The Last of the Barons   By: Edward George Bulwer-Lytton (1803-1873)

By Edward Bulwer Lytton

DEDICATORY EPISTLE.

I dedicate to you, my indulgent Critic and long tried Friend, the work which owes its origin to your suggestion. Long since, you urged me to attempt a fiction which might borrow its characters from our own Records, and serve to illustrate some of those truths which History is too often compelled to leave to the Tale teller, the Dramatist, and the Poet. Unquestionably, Fiction, when aspiring to something higher than mere romance, does not pervert, but elucidate Facts. He who employs it worthily must, like a biographer, study the time and the characters he selects, with a minute and earnest diligence which the general historian, whose range extends over centuries, can scarcely be expected to bestow upon the things and the men of a single epoch. His descriptions should fill up with colour and detail the cold outlines of the rapid chronicler; and in spite of all that has been argued by pseudo critics, the very fancy which urged and animated his theme should necessarily tend to increase the reader's practical and familiar acquaintance with the habits, the motives, and the modes of thought which constitute the true idiosyncrasy of an age. More than all, to Fiction is permitted that liberal use of Analogical Hypothesis which is denied to History, and which, if sobered by research, and enlightened by that knowledge of mankind (without which Fiction can neither harm nor profit, for it becomes unreadable), tends to clear up much that were otherwise obscure, and to solve the disputes and difficulties of contradictory evidence by the philosophy of the human heart.

My own impression of the greatness of the labour to which you invited me made me the more diffident of success, inasmuch as the field of English historical fiction had been so amply cultivated, not only by the most brilliant of our many glorious Novelists, but by later writers of high and merited reputation. But however the annals of our History have been exhausted by the industry of romance, the subject you finally pressed on my choice is unquestionably one which, whether in the delineation of character, the expression of passion, or the suggestion of historical truths, can hardly fail to direct the Novelist to paths wholly untrodden by his predecessors in the Land of Fiction.

Encouraged by you, I commenced my task; encouraged by you, I venture, on concluding it, to believe that, despite the partial adoption of that established compromise between the modern and the elder diction, which Sir Walter Scott so artistically improved from the more rugged phraseology employed by Strutt, and which later writers have perhaps somewhat overhackneyed, I may yet have avoided all material trespass upon ground which others have already redeemed from the waste. Whatever the produce of the soil I have selected, I claim, at least, to have cleared it with my own labour, and ploughed it with my own heifer.