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Great Singers, Second Series Malibran To Titiens   By: (1840-)

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George T. Ferris's Great Singers, Second Series Malibran To Titiens provides an insightful and comprehensive look into the lives and careers of some of the most legendary female opera singers of the 19th century. Ferris takes readers on a fascinating journey through the world of opera, exploring the unique talents and contributions of singers such as Maria Malibran, Jenny Lind, Adelina Patti, and more.

One of the book's greatest strengths is Ferris's meticulous research and attention to detail. The depth of information presented is truly impressive, with the author delving into the historical context, musical nuances, and personal anecdotes surrounding each singer. Ferris's passion for the subject matter shines through in every page, making it evident that he is not only a knowledgeable writer but also a devoted opera aficionado.

Moreover, Ferris's writing style is engaging and accessible to both opera enthusiasts and casual readers alike. While the book undoubtedly caters to those already familiar with the world of opera, Ferris ensures that the content remains accessible by avoiding excessive technical jargon and providing explanations for musical terms or opera-related conventions. This balance between expertise and inclusivity is one of the book's most commendable aspects.

Another standout feature is the inclusion of various illustrations and photographs, which bring the singers and their performances to life. These visual aids serve as a delightful accompaniment to the richly written descriptions, allowing readers to visualize the extraordinary talent and charisma of the featured artists. Ferris's inclusion of these visuals adds an extra layer of appreciation and authenticity to the book.

However, one minor drawback of Great Singers, Second Series Malibran To Titiens is that it focuses solely on female singers, neglecting the equally significant contributions of male opera performers during that era. While this omission does not detract significantly from the overall quality of the book, it is worth noting for readers seeking a more comprehensive exploration of the subject.

Nevertheless, George T. Ferris's Great Singers, Second Series Malibran To Titiens is a must-read for anyone passionate about opera history and the extraordinary women who shaped the art form. Ferris's impeccable research, engaging writing style, and thoughtful inclusion of visual aids make this book an informative and enjoyable experience for both newcomers and seasoned opera enthusiasts. It is an invaluable addition to any music lover's library, offering a deeper understanding and appreciation for the breathtaking talent of these remarkable singers.

First Page:

GREAT SINGERS

MALIBRAN TO TITIENS

SECOND SERIES

BY GEORGE T. FERRIS

NEW YORK

D. APPLETON AND COMPANY

1891

Copyright, 1881, By D. APPLETON AND COMPANY.

NOTE.

In the preparation of this companion volume of "Great Singers," the same limitations of purpose have guided the author as in the case of the earlier book, which sketched the lives of the greatest lyric artists from Faustina Bordoni to Henrietta Sontag. It has been impossible to include any but those who stand incontestably in the front rank of the operatic profession, except so far as some account of the lesser lights is essential to the study of those artistic lives whose names make the captions of these sketches. So, too, it has been attempted to embody, in several of the articles, intelligent, if not fully adequate, notice of a few of the greatest men singers, who, if they have not aroused as deep an enthusiasm as have those of the other sex, are perhaps justly entitled to as much consideration on art grounds. It will be observed that the great living vocalists have been excluded from this book, except those who, having definitely retired from the stage, may be considered as dead to their art. This plan has been pursued, not from any undervaluation of the Pattis, the Nilssons, and the Luccas of the present musical stage, but because, in obeying that necessity imposed by limitation of space, it has seemed more desirable to exclude those whose place in art is not yet finally settled, rather than those whose names belong to history, and who may be seen in full perspective... Continue reading book >>




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