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Letters on International Copyright; Second Edition   By: (1793-1879)

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Letters on International Copyright; Second Edition by H. C. (Henry Charles) Carey is a remarkable and thought-provoking exploration of the concept of copyright and its implications on a global scale. This book serves as an essential resource for anyone interested in the intricate world of intellectual property rights, shedding light on the historical, legal, and economic factors that underpin this complex issue.

Carey delves deep into the subject matter, presenting a comprehensive analysis of copyright laws and their development from a global perspective. By examining various international treaties, national legislations, and their impact on the flow of information and creative works, the author demonstrates an exceptional understanding of the intricacies of copyright systems worldwide.

One of the strengths of this book is Carey's ability to provide a balanced and well-reasoned argument on the importance of copyright protection. He acknowledges the need for creators and innovators to be granted exclusive rights to their work as an incentive for creative endeavors. However, Carey also emphasizes the necessity for a fair and harmonized system that balances the interests of both copyright holders and the wider society.

Carey's writing style is engaging and accessible, making the complex subject matter approachable to readers from various backgrounds. Through a series of letters, the author presents his ideas in a conversational tone, enhancing readability while maintaining the rigor of his arguments. The structure of the book allows for easy navigation and comprehension, as each letter focuses on a distinct aspect of the copyright debate, building upon the previous discussions to form a comprehensive narrative.

Moreover, the second edition of Letters on International Copyright incorporates valuable updates and revisions, taking into account recent developments in international copyright law. This demonstrates the author's commitment to staying current with the evolving landscape of copyright regulations and ensuring the accuracy of his work.

While this book undoubtedly provides valuable insights into the copyright debate, it does have a few limitations. For instance, the historical context and examples used in the text primarily revolve around the United States and Europe, leaving out perspectives from other regions. Additionally, some readers might find the book's extensive focus on legal and economic aspects overwhelming, and it may have benefitted from a more concise exploration of certain concepts.

Overall, Letters on International Copyright; Second Edition is an indispensable resource for scholars, policymakers, and anyone interested in the intricacies of copyright law. Carey's expertise shines through as he presents a balanced and comprehensive analysis of copyright from a global perspective. By examining the economic implications, legal foundations, and historical context of copyright, Carey provides readers with a nuanced understanding of this vital aspect of our modern creative society.

First Page:

LETTERS

ON

INTERNATIONAL COPYRIGHT:

BY

H. C. CAREY,

AUTHOR OF "PRINCIPLES OF SOCIAL SCIENCE," ETC. ETC.

SECOND EDITION.

NEW YORK:

PUBLISHED BY HURD AND HOUGHTON,

459 BROOME STREET.

1868.

RIVERSIDE, CAMBRIDGE:

PRINTED BY H. O. HOUGHTON AND COMPANY.

PREFACE.

At the date, now fourteen years since, of the first publication of these letters, the important case of authors versus readers makers of books versus consumers of facts and ideas had for several years been again on trial in the high court of the people. But few years previously the same plaintiffs had obtained a verdict giving large extension of time to the monopoly privileges they had so long enjoyed. Not content therewith, they now claimed greater space , desiring to have those privileges so extended as to include within their domain the vast population of the British Empire. To that hour no one had appeared before the court on the part of the defendants, prepared seriously to question the plaintiffs' assertion to the effect that literary property stood on the same precise footing, and as much demanded perpetual and universal recognition, as property in a house, a mine, a farm, or a ship. As a consequence of failure in this respect there prevailed, and most especially throughout the Eastern States, a general impression that there was really but one side to the question; that the cause of the plaintiffs was that of truth; that in the past might had triumphed over right; that, however doubtful might be the expediency of making a decree to that effect, there could be little doubt that justice would thereby be done; and that, while rejecting as wholly inexpedient the idea of perpetuity, there could be but slight objection to so far recognizing that of universality as to grant to British authors the same privileges that thus far had been accorded to our own... Continue reading book >>




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