Irish Plays and Playwrights   By: Cornelius Weygandt (1871-1957)

Irish Plays and Playwrights by Cornelius Weygandt is a comprehensive and insightful exploration of the rich tradition of Irish theatre. This book offers a detailed analysis of some of the most significant Irish plays and their respective playwrights, providing a valuable resource for both scholars and theater enthusiasts alike.

Weygandt's meticulous research and evident passion for the subject shine through in every chapter of this book. He delves deep into the historical context and cultural background of each play, offering readers a profound understanding of the societal issues and struggles faced by the Irish people during various periods. By intertwining literary analysis with historical explanations, the author highlights the profound impact that Irish plays have had on both the artistic and political realms.

One aspect that sets this book apart is Weygandt's superb storytelling skills. He effortlessly weaves anecdotes and personal accounts into his analysis, bringing the plays to life in a highly engaging manner. Through his vivid descriptions, readers get a sense of the atmosphere of the original productions and the reactions they evoked from audiences. This approach not only enhances the reader's enjoyment but also provides valuable insights into the reception and interpretation of these plays over the years.

Furthermore, Weygandt's book showcases a diverse range of Irish playwrights, from well-known figures like Sean O'Casey and George Bernard Shaw to lesser-known talents. The author provides in-depth examinations of the major works of these playwrights, shedding light on their artistic vision, thematic concerns, and narrative techniques. By presenting a broad spectrum of Irish plays, Weygandt ensures that readers gain a comprehensive understanding of the development and evolution of Irish theatre.

The book is not limited to textual analysis alone; it also explores the wider societal and political implications of Irish plays. Weygandt eloquently addresses how these plays often served as a platform for expressing Irish nationalism, challenging societal norms, and advocating for social change. This broader perspective adds depth and relevance to the discussion, underscoring the significance of Irish theatre within a larger historical and cultural framework.

Although Irish Plays and Playwrights is an academic work, the author's writing style remains accessible and engaging throughout. Weygandt successfully balances extensive research with an enjoyable reading experience, ensuring that the book appeals to both specialized experts and general readers seeking a deeper understanding of Irish theatre.

In conclusion, Irish Plays and Playwrights by Cornelius Weygandt is an exceptional exploration of the vibrant world of Irish theatre. With its comprehensive analysis, insightful commentary, and engaging storytelling, this book serves as an invaluable resource for anyone interested in Irish literature, theater, or cultural history. Weygandt's profound knowledge and genuine enthusiasm make this book a true testament to the artistic achievements of Irish playwrights and a pleasure to read.

First Page:

There are so many who have helped me with this book that I cannot begin to thank them one by one. If I name any, however, there are four I would name together. There is my old friend, long since dead, Lawrence Kelly, of County Wexford, who first told me Irish folk stories, adding to the wonderment of my boyhood with his tales of Finn McCool, Dean Swift, and "The Red haired Man." There is Dr. Robert Ellis Thompson, of Philadelphia, who quickened, by his enthusiasm, over "twenty golden years ago," my interest in all things Irish. There is Dr. Clarence Griffin Child, my colleague, who recognized the power of these men I write of in "Irish Plays and Playwrights" when there were fewer to recognize their power than there are to day. There is Mr. John Quinn, of New York, without whose aid ten years ago the current Irish dramatic movement would not have progressed as it has. He has lent for reproduction here the sketches by Mr. J.B. Yeats of Synge, Mr. George Moore, and Mr. Padraic Colum. All but all of the writers I mention particularly in these chapters have put me under obligation by cheerful response to many letters full of questions as to their work... Continue reading book >>