshire Street Theobalds Road W.C.1 MCMXX PREFATORY NOTE This is the fourth volume of the present series. I hope it may be thought to show that what for want of a better word is called Peace has not interfered with the writing of good poetry. Thanks and acknowledgements are due to Messrs. Beaumont, Blackwell, Collins, Constable, Fifield, Heinemann, Seeker, Selwyn & Blount, and Sidgwick & Jackson; and to the Editors of 'The Anglo French Review', 'The Athenæum', 'The Chapbook', 'Land and Water', 'The Nation', 'The New Statesman', 'The New Witness', 'The New World', 'The Owl', 'The Spectator', 'To day', 'Voices', and 'The Westminster Gazette'. E. M. September, 1919. CONTENTS LASCELLES ABERCROMBIE Witchcraft: New Style GORDON BOTTOMLEY Littleholme FRANCIS BRETT YOUNG Invocation (from 'Poems') Prothalamion February Lochanilaun Lettermore Song The Leaning Elm WILLIAM H. DAVIES Lovely Dames (from 'Forty New Poems') When Yon Full Moon On Hearing Mrs. Woodhouse Play the Harpsichord Birds Oh, Sweet Content! ... Continue reading book >>

Georgian Poetry 1918-19 By: Various

Georgian Poetry 1918-19 is an anthology that provides readers with a captivating glimpse into the literary landscape of the early 20th century. Compiled by various poets, this collection authentically represents the essence of the Georgian era and epitomizes the stylistic and thematic trends of the time.

One of the striking attributes of this anthology is the sheer diversity of the poetic styles it showcases. From traditional forms like sonnets and ballads to free verse and experimental structures, it embraces a spectrum of poetic techniques. This eclecticism not only showcases the versatility of the contributing poets but also highlights the richness of their artistic expressions.

The range of themes explored within these poems is equally impressive. The poets delve into a myriad of emotions, from themes of love, nature, and patriotism to the contemplation of life's transience and the aftermath of World War I. Their lyrical verses effortlessly transport readers to different emotional landscapes, reminding us of the transformative power of poetry.

Furthermore, one cannot overlook the remarkable craftsmanship present throughout this collection. The poets demonstrate an exquisite command of language, utilizing vivid imagery and evocative metaphors to paint intricate portraits with their words. Each poem is a masterful tapestry of beautifully arranged phrases that captivate the reader's imagination and transcend the mere act of reading.

However, amidst all its merits, Georgian Poetry 1918-19 might not resonate equally with every reader. Modern readers accustomed to contemporary styles and conventions might find some of the poetic forms and language archaic, which could pose a challenge for full immersion into the collection. Nonetheless, it is precisely this preservation of poetic traditions that allows us to appreciate the historical significance of the anthology.

Ultimately, Georgian Poetry 1918-19 stands as a testament to the power of poetry to capture the spirit of a particular era. Through its varied styles, themes, and captivating craftsmanship, it offers a compelling glimpse into a crucial period in literary history. It serves as a valuable resource for both poetry enthusiasts and scholars, inviting readers to rediscover the beauty and intricacies of early 20th-century British poetry.

First Page:

GEORGIAN

POETRY

1918 1919

EDITED BY SIR EDWARD MARSH

THOMAS HARDY

EIGHTH THOUSAND

THE POETRY BOOKSHOP 35 Devonshire Street Theobalds Road W.C.1 MCMXX

PREFATORY NOTE

This is the fourth volume of the present series. I hope it may be thought to show that what for want of a better word is called Peace has not interfered with the writing of good poetry.

Thanks and acknowledgements are due to Messrs. Beaumont, Blackwell, Collins, Constable, Fifield, Heinemann, Seeker, Selwyn & Blount, and Sidgwick & Jackson; and to the Editors of 'The Anglo French Review', 'The Athenæum', 'The Chapbook', 'Land and Water', 'The Nation', 'The New Statesman', 'The New Witness', 'The New World', 'The Owl', 'The Spectator', 'To day', 'Voices', and 'The Westminster Gazette'.

E. M.

September, 1919.

CONTENTS

LASCELLES ABERCROMBIE

Witchcraft: New Style

GORDON BOTTOMLEY

Littleholme

FRANCIS BRETT YOUNG

Invocation (from 'Poems') Prothalamion February Lochanilaun Lettermore Song The Leaning Elm

WILLIAM H. DAVIES

Lovely Dames (from 'Forty New Poems') When Yon Full Moon On Hearing Mrs. Woodhouse Play the Harpsichord Birds Oh, Sweet Content! ... Continue reading book >>

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