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Journal of an African Cruiser   By: (1806-1893)

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In the Journal of an African Cruiser, author Horatio Bridge takes readers on a captivating and insightful journey through his experiences as a young United States Navy officer sailing along the African coastline in the early 19th century. This book offers a unique perspective on the naval exploration and encounters with indigenous peoples during a time of great exploration and expansion.

One of the most commendable aspects of Bridge's narrative is his ability to vividly depict the natural wonders of Africa. His descriptions of the landscapes, flora, and fauna are both evocative and educational, allowing readers to visualize the untamed beauty and diversity of the continent. From encounters with elephants and lions to mesmerizing sunsets over vast savannahs, Bridge's words paint a rich tapestry of Africa's natural marvels.

However, what truly sets this memoir apart is Bridge's candid observations on the cultural aspects of the African societies he encounters. While some of his musings may appear dated to modern readers, it is essential to remember that this journal was written during a time when racial biases were deeply ingrained. Yet, despite these biases, Bridge displays an earnest attempt to comprehend and document the customs, traditions, and beliefs of the African people he encounters. This willingness to engage with different cultures and challenge his own preconceptions is commendable, especially given the historical context.

Another notable strength of the Journal is the author's ability to weave personal anecdotes seamlessly into the narrative. Bridge's witty and often self-deprecating tales of life at sea add an engaging and human touch to an otherwise academic account. His anecdotes reveal the challenges of naval service, ranging from the demanding routines to the thrill of hunting pirates and slavers. These personal stories provide readers with a broader understanding of life in the military during this era while also highlighting Bridge's growth as a person throughout his voyages.

However, it is worth noting that the Journal of an African Cruiser is not without its flaws. At times, Bridge's writing can be verbose, resulting in overly elaborate descriptions or unnecessarily convoluted sentences. Additionally, his perspectives on race and imperialism, although reflective of the prevailing attitudes of the time, may be discomforting to some readers. Nevertheless, these flaws should not overshadow the book's overall value as a primary source of historical information and a window into the world of African exploration.

In conclusion, Horatio Bridge's Journal of an African Cruiser is a compelling memoir that effectively combines adventure, natural exploration, and cultural insight. Through his vivid descriptions of Africa's landscapes and his thoughtful reflections on the diverse peoples he encounters, Bridge offers readers an intriguing and often illuminating account of his experiences as a young naval officer. Despite some flaws, this book remains a valuable resource for understanding the complexities of exploration and the historical context in which these expeditions unfolded.

First Page:

JOURNAL

OF AN

AFRICAN CRUISER:

COMPRISING SKETCHES OF THE CANARIES, THE CAPE DE VERDS, LIBERIA, MADEIRA, SIERRA LEONE, AND OTHER PLACES OF INTEREST ON THE WEST COAST OF AFRICA.

BY AN OFFICER OF THE U. S. NAVY.

EDITED BY NATHANIEL HAWTHORNE.

LONDON: WILEY AND PUTNAM, 6, WATERLOO PLACE 1845

[ENTERED AT STATIONERS' HALL.]

PREFACE.

The following pages have afforded occupation for many hours, which might else have been wasted in idle amusements, or embittered by still idler regrets at the destiny which carried the writer to a region so little seductive as Africa, and kept him there so long. He now offers them to the public, after some labor bestowed in correction and amendment, but retaining their original form, that of a daily Journal, which better suited his lack of literary practice and constructive skill, and was in fitter keeping with the humble pretensions of the work, than a re arrangement on artistic principles. At various points of the narrative, however, he has introduced observations or disquisitions from two or three common place books, which he kept simultaneously with the Journal; and thus, in a few instances, remarks are inserted as having been made early in the cruise, while, in reality, they were perhaps the ultimate result of his reflection and judgment upon the topics discussed... Continue reading book >>




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