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The Last Tournament   By: (1809-1892)

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In The Last Tournament, Alfred Tennyson skillfully intertwines romance, chivalry, and tragedy to create a captivating tale set in Arthurian legend. Breaking away from conventional narratives, Tennyson explores the darker side of human nature as he delves into themes of betrayal and moral ambiguity.

The story follows the last grand tournament at Camelot, where Queen Guinevere's infidelity sets off a chain of events that ultimately leads to the downfall of the Round Table. Tennyson masterfully depicts the complexities of the characters, making them relatable despite their flaws. The reader is compelled to empathize with the internal conflicts that torment them, lending a sense of authenticity to the narrative.

The author's lyrical and evocative language transports the reader to the vibrant world of ancient Camelot. The descriptions are vivid and richly detailed, immersing the reader in the noble halls, lush meadows, and bustling marketplaces of the kingdom. Tennyson's use of metaphor and symbolism adds depth to the story, allowing for a deeper exploration of the characters' psyche.

One of the greatest strengths of The Last Tournament is its exploration of gender roles and the limitations placed upon women in medieval society. Tennyson brings to light the consequences of a restrictive patriarchal system through the character of Guinevere, a woman condemned for her desires. Through her plight, he challenges societal norms and offers a provocative commentary on the double standards women face.

However, at times, the narrative can be somewhat convoluted and difficult to follow. The complex web of relationships and multiple perspectives can occasionally lead to confusion, requiring the reader to carefully piece together the various plotlines. Despite this, the story remains engaging, keeping the reader invested in the outcome of the characters.

Ultimately, The Last Tournament is a poignant and thought-provoking work. Tennyson’s exploration of human nature, his immersive descriptions, and his commentary on societal expectations make it a worthwhile read for fans of Arthurian legends or those interested in the complexities of human morality.

First Page:

Ted Garvin and the Distributed Proofreading Team

THE LAST TOURNAMENT

BY

ALFRED TENNYSON, D.C.L.,

POET LAUREATE

AUTHOR'S EDITION

FROM ADVANCE SHEETS

This poem forms one of the "Idyls of the King." Its place is between "Pelleas" and "Guinevere."

BY ALFRED TENNYSON,

POET LAUREATE

Dagonet, the fool, whom Gawain in his moods Had made mock knight of Arthur's Table Round, At Camelot, high above the yellowing woods, Danced like a wither'd leaf before the Hall. And toward him from the Hall, with harp in hand, And from the crown thereof a carcanet Of ruby swaying to and fro, the prize Of Tristram in the jousts of yesterday, Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once Far down beneath a winding wall of rock Heard a child wail. A stump of oak half dead, From roots like some black coil of carven snakes Clutch'd at the crag, and started thro' mid air Bearing an eagle's nest: and thro' the tree Rush'd ever a rainy wind, and thro' the wind Pierced ever a child's cry: and crag and tree Scaling, Sir Lancelot from the perilous nest, This ruby necklace thrice around her neck, And all unscarr'd from beak or talon, brought A maiden babe; which Arthur pitying took, Then gave it to his Queen to rear: the Queen But coldly acquiescing, in her white arms Received, and after loved it tenderly, And named it Nestling; so forgot herself A moment, and her cares; till that young life Being smitten in mid heaven with mortal cold Past from her; and in time the carcanet Vext her with plaintive memories of the child: So she, delivering it to Arthur, said, "Take thou the jewels of this dead innocence, And make them, an thou wilt, a tourney prize... Continue reading book >>




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