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The King Of Beaver, and Beaver Lights From "Mackinac And Lake Stories", 1899   By: (1847-1902)

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The King of Beaver, and Beaver Lights is a captivating collection of stories that takes readers on a journey through the historical landscapes of Mackinac and Lake regions. Authored by Mary Hartwell Catherwood in 1899, this book offers a delightful blend of folklore, history, and imaginative storytelling.

The highlight of this collection is undoubtedly the titular story, "The King of Beaver." Set in the lush wilderness of Michigan, the story follows the adventures of a Native American chief who possesses an extraordinary ability to communicate with beavers. Catherwood's masterful storytelling brings the characters and settings to life, immersing readers in a world of natural beauty and ancient traditions. The concept of a "beaver king" may sound whimsical at first, but through her vivid descriptions, Catherwood manages to make it seem entirely plausible.

Another noteworthy tale in this collection is "Beaver Lights." In this story, Catherwood focuses on the mysterious phenomena of beaver lights, rumored to be supernatural occurrences connected to the beavers themselves. The author explores the legend surrounding these lights and expertly weaves it into a suspenseful narrative filled with intrigue and wonder. Readers will find themselves eagerly turning pages to uncover the truth behind these mystifying events.

One of the remarkable aspects of Catherwood's writing is her attention to historical and cultural details. Her in-depth research shines through, effortlessly transporting readers to a bygone era. The descriptions of the landscape, the Native American customs, and the early settlements create a richly textured backdrop against which the stories unfold. It is evident that Catherwood was not only a skilled writer but also a keen observer of the world around her.

The language used in this collection is exquisite, reflecting the literary style of the late 19th century. Catherwood's prose is lyrical, evocative, and painted with a delicate touch. She expertly captures the beauty of nature, making it a character in its own right. The dialogue is authentic and distinct, adding depth to the characters and lending credibility to their experiences.

While the stories themselves are relatively short, Catherwood's ability to create a sense of wonder and adventure compensates for their brevity. Each narrative feels like a glimpse into a hidden world, leaving readers yearning for more. The book's exploration of the human connection to the natural world and the interplay between myth and reality is thought-provoking and adds an extra layer of depth to the stories.

Overall, The King of Beaver, and Beaver Lights is a delightful read that will transport readers to a time and place filled with enchantment and intrigue. Mary Hartwell Catherwood's storytelling prowess shines through in this collection, making it a must-read for those who appreciate historical fiction, folklore, and the wonders of the natural world.

First Page:

THE KING OF BEAVER AND BEAVER LIGHTS

From "Mackinac And Lake Stories", 1899

By Mary Hartwell Catherwood

THE KING OF BEAVER

Success was the word most used by the King of Beaver. Though he stood before his people as a prophet assuming to speak revelations, executive power breathed from him. He was a tall, golden tinted man with a head like a dome, hair curling over his ears, and soft beard and mustache which did not conceal a mouth cut thin and straight. He had student hands, long and well kept. It was not his dress, though that was careful as a girl's, which set him apart from farmers listening on the benches around him, but the keen light of his blue eyes, wherein shone the master.

Emeline thought she had never before seen such a man. He had an attraction which she felt loathsome, and the more so because it drew some part of her irresistibly to him. Her spirit was kin to his, and she resented that kinship, trying to lose herself among farmers' wives and daughters, who listened to their Prophet stolidly, and were in no danger of being naturally selected by him. This moral terror Emeline could not have expressed in words, and she hid it like a shame. She also resented the subservience of her kinspeople to one no greater than herself. Her stock had been masters of men.

As the King of Beaver slowly turned about the circle he encountered this rebel defying his assumption, and paused in his speaking a full minute, the drowsy farmers seeing merely that notes were being shifted and rearranged on the table... Continue reading book >>




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