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Littérature Française (Première Année) Moyen-Âge, Renaissance, Dix-Septième Siècle   By:

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Littérature Française (Première Année) Moyen-Âge, Renaissance, Dix-Septième Siècle by Eugène Aubert is an excellent resource for anyone studying French literature from the Middle Ages, Renaissance, and 17th century. The book provides a comprehensive overview of the key literary movements and works from these periods, offering insightful analysis and commentary to aid in understanding the cultural and historical context in which they were written.

Aubert's writing style is clear and engaging, making even complex literary concepts accessible to readers. The book is well-organized, with each chapter focusing on a specific time period and providing ample examples of works from that era. The inclusion of excerpts from various texts allows readers to familiarize themselves with the language and themes of the literature discussed.

Overall, Littérature Française is a valuable resource for students and scholars of French literature, offering a thorough examination of some of the most important works from the Middle Ages, Renaissance, and 17th century. Aubert's expertise and passion for the subject shine through in this well-researched and informative book.

First Page:

NORMAL SÉRIES

LITTÉRATURE FRANÇAISE

PREMIÈRE ANNÉE

MOYEN ÂGE, RENAISSANCE, DIX SEPTIÈME SIÈCLE

PAR

E. AUBERT

Normal College, New York, auteur des Échos et Reflets, du Colloquial French Drill, et des Élans et Tristesses.

[Illustration: Editor's arms.]

NEW YORK HENRY HOLT AND COMPANY

Copyright, 1885, by Henry HOLT & Co.

PREFACE.

This volume contains in substance the first part of the course on French Literature given in the Normal College.

Though adapted to the requirements of a special programme and to certain conditions of space and time, it can with advantage be used wherever an interest is taken or instruction given in French Literature. It recommends itself particularly to American teachers and students as a book, not imported into, but grown out of, the class room.

The biographical and critical notices are short, comprehensive, in the clearest and simplest possible style. There is nothing elaborate in them, nothing superfluous. Each of them is followed by a criticism on the writer under consideration, by some one whose judgment is of some account in the world of letters. It is both interesting and instructive to know what good critics think of good writers.

The texts from the latter have been selected with great care... Continue reading book >>




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