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The Grain of Dust By: David Graham Phillips (1867-1911) |
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THE GRAIN OF DUST
A NOVEL
BY DAVID GRAHAM PHILLIPS
ILLUSTRATED BY A.B. WENZELL 1911
LIST OF ILLUSTRATIONS
"'I will teach you to love he,' he cried" "'You won't make an out and out idiot of yourself, will you Ursula?'" "'Would you like to think I was marrying you for what you have? or for
any other reason whatever but for what you are?'" "'It has killed me,' he groaned." "She glanced complacently down at her softly glistening shoulders." "'Father . . . I have asked you not to interfere between Fred and me.'" "Evidently she had been crying." "At Josephine's right sat a handsome young foreigner."
THE GRAIN OF DUST
I
Into the offices of Lockyer, Sanders, Benchley, Lockyer & Norman,
corporation lawyers, there drifted on a December afternoon a girl in
search of work at stenography and typewriting. The firm was about the
most important and most famous radical orators often said infamous in
New York. The girl seemed, at a glance, about as unimportant and obscure
an atom as the city hid in its vast ferment. She was blonde tawny hair,
fair skin, blue eyes. Aside from this hardly conclusive mark of identity
there was nothing positive, nothing definite, about her. She was neither
tall nor short, neither fat nor thin, neither grave nor gay. She gave
the impression of a young person of the feminine gender that, and
nothing more. She was plainly dressed, like thousands of other girls,
in darkish blue jacket and skirt and white shirt waist. Her boots and
gloves were neat, her hair simply and well arranged. Perhaps in these
respects in neatness and taste she did excel the average, which is
depressingly low. But in a city where more or less strikingly pretty
women, bent upon being seen, are as plentiful as the blackberries of
Kentucky's July in New York no one would have given her a second look,
this quiet young woman screened in an atmosphere of self effacement. She applied to the head clerk. It so happened that need for another
typewriter had just arisen. She got a trial, showed enough skill to
warrant the modest wage of ten dollars a week; she became part of the
office force of twenty or twenty five young men and women similarly
employed. As her lack of skill was compensated by industry and
regularity, she would have a job so long as business did not slacken.
When it did, she would be among the first to be let go. She shrank into
her obscure niche in the great firm, came and went in mouse like
fashion, said little, obtruded herself never, was all but forgotten. Nothing could have been more commonplace, more trivial than the whole
incident. The name of the girl was Hallowell Miss Hallowell. On the
chief clerk's pay roll appeared the additional information that her
first name was Dorothea. The head office boy, in one of his occasional
spells of "freshness," addressed her as Miss Dottie. She looked at him
with a puzzled expression; it presently changed to a slight, sweet
smile, and she went about her business. There was no rebuke in her
manner, she was far too self effacing for anything so positive as the
mildest rebuke. But the head office boy blushed awkwardly why he did
not know and could not discover, though he often cogitated upon it. She
remained Miss Hallowell. Opposites suggest each other. The dimmest personality in those offices
was the girl whose name imaged to everyone little more than a pencil,
notebook, and typewriting machine. The vividest personality was
Frederick Norman. In the list of names upon the outer doors of the
firm's vast labyrinthine suite, on the seventeenth floor of the
Syndicate Building, his name came last and, in the newest lettering,
suggesting recentness of partnership. In age he was the youngest of the
partners. Lockyer was archaic, Sanders an antique; Benchley, actually
only about fifty five, had the air of one born in the grandfather class.
Lockyer the son dyed his hair and affected jauntiness, but was in fact
not many years younger than Benchley and had the stiffening jerky legs
of one paying for a lively youth... Continue reading book >>
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Fiction |
Literature |
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