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How to See a Play   By: (1861-1940)

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Richard Burton's book, How to See a Play, is a valuable resource for theater enthusiasts. From the moment I started reading, I was immediately captivated by Burton's insightful perspective and vast knowledge of the subject matter.

One of the book's strengths lies in its organization. Burton takes readers on an impressive journey through the world of theater, covering everything from the history of dramatic arts to the various types of plays and their respective genres. This comprehensive approach allows both newcomers and seasoned theatergoers to gain a deeper understanding of the art form, enhancing their overall appreciation.

Burton's writing style is engaging and welcoming. The author's passion for theater shines through each page, making the book incredibly enjoyable to read. His anecdotes and personal experiences add a delightful touch, seamlessly blending entertainment with education. I found myself eagerly absorbing the wealth of knowledge he imparts, feeling inspired to explore the theater world further.

Moreover, How to See a Play showcases Burton's exceptional ability to analyze and interpret plays. He effectively breaks down complex concepts, such as character development, plot structure, and thematic elements, making them accessible to all readers. This level of articulation allows individuals to truly engage with the performances they witness, enhancing their overall theater-going experience.

One aspect that impressed me the most was Burton's emphasis on the importance of context. He encourages readers to consider the historical, cultural, and societal influences that shape a play, thereby deepening their understanding and connection with the material. This thought-provoking approach challenges the reader to look beyond the surface and appreciate the intricate layers within a theatrical production.

Although the book primarily focuses on Western theater, Burton's inclusion of diverse examples and references ensures a broad perspective. I appreciated his efforts to highlight the works of playwrights from different eras and cultures, expanding the reader's horizons and encouraging further exploration. This global approach fosters a richer understanding of theater as a universal art form that transcends boundaries.

In conclusion, Richard Burton's How to See a Play is an enlightening and enriching guide for anyone interested in theater. The author's expertise, combined with his engaging writing style, makes this an invaluable resource. Whether you are a novice or a seasoned theater enthusiast, this book will undoubtedly deepen your appreciation for the art while guiding you to develop a more discerning eye for performances.

First Page:

HOW TO SEE A PLAY

BY RICHARD BURTON

New York THE MACMILLAN COMPANY 1914

Now here are twenty criticks ... and yet every one is a critick after his own way; that is, such a play is best because I like it. A very familiar argument, methinks, to prove the excellence of a play, and to which an author would be very unwilling to appeal for his success.

From Farquhar's A Discourse Upon Comedy.

COPYRIGHT, 1914 BY THE MACMILLAN COMPANY

Set up and Electrotyped. Published November, 1914 THE MACMILLAN COMPANY NEW YORK BOSTON CHICAGO DALLAS ATLANTA SAN FRANCISCO

MACMILLAN & CO., LIMITED LONDON BOMBAY CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, LTD. TORONTO

PREFACE

Chapter: I, II, III, IV, V, VI, VII, VIII, IX, X, XI

NOTES

PREFACE

This book is aimed squarely at the theater goer. It hopes to offer a concise general treatment upon the use of the theater, so that the person in the seat may get the most for his money; may choose his entertainment wisely, avoid that which is not worth while, and appreciate the values artistic and intellectual of what he is seeing and hearing.

This purpose should be borne in mind, in reading the book, for while I trust the critic and the playwright may find the discussion not without interest and sane in principle, the desire is primarily to put into the hands of the many who attend the playhouse a manual that will prove helpful and, so far as it goes, be an influence toward creating in this country that body of alert theater auditors without which good drama will not flourish... Continue reading book >>




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