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I Like Martian Music   By: (1927-)

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There have been a number of interesting theories advanced about life on Mars, but few have equalled Charles Fritch's intriguing picture of the world of Longtree and Channeljumper in its infinite variations, tonal and thematic. The Mars of these two is an old culture, old and finite.

i like martian music


Longtree played. His features relaxed into a gentle smile of happiness and his body turned a bright red orange.

Longtree sat before his hole in the ground and gazed thoughtfully among the sandy red hills that surrounded him. His skin at that moment was a medium yellow, a shade between pride and happiness at having his brief symphony almost completed, with just a faint tinge of red to denote that uncertain, cautious approach to the last note which had eluded him thus far.

He sat there unmoving for a while, and then he picked up his blowstring and fitted the mouthpiece between his thin lips. He blew into it softly and at the same time gently strummed the three strings stretching the length of the instrument. The note was a firm clear one which would have made any other musician proud.

But Longtree frowned, and at the disappointment his body flushed a dark green and began taking on a purple cast of anger. Hastily, he put down the blowstring and tried to think of something else. Slowly his normal color returned.

Across the nearest hill came his friend Channeljumper, striding on the long thin ungainly legs that had given him his name. His skin radiated a blissful orange.

"Longtree!" Channeljumper exclaimed enthusiastically, collapsing on the ground nearby and folding his legs around him. "How's the symphony coming?"

"Not so good," Longtree admitted sadly, and his skin turned green at the memory. "If I don't get that last note, I may be this color the rest of my life."

"Why don't you play what you've written so far. It's not very long, and it might cheer you up a bit."

You're a good friend, Channeljumper, Longtree thought, and when Redsand and I are married after the Music Festival we'll have you over to our hole for dinner. As he thought this, he felt his body take on an orange cast, and he felt better.

"I can't seem to get that last note," he said, picking up the blowstring again and putting it into position. "The final note must be conclusive, something complete in itself and yet be able to sum up the entire meaning of the symphony preceding it."

Channeljumper hummed sympathetically. "That's a big job for one note. It might be a sound no one has ever heard before."

Longtree shrugged. "It may even sound alien ," he admitted, "but it's got to be the right note."

"Play, and we'll see," Channeljumper urged.

Longtree played. And as he played, his features relaxed into a gentle smile of happiness and his body turned orange. Delicately, he strummed the three strings of the blowstring with his long nailed fingers, softly he pursed his frail lips and blew expertly into the mouthpiece.

From the instrument came sounds the like of which Channeljumper had never before heard. The Martian sat and listened in evident rapture, his body radiating a golden glow of ecstasy. He sat and dreamed, and as the music played, his spine tingled with growing excitement. The music swelled, surrounding him, permeating him, picking him up in a great hand and sweeping him into new and strange and beautiful worlds worlds of tall metal structures, of vast stretches of greenness and of water and of trees and of small pale creatures that flew giant metal insects. He dreamed of these things which his planet Mars had not known for millions of years.

After a while, the music stopped, but for a moment neither of them said anything.

At last Channeljumper sighed. "It's beautiful," he said.

"Yes," Longtree admitted.

"But " Channeljumper seemed puzzled "but somehow it doesn't seem complete. Almost, but not quite. As though as though "

Longtree sighed. "One more note would do it. One more note no more, no less at the end of the crescendo could tie the symphony together and end it... Continue reading book >>

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