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A History of English Romanticism in the Eighteenth Century By: Henry A. Beers (1847-1926) |
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E text prepared by Jeanette Hayward and Al Haines. Dedicated to the memory
of James Hayward. A HISTORY OF ENGLISH ROMANTICISM IN THE EIGHTEENTH CENTURY by HENRY A. BEERS Author of A Suburban Pastoral , The Ways of Vale , etc. "Was unsterblich im Gesang soll leben Muss im Leben untergehen."
Schiller
PREFACE Historians of French and German literature are accustomed to set off a
period, or a division of their subject, and entitle it "Romanticism" or
"the Romantic School." Writers of English literary history, while
recognizing the importance of England's share in this great movement in
European letters, have not generally accorded it a place by itself in the
arrangement of their subject matter, but have treated it cursively, as a
tendency present in the work of individual authors; and have maintained a
simple chronological division of eras into the "Georgian,", the
"Victorian," etc. The reason of this is perhaps to be found in the fact
that, although Romanticism began earlier in England than on the Continent
and lent quite as much as it borrowed in the international exchange of
literary commodities, the native movement was more gradual and scattered.
It never reached so compact a shape, or came so definitely to a head, as
in Germany or France. There never was precisely a "romantic school" or
an all pervading romantic fashion in England. There is, therefore, nothing in English corresponding to Heine's
fascinating sketch "Die Romantische Schule," or to Théophile Gautier's
almost equally fascinating and far more sympathetic "Histoire du
Romantisme." If we can imagine a composite personality of Byron and De
Quincey, putting on record his half affectionate and half satirical
reminiscences of the contemporary literary movement, we might have
something nearly equivalent. For Byron, like Heine, was a repentant
romanticist, with "radical notions under his cap," and a critical theory
at odds with his practice; while De Quincey was an early disciple of
Wordsworth and Coleridge, as Gautier was of Victor Hugo, and at the
same time a clever and slightly mischievous sketcher of personal traits. The present volume consists, in substance, of a series of lectures given
in elective courses in Yale College. In revising it for publication I
have striven to rid it of the air of the lecture room, but a few
repetitions and didacticisms of manner may have inadvertently been left
in. Some of the methods and results of these studies have already been
given to the public in "The Beginnings of the English Romantic Movement,"
by my present associate and former scholar, Professor William Lyon
Phelps. Professor Phelps' little book (originally a doctorate thesis)
follows, in the main, the selection and arrangement of topics in my
lectures. En revanche I have had the advantage of availing myself of
his independent researches on points which I have touched but slightly;
and particularly of his very full treatment of the Spenserian imitations. I had at first intended to entitle the book "Chapters toward a History of
English Romanticism, etc."; for, though fairly complete in treatment, it
makes no claim to being exhaustive. By no means every eighteenth century
writer whose work exhibits romantic motives is here passed in review.
That very singular genius William Blake, e.g. , in whom the influence of
"Ossian," among other things, is so strongly apparent, I leave untouched;
because his writings partly by reason of their strange manner of
publication were without effect upon their generation and do not form a
link in the chain of literary tendency. If this volume should be favorably received, I hope before very long to
publish a companion study of English romanticism in the nineteenth
century. H.A.B.
October, 1898.
CONTENTS Chapter I. The Subject Defined II. The Augustans III. The Spenserians IV. The Landscape Poets |
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