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Hymni ecclesiae By: John Henry Newman (1801-1890) |
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PARS I
E BREVIARIO PARISIENSI
PARS II
E BREVIARIIS
ROMANO, SARISBURIENSI, EBORACENSI
ET ALIUNDE
Londini
APUD
ALEXANDRUM MACMILLAN
1865 OXONII
EXCUDEBANT
T. COMBE, A. M., E. PICKARD HALL, ET H. LATHAM, A. M.
ACADEMIAE TYPOGRAPHI.
HYMNI ECCLESIAE.
PARS I.
E BREVIARIO PARISIENSI.
PREFACE.
Of the three kinds of poetical composition which, in accordance with the
Apostle's direction, have ever been in use in the Church, "Psalms and
Hymns and Spiritual Songs," two are supplied by inspiration. We have no
need, through God's bounty, to turn our thoughts to the composition of
Psalms or Songs; and, to judge from the attempts which have been made,
doubtless we are unequal to it. And the unapproachable excellence of the
two which have been supplied serves to suggest the difficulties which
beset the composition of the third which has not been supplied. Indeed,
it is hardly too strong to say that to write Hymns is as much beyond us
as to originate Psalmody. The peculiarity of the Psalms is their coming
nearer than any other kind of devotion to a converse with the powers of
the unseen world. They are longer and freer than Prayers; and, as being
so, are less a direct address to the Throne of Grace than a sort of
intercourse, first with oneself, then with one's brethren, then with
Saints and Angels, nay, even the world and all creatures. They consist
mainly of the praises of God; and the very nature of praise involves a
certain abstinence from intimate approaches to Him, and the introduction
of other beings into our thoughts, through whom our offering may come
round to Him. For as He, and He only, is the direct object of prayer, so
it is more becoming not to regard Him as directly addressed in praise,
which would imply passing a judgment on Him who is above all scrutiny and
all standards. The Seraphim cried one to another , "Holy, Holy, Holy,"
veiling their faces, neither looking nor speaking to Him. The Psalms,
then, as being praises and thanksgivings, are the language, the ordinary
converse, as it may be called, of Saints and Angels in heaven; and, being
such, could not be written except by men who had heard the "unspeakable
things" which there are uttered. In this light they are more difficult
than Prayers. Beggars can express their wants to a prince; they cannot
converse like his courtiers. Much the same remark may be made about the Songs or Canticles of the
Church, which are also inspired, and are a kind of Psalms written for
particular occasions, chiefly occasions of thanksgiving. Such are the two
Songs of Moses, the Song of Hannah, those in Isaiah, the Song of
Hezekiah, of Habakkuk, of the Three Children, of Zacharias, of the
Blessed Virgin, and of Simeon, most of which are in the Breviary, and the
last four are retained in our own Reformed Prayer Book. Yet though Hymns, as being of a measured length, and restrained
metrically, are so far safer to attempt than Psalms or Songs, they have
their own peculiar difficulties. They are direct addresses to Almighty
God, which ever must be most difficult to the serious mind, whatever be
the difficulty of other devotions. This, in the instance of Prayers, has
led to the use of Sentences, such as occur in our own Services; which,
besides the advantage of extreme brevity, for the most part admit of
being taken from Scripture. It has led also to the repetition of the
Lord's Prayer, and of the Kyrie Eleison ; and, again, to the use of
Collects, which lessen the difficulty of addressing God by subjecting it
to fixed rules... Continue reading book >>
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